From the outset 'Big Jake' will always be a firm favourite of mine, it's the first John Wayne movie I can recall watching, and this is the movie that has made him my all-time favourite movie star and actor.
The movie follows Dukes pursuit of seven kidnappers whom killed a large number of people at his former ranch (now run by his estranged wife) and kidnapped his grandson.
Up until this point in John Wayne's career he had by in large refrained from using excessive violence in his movies. However it could be argued and with some basis that movies such as 'True Grit', 'The Green Berets' and 'The Alamo' to name but three were physically violent in their own right. Regardless of this however 'Big Jake' was to be a dramatic departure for John Wayne due to the fact that on numerous occasions it give an honest depiction of physical violence. The opening shootout at the Candles ranch is a prime example of this, the sequence is extremely well executed by the director and stunt co-coordinators and there are many examples gunshot wounds which add to the realism of the movie.
The screenplay is rather slick with ample action included to satisfy audience expectations. The movie does contain many memorable scenes such as the opening and closing shootouts, Dukes casual killing of a would be assassin and some touching and at times volatile scenes involving Jake and his ex wife played eloquently by the great Maureen O'Hara.
An interesting segment at the start involves a voice-over retelling the transformation of the west from the early 1800's to its relatively civilised state in 1909 (when the film is set). The voice-over also introduces the audience to nine bandits whom act as the heavies in the movie, its fascinating to hear a brief introduction of each bandit and what skill they bring to the group e.g. Fain is the leader, O'Brien the gunfighter and John Goodfellow is proficient with a machete etc etc.
Duke in this movie is accompanied is his pursuit if the kidnappers by a trusted dog (who is very violent) an Indian friend played very well by Bruce Cabot, and his two on screen sons James (Patrick Wayne who is Dukes own son) and Michael (Chris Mitchum). The main protagonist in the movie is John Fain played superbly by Richard Boone and some of the scenes between him and John Wayne are very memorable containing both tension and style. John Wayne's youngest son John Ethan Wayne makes his debut in this movie playing the kidnapped grandson of Jake and acquits himself very impressively to the field of acting.
Despite my fondness for this movie it is not however without its weaknesses, for one the acting by both Patrick Wayne and Chris Mitchum is horrendous and neither one manages to endear the audience to their respective characters. Some sloppy direction also resulted in the disappearance of one of the Fain gang early in the movie, despite being given an introduction at the start of the movie; young Billy simply disappears without any explanation right at the beginning of the raid on the McCandles ranch. Several campfire scenes that are set at night appear much too bright; the director should have masked the lens on the camera more in order to ensure the scenes effectiveness. Finally several stunts involving Mitchum and a motorcycle come across as tired, overblown and generally dull although the director rightly erased the motorcycle from the movie quite early on much to the relief of the audience.
Critics were less than impressed with the movie stating that it was 'overly violent', these were the same critics who praised the Wild Bunch months earlier for being innovative and honest in its depiction of violence. Despite what he critics stated and some of the minor criticisms I have pointed out about this movie it remains a firm favourite and was a big box office hit when first released.
The movie follows Dukes pursuit of seven kidnappers whom killed a large number of people at his former ranch (now run by his estranged wife) and kidnapped his grandson.
Up until this point in John Wayne's career he had by in large refrained from using excessive violence in his movies. However it could be argued and with some basis that movies such as 'True Grit', 'The Green Berets' and 'The Alamo' to name but three were physically violent in their own right. Regardless of this however 'Big Jake' was to be a dramatic departure for John Wayne due to the fact that on numerous occasions it give an honest depiction of physical violence. The opening shootout at the Candles ranch is a prime example of this, the sequence is extremely well executed by the director and stunt co-coordinators and there are many examples gunshot wounds which add to the realism of the movie.
The screenplay is rather slick with ample action included to satisfy audience expectations. The movie does contain many memorable scenes such as the opening and closing shootouts, Dukes casual killing of a would be assassin and some touching and at times volatile scenes involving Jake and his ex wife played eloquently by the great Maureen O'Hara.
An interesting segment at the start involves a voice-over retelling the transformation of the west from the early 1800's to its relatively civilised state in 1909 (when the film is set). The voice-over also introduces the audience to nine bandits whom act as the heavies in the movie, its fascinating to hear a brief introduction of each bandit and what skill they bring to the group e.g. Fain is the leader, O'Brien the gunfighter and John Goodfellow is proficient with a machete etc etc.
Duke in this movie is accompanied is his pursuit if the kidnappers by a trusted dog (who is very violent) an Indian friend played very well by Bruce Cabot, and his two on screen sons James (Patrick Wayne who is Dukes own son) and Michael (Chris Mitchum). The main protagonist in the movie is John Fain played superbly by Richard Boone and some of the scenes between him and John Wayne are very memorable containing both tension and style. John Wayne's youngest son John Ethan Wayne makes his debut in this movie playing the kidnapped grandson of Jake and acquits himself very impressively to the field of acting.
Despite my fondness for this movie it is not however without its weaknesses, for one the acting by both Patrick Wayne and Chris Mitchum is horrendous and neither one manages to endear the audience to their respective characters. Some sloppy direction also resulted in the disappearance of one of the Fain gang early in the movie, despite being given an introduction at the start of the movie; young Billy simply disappears without any explanation right at the beginning of the raid on the McCandles ranch. Several campfire scenes that are set at night appear much too bright; the director should have masked the lens on the camera more in order to ensure the scenes effectiveness. Finally several stunts involving Mitchum and a motorcycle come across as tired, overblown and generally dull although the director rightly erased the motorcycle from the movie quite early on much to the relief of the audience.
Critics were less than impressed with the movie stating that it was 'overly violent', these were the same critics who praised the Wild Bunch months earlier for being innovative and honest in its depiction of violence. Despite what he critics stated and some of the minor criticisms I have pointed out about this movie it remains a firm favourite and was a big box office hit when first released.