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Jacques Audiard, who previously gave us the very interesting Read My Lips (2001) and the cute and clever Venus Beauty Institute (1999), manages to create here a story about a character who is both a petty gangster and a pianist. Not exactly your usual combination of talents. Romain Duris plays Thomas Seyr who is that character. Duris brings an animal sensuality and an artist's sensitivity to the part. He is an actor of unusual skills and vitality. Audiard gets the most out of him.
In the beginning Tom Seyr is in apprenticeship to take over his father's way of life in a French version of the protection racket. Their particular hustle involves getting properties condemned by trashing them or infecting them with rats or some other vermin, forcibly throwing out squatters or tenants, then buying the property on the cheap, and then finally selling it at a nice profit. In the end, Tom...well, I can't give you the ending, but I can say that it is entirely agreeable and surprising with just a little twist on what we might expect.
Neils Arestrup plays the father. There are some other interesting characters and a lot of macho action, a bit of blood here and there, some quick and easy sex. And then there is an old piano teacher that Tom happens to run into one day who invites him to an audition. Tom has not played the piano seriously for years, but just seeing his old teacher brings back the thrill and the deep intimacy he once had with music, and recalls to him the career of his deceased mother, who was once a concert pianist who had hoped that her son would be too. He had the talent.
But of course playing the piano at that level is not something you can take up, let go, and then go back to. But Tom thinks maybe he can do it with a little practice. But he needs a teacher to prepare for the audition. When he tries to get one he is effectively laughed at since he is 28-years-old and is very much out of practice and indeed never really practiced that much. But by chance (there are a number of plot furtherances in this film that come about by chance--but that is not a problem because the chance meetings seem natural and are events that would probably happen eventually)--and so by chance he is hooked up with a young woman fresh from China who speaks no French, but is an expert pianist who needs a little money. She agrees to help him. Her name is Miao Lin. She is played brilliantly with subtlety and finesse by French-Vietnamese actress Linh Dan Pham, whom I previously saw in Indochine (1992) playing the adopted child of Catherine Deneuve's character.
The acting ability of Romain Duris and Linh Dan Pham are what carry this film. Audiard's direction is a bit scattered at times and especially in the beginning lacks focus, but a clever storyline and his ability to get great performances from the players overcome these faults.
See this for Romain Duris who gives a virtuoso performance and for Linh Dan Pham who captivates with restrained intensity.
Jacques Audiard, who previously gave us the very interesting Read My Lips (2001) and the cute and clever Venus Beauty Institute (1999), manages to create here a story about a character who is both a petty gangster and a pianist. Not exactly your usual combination of talents. Romain Duris plays Thomas Seyr who is that character. Duris brings an animal sensuality and an artist's sensitivity to the part. He is an actor of unusual skills and vitality. Audiard gets the most out of him.
In the beginning Tom Seyr is in apprenticeship to take over his father's way of life in a French version of the protection racket. Their particular hustle involves getting properties condemned by trashing them or infecting them with rats or some other vermin, forcibly throwing out squatters or tenants, then buying the property on the cheap, and then finally selling it at a nice profit. In the end, Tom...well, I can't give you the ending, but I can say that it is entirely agreeable and surprising with just a little twist on what we might expect.
Neils Arestrup plays the father. There are some other interesting characters and a lot of macho action, a bit of blood here and there, some quick and easy sex. And then there is an old piano teacher that Tom happens to run into one day who invites him to an audition. Tom has not played the piano seriously for years, but just seeing his old teacher brings back the thrill and the deep intimacy he once had with music, and recalls to him the career of his deceased mother, who was once a concert pianist who had hoped that her son would be too. He had the talent.
But of course playing the piano at that level is not something you can take up, let go, and then go back to. But Tom thinks maybe he can do it with a little practice. But he needs a teacher to prepare for the audition. When he tries to get one he is effectively laughed at since he is 28-years-old and is very much out of practice and indeed never really practiced that much. But by chance (there are a number of plot furtherances in this film that come about by chance--but that is not a problem because the chance meetings seem natural and are events that would probably happen eventually)--and so by chance he is hooked up with a young woman fresh from China who speaks no French, but is an expert pianist who needs a little money. She agrees to help him. Her name is Miao Lin. She is played brilliantly with subtlety and finesse by French-Vietnamese actress Linh Dan Pham, whom I previously saw in Indochine (1992) playing the adopted child of Catherine Deneuve's character.
The acting ability of Romain Duris and Linh Dan Pham are what carry this film. Audiard's direction is a bit scattered at times and especially in the beginning lacks focus, but a clever storyline and his ability to get great performances from the players overcome these faults.
See this for Romain Duris who gives a virtuoso performance and for Linh Dan Pham who captivates with restrained intensity.