7/10
The production values are great; the sentiments are false.
18 March 2007
I just saw this film again the first time since 1996. The production values for this film were great, but the sentiments are false. First I have to say that the acting is superb, especially Streisand and Bacall. Their mother-daughter revelation scene is wonderful, a gem shared by 2 consummate actresses.

Here's the dishonesty: In the first half, we see that everyone who's attractive is also defective in some way. Husband is a jerk, sexless, a bore, mother jealous and vain, sister has no personality. In fact, why is Streisand so madly in love with a man who's such a jerk? Streisand shines as funny, intelligent, personable, well-liked by everyone. And our view of what's pretty has changed a lot since Streisand came along in the 60's. Meryl Streep's long nose or Jolie's oversize lips would never have been acceptable before Streisand. OK, she doesn't know how to dress, but is certainly printed as attractive. The camera, as usual, loves her. And in real life Streisand has always been attractive to attractive men.

After showing us that physical beauty is not that important, the film then goes on to prove that the same woman, made more physically beautiful, can now attract her cold jerk of a husband and her sister's shallow ex. Husband even tells her that he's always found her sexy, it's just that he hadn't been interested. Such inconsistency in the writing.
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