The creative team of Jim Abrahams, David Zucker and Jerry Zucker had their roots in improvisational theatre in Madison, Wisconsin, I believe it was. They had a group called 'Kentucky Fried Theatre'(or something similar.) They put a bunch of their set pieces onto celluloid as'KENTUCKY FRIED MOVIE'(1977), which was long, irreverent, sophomoric and really funny.
They followed up with the very popular, AIRPLANE! (1980), which really put them on the map. In it, they took some rather well known veteran actors in Robert Stack and (especially) Leslie Nielsen, and putting them in prominent roles, proceeded to parody every cliché of every aviation film since the days of John Wayne's (Batjac)Production of THE HIGH AND THE MIGHTY (1954).* Pockets stuffed with cash and now having been noticed, the trio worked out a deal with Pramount Television and the American Broadcasting Company TV Network to do a half hour comedy spoof of the nearly countless Police Crime Drama show that have come and gone on our television screens over the years. Remembering the fine job that Mr. Leslie Nielsen had turned in on AIRPLANE!, he was cast in the lead.
As Sgt/Lt./Captain Frank Drebbin (the rank designation switch being one of their comic bits),he presided over a great series of successive puns, sight gags, non sequitors, and overblown police/crime clichés.All of these strung together by some,seemingly standard scripts. Added to this is overly dramatic opening narration, voiced over information contradicting the visual printed info. They always used this in giving the title of the episode titles, where voice and printed titles never matched.
They had a great musical score, which even though being somewhat exaggerated, would have passed as theme and incidental music in a straight drama.The musical score, the opening titles and format of having the episodes divided into Act I, Act II, Epilogue, etc., were all part of obvious, but affectionate, ribbing of Q.M. (Quinn Martin) Productions. (They even had the same announcer as did the real Q.M.'s.)
One thing that this all too short of a series did not have was a technically augmented audience laughter. And, boy they sure didn't need any phony tract. The nature of the spoof was such that it demanded the viewer's close, almost undivided attention, and that proved to be the ultimate reason behind POLICE SQUAD's downfall.
In regards to the series cancellation,an ABC Executive explained that the episodes "...called for too much attention on the part of the viewer." So, isn't that what one would want?
So, after only 6 wonderfully wacky, hilarious episodes,off to the afterlife of series cancellation went POLICE SQUAD!, only to be reborn in THE NAKED GUN trilogy, made for the big screen in movie houses. Once again, they did quite well at the Box Office. Oh well, TV's loss is Cinema's gain, thanks to you Mr. Idiot TV Exec!
* THE HIGH AND MIGHTY was produced by the Duke's own Batjac Productions and released by Warner Brothers. It was unavailable for quite a number of years and finally, Mr. Wayne's family made arrangements to release it to television and to video.
They followed up with the very popular, AIRPLANE! (1980), which really put them on the map. In it, they took some rather well known veteran actors in Robert Stack and (especially) Leslie Nielsen, and putting them in prominent roles, proceeded to parody every cliché of every aviation film since the days of John Wayne's (Batjac)Production of THE HIGH AND THE MIGHTY (1954).* Pockets stuffed with cash and now having been noticed, the trio worked out a deal with Pramount Television and the American Broadcasting Company TV Network to do a half hour comedy spoof of the nearly countless Police Crime Drama show that have come and gone on our television screens over the years. Remembering the fine job that Mr. Leslie Nielsen had turned in on AIRPLANE!, he was cast in the lead.
As Sgt/Lt./Captain Frank Drebbin (the rank designation switch being one of their comic bits),he presided over a great series of successive puns, sight gags, non sequitors, and overblown police/crime clichés.All of these strung together by some,seemingly standard scripts. Added to this is overly dramatic opening narration, voiced over information contradicting the visual printed info. They always used this in giving the title of the episode titles, where voice and printed titles never matched.
They had a great musical score, which even though being somewhat exaggerated, would have passed as theme and incidental music in a straight drama.The musical score, the opening titles and format of having the episodes divided into Act I, Act II, Epilogue, etc., were all part of obvious, but affectionate, ribbing of Q.M. (Quinn Martin) Productions. (They even had the same announcer as did the real Q.M.'s.)
One thing that this all too short of a series did not have was a technically augmented audience laughter. And, boy they sure didn't need any phony tract. The nature of the spoof was such that it demanded the viewer's close, almost undivided attention, and that proved to be the ultimate reason behind POLICE SQUAD's downfall.
In regards to the series cancellation,an ABC Executive explained that the episodes "...called for too much attention on the part of the viewer." So, isn't that what one would want?
So, after only 6 wonderfully wacky, hilarious episodes,off to the afterlife of series cancellation went POLICE SQUAD!, only to be reborn in THE NAKED GUN trilogy, made for the big screen in movie houses. Once again, they did quite well at the Box Office. Oh well, TV's loss is Cinema's gain, thanks to you Mr. Idiot TV Exec!
* THE HIGH AND MIGHTY was produced by the Duke's own Batjac Productions and released by Warner Brothers. It was unavailable for quite a number of years and finally, Mr. Wayne's family made arrangements to release it to television and to video.