Raoul Walsh, the director of "Northern Pursuit", was a man with impressive credentials during his days in Hollywood. Unfortunately, this film, which kept reminding this viewer of Michael Powell's "49th Parallel", has its moments and will reward the viewer that sticks with it, in some ways.
The plot was typical of the films turned by the big studios during the days of WWII. Although the propaganda in "Northern Pursuit" doesn't strike the viewer as too obvious, it's there all along. The idea of a Royal Mountie, in this case, the dashing Errol Flynn, going after the bad guys have all the elements for a good adventure.
The screen play is ultimately the downfall of the film, although there are hints of greatness, especially on the last part of the film which involves a daring attempt from the head Nazi infiltrator to fly an aircraft with a bomb on board. The locations appear to be real, but we can see the scenes shot in the studio.
Errol Flynn does his job well. Helmut Dantine, playing Keller, the Nazi bad guy, is even better. Gene Lockhart has a pivotal role in the film. Julie Bishop is Errol Flynn's love interest, although there's no obvious chemistry between them.
Raoul Walsh's fans will probably enjoy this film a lot more than the casual viewer.
The plot was typical of the films turned by the big studios during the days of WWII. Although the propaganda in "Northern Pursuit" doesn't strike the viewer as too obvious, it's there all along. The idea of a Royal Mountie, in this case, the dashing Errol Flynn, going after the bad guys have all the elements for a good adventure.
The screen play is ultimately the downfall of the film, although there are hints of greatness, especially on the last part of the film which involves a daring attempt from the head Nazi infiltrator to fly an aircraft with a bomb on board. The locations appear to be real, but we can see the scenes shot in the studio.
Errol Flynn does his job well. Helmut Dantine, playing Keller, the Nazi bad guy, is even better. Gene Lockhart has a pivotal role in the film. Julie Bishop is Errol Flynn's love interest, although there's no obvious chemistry between them.
Raoul Walsh's fans will probably enjoy this film a lot more than the casual viewer.