"The Italian" is a touching tale of a six-year-old Russian orphan who goes in search of the mother who gave him to a foundling home when he was just an infant.
Vanya has spent virtually his entire life growing up in a substandard orphanage run by an alcoholic director and a cold-hearted administrator. The children there live in virtual squalor with no effort on the part of the leaders to properly instruct or educate them. The future for most of these youngsters is a bleak one indeed, with a life of petty thievery and/or prostitution the most likely outcome for any of them not fortunate enough to catch the eye of some prospective, loving parent. Yet, as the movie begins, young Vanya's personal nightmare seems to be coming to an end as a kind Italian couple has come to Russia with the intention of adopting Vanya and taking him back to Italy with them. However, before the proper papers can be signed, the boy, sensing he must act quickly before it is too late, sets off on a long, arduous journey to see if he can find the mother who abandoned him as a baby.
"The Italian" is a compelling slice-of-life drama that has a great deal to say not only about the appalling conditions faced by orphans in Russia today, but about the determination of the human spirit and the need for love that exists at the center of every human heart. Director Andrei Kravchuk brings a near-documentary quality to the film, as he focuses his camera on the details of everyday life in the orphanage and the countryside through which Vanya travels. This air of naturalism extends to the actors as well, particularly young Kolya Spiridonov, who, as Vanya, gives a performance that can only be termed extraordinary and heartbreaking. After this film and the brilliant "The Return," I'm convinced that Russia has some of the finest child actors in the business. Indeed, there is nothing less than a superb performance in the entire film.
"The Italian" is a film tuned to the realities of life in a harsh environment, where cruel and violent deeds often share the stage with acts of random kindness. Vanya's epic adventure provides more than ample opportunity for him to experience both, but it is the magnanimity he encounters at the hands of strangers that lingers longest in memory.
Vanya has spent virtually his entire life growing up in a substandard orphanage run by an alcoholic director and a cold-hearted administrator. The children there live in virtual squalor with no effort on the part of the leaders to properly instruct or educate them. The future for most of these youngsters is a bleak one indeed, with a life of petty thievery and/or prostitution the most likely outcome for any of them not fortunate enough to catch the eye of some prospective, loving parent. Yet, as the movie begins, young Vanya's personal nightmare seems to be coming to an end as a kind Italian couple has come to Russia with the intention of adopting Vanya and taking him back to Italy with them. However, before the proper papers can be signed, the boy, sensing he must act quickly before it is too late, sets off on a long, arduous journey to see if he can find the mother who abandoned him as a baby.
"The Italian" is a compelling slice-of-life drama that has a great deal to say not only about the appalling conditions faced by orphans in Russia today, but about the determination of the human spirit and the need for love that exists at the center of every human heart. Director Andrei Kravchuk brings a near-documentary quality to the film, as he focuses his camera on the details of everyday life in the orphanage and the countryside through which Vanya travels. This air of naturalism extends to the actors as well, particularly young Kolya Spiridonov, who, as Vanya, gives a performance that can only be termed extraordinary and heartbreaking. After this film and the brilliant "The Return," I'm convinced that Russia has some of the finest child actors in the business. Indeed, there is nothing less than a superb performance in the entire film.
"The Italian" is a film tuned to the realities of life in a harsh environment, where cruel and violent deeds often share the stage with acts of random kindness. Vanya's epic adventure provides more than ample opportunity for him to experience both, but it is the magnanimity he encounters at the hands of strangers that lingers longest in memory.