Tom works in shifty real-estate deals with friend Fabice. Evicting squatters from lots in tasteless ways. Ocassionaly Tom collects debts from clients for his father Robert, also practising in questionable real-estate deals. On a chance encounter of his mothers old manager, his love of playing the piano is rekindled; not since played from his mothers death. Hoping for an audition, Tom enlists the help of Linh Dan Pham, a Vietnamese woman who doesn't speak any French.
The Beat My Heart Skipped is a French remake of Fingers. Usually it is the other way around with America remaking a foreign language films, so this is quite a refreshing film in that regard. Unfilimar with the original James Toback film, director Jacques Audiard; also screenwriter with Tonino Benacquista, have taken the challenge of completely transporting the story into a French setting, and succeeded in this task.
Audiard explores the relationship between parents and their children. Starting as a thug for his father, Tom becomes torn when his love of the piano is reborn. His love of his mother, which becomes tested when Robert decides to remarry, drives his passion to receive an audition. There's a sense of unspoken words Tom never said to his mother, the return to music as a way of redemption. Yet he is drawn back into the seedy world of his father; not wanting to lose him too. The piano is Tom's return to childhood naivety, dropping his responsibilities to emotionally free himself from his father's grip.
Utilising hand held camera work, Audiard creates a chaotic sensibility. The camera is constantly on the move, seeking different angles. This chaos evokes an immediacy, not the urgency its seeking. Scenes are fast, many not lasting very long, for all the frenetic pacing, Audiard keeps it cohesive; along with one very commanding and captivating performance by Romain Duris. A wonderful mix dark brutality and beautiful music are skillfully balanced, with beauty found in the brutal and an emotional darkness in the music.
The Beat My Heart Skipped is a captivating film that immediately draws you in.
The Beat My Heart Skipped is a French remake of Fingers. Usually it is the other way around with America remaking a foreign language films, so this is quite a refreshing film in that regard. Unfilimar with the original James Toback film, director Jacques Audiard; also screenwriter with Tonino Benacquista, have taken the challenge of completely transporting the story into a French setting, and succeeded in this task.
Audiard explores the relationship between parents and their children. Starting as a thug for his father, Tom becomes torn when his love of the piano is reborn. His love of his mother, which becomes tested when Robert decides to remarry, drives his passion to receive an audition. There's a sense of unspoken words Tom never said to his mother, the return to music as a way of redemption. Yet he is drawn back into the seedy world of his father; not wanting to lose him too. The piano is Tom's return to childhood naivety, dropping his responsibilities to emotionally free himself from his father's grip.
Utilising hand held camera work, Audiard creates a chaotic sensibility. The camera is constantly on the move, seeking different angles. This chaos evokes an immediacy, not the urgency its seeking. Scenes are fast, many not lasting very long, for all the frenetic pacing, Audiard keeps it cohesive; along with one very commanding and captivating performance by Romain Duris. A wonderful mix dark brutality and beautiful music are skillfully balanced, with beauty found in the brutal and an emotional darkness in the music.
The Beat My Heart Skipped is a captivating film that immediately draws you in.