10/10
Lars von Trier: a gift to cinema!
15 August 2007
Finally a breath of fresh air, after being let down by several of the long awaited features of my favorite directors (such as INLAND EMPIRE and The Fountain, both of which were good but not adequate considering the directors) von Trier delivers.

After the heavy handed Manderlay and Dogville von Trier decided he needed to take a "dogme pill" to recharge his batteries and what we have is this fine gem. While this is a comedy it is a very different kind of comedy, it is a self aware comedy but even more than that it is a comedy that is also willing to take on more abstract concepts.

Just like the late Ingmar Bergman, von Trier has a real knack for comedy even though he hardly goes in that direction. The basic premise of the film is that an actor is hired on as a fictional boss, conjured up by the real boss who wanted someone to hide behind. What adds a fine twist to that is that most of the employees feel that they know the boss to some degree because they have received letters and emails from him throughout the companies history, leading to some very funny situations.

What I love about von Trier's films is that they do not ask permission, and they do not apologize for being what they are. Von Trier is a bold artist and is the only consistently brilliant filmmaker working today.
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