Enjoyable effects-filled no-brainer
1 November 2007
Warning: Spoilers
From Italian genre expert Antonio Margheriti, or "Anthony M. Dawson" as he was known to the English speaking world, best known for films about cannibals and killer fish. In 1960 he started an entire genre of spaghetti sci-fi films with Assignment: Outer Space. It was a typically Italian exercise in creating something out of nothing, and not surprisingly at a time when any film with Hercules in the title meant instant box-office, it was sold around the world. For his second space opera Margheriti was handed a bigger budget - which means he was given slightly more than nothing - to create an ambitious, not to mention enjoyable, effects-filled no-brainer: the 1961 Battle Of The Worlds.

More moolah meant star billing for an imported American actor. So, almost 30 years after playing The Invisible Man, aging raconteur Claude Raines plays Professor Benson, a cranky, wordy, gas-filled yet sympathetic egghead in Mr Magoo glasses who detects a planetoid dubbed "The Outsider" heading for the pseudo-utopian community on Earth. Against Benson's advice the Army sends its spacecraft to knock it out but they're destroyed by a fleet of spinning flying saucers who emerge from inside the planet with jagged laser beams a-blazing. The fools! Benson then discovers the planetoid locked into an ever-decreasing orbit around the Earth, suggesting a super-computer from a dying alien civilization inside the planet; his missionary zeal for pure knowledge leads him to offer himself in the ultimate act of sacrifice, descending deep into the bowels of the runaway planet.

And they really do look like bowels - glowing red and filled with plastic tubing, a triumph of low-budget ingenuity from the Godfather of Spaghetti sci-fi thanks to his resourcefulness as a special effects wizard, working miracles out of a few toilet rolls and a vacuum hose. Amidst the relentlessly talky script and the pointless romantic interludes, there's a strange, almost quasi-revolutionary thread against the military industrial complex, but that's the crazy Italians for you. So, from the man who would one day direct Cannibal Apocalypse comes an early one in the insanely huge Antonio Margheriti catalog: the 1961 Battle Of The Worlds.
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