Maybe I was wrong to see first THE GIRL ON THE RED VELVET SWING, reissued in Paris on the very day Chabrol presented his last movie.
The true story of Evelyn Nesbit, magnificently filmed by Richard Fleischer in 1955 with Ray Milland, Joan Collins and Farley Granger, is rewritten by Chabrol and Cécile Maistre without the slightest credit for TGRVS, unfortunately unavailable either on DVD or VHS. Chabrol is a very talented director, with a long and successful career, based essentially on cruel criticism of his own class (the French Bourgeoisie), which provided him with everything necessary to achieve a long career, certainly not without merit. The man, some time ago reputed for drawing his stories while playing Gottlieb electric pool with his friends, has certainly great talent in directing the best available actors.
Unfortunately, in spite of combined efforts, the script is a mere copy of TGRVS,moved into modern France's literary and cynical wealthy world.But the "bourgeois", everywhere, are typical masochists.The actors are good, especially François Berléand performing the Ray Milland role, but Benoit Magimel's is a mere caricature of the part played by Farley Granger in 1955.
There is a general lack of inspiration governing the cinema of today; exceptions like INTERVIEW, by and with Steve Buscemi,plus Sienna Miller, although reminding vaguely Mankiewicz's SLEUTH, but propped by strong professionalism, are much more attractive than this pale copy of Fleischer's chef d'oeuvre.
It seems that Evelyn Nesbit has also inspired E.Doctorow and Milos Forman, for RAGTIME. I hope somebody would bring it back on our screens, or on TV, while Chabrol's imitation is still on. Harry Carasso, Paris, France
The true story of Evelyn Nesbit, magnificently filmed by Richard Fleischer in 1955 with Ray Milland, Joan Collins and Farley Granger, is rewritten by Chabrol and Cécile Maistre without the slightest credit for TGRVS, unfortunately unavailable either on DVD or VHS. Chabrol is a very talented director, with a long and successful career, based essentially on cruel criticism of his own class (the French Bourgeoisie), which provided him with everything necessary to achieve a long career, certainly not without merit. The man, some time ago reputed for drawing his stories while playing Gottlieb electric pool with his friends, has certainly great talent in directing the best available actors.
Unfortunately, in spite of combined efforts, the script is a mere copy of TGRVS,moved into modern France's literary and cynical wealthy world.But the "bourgeois", everywhere, are typical masochists.The actors are good, especially François Berléand performing the Ray Milland role, but Benoit Magimel's is a mere caricature of the part played by Farley Granger in 1955.
There is a general lack of inspiration governing the cinema of today; exceptions like INTERVIEW, by and with Steve Buscemi,plus Sienna Miller, although reminding vaguely Mankiewicz's SLEUTH, but propped by strong professionalism, are much more attractive than this pale copy of Fleischer's chef d'oeuvre.
It seems that Evelyn Nesbit has also inspired E.Doctorow and Milos Forman, for RAGTIME. I hope somebody would bring it back on our screens, or on TV, while Chabrol's imitation is still on. Harry Carasso, Paris, France