The Broadway version of South Pacific was an amazing breakthrough in confronting attitudes that today's politically correct culture would consider completely racist. According to Mary Martin and others, she received death threats and the play was picketed regularly, which is hard to believe now.
I have to hope the Broadway version moved along a bit faster than the movie version, or there would have been a massive exodus from the unforgiving New York crowd. I can only guess that Josh Logan was feeling the humid heat of those islands, because the pace of the film is not just temperate, it's downright slow. I know it's hard to fit in songs when you're not used to doing musicals, but it only got worse from here for him (Camelot and Paint Your Wagon were just dreadful). If we're trying to get across that the machine of the military moved inexplicably slow, I got it, but I don't think that's it. I think it's Josh.
The music, of course, is wonderful. And I loved Mitzi Gaynor. I think she's perfect as light-hearted, silly Nellie, who lives within boundaries she's never even thought about, but suddenly finds some strength of character when she realizes that she loves someone without reservation. I'm not a fan of choosing the actor and having him lip sync, but Rossano certainly did so with feeling. Ray Ralston played his usual belligerent/con artist character. And who knew Tom Laughlin could act like a human being instead of just Billy Jack? Nice appearance there.
The colored filters are unfortunate. Good thing all the other directors saw Josh's mistake and didn't head down that rainbow road.
And I still find the job that Oscar Hammerstein III did of condensing James Michener's collection of short stories into this socially relevant (at the time) play truly amazing.
I gave the movie a seven because musicals always get five from me, the concept of the movie/play is great (if it gives us a reminder of where we've been), and the acting solid. I have to think that, in the hands of a better director, this movie might be dated, but truly wonderful.
I have to hope the Broadway version moved along a bit faster than the movie version, or there would have been a massive exodus from the unforgiving New York crowd. I can only guess that Josh Logan was feeling the humid heat of those islands, because the pace of the film is not just temperate, it's downright slow. I know it's hard to fit in songs when you're not used to doing musicals, but it only got worse from here for him (Camelot and Paint Your Wagon were just dreadful). If we're trying to get across that the machine of the military moved inexplicably slow, I got it, but I don't think that's it. I think it's Josh.
The music, of course, is wonderful. And I loved Mitzi Gaynor. I think she's perfect as light-hearted, silly Nellie, who lives within boundaries she's never even thought about, but suddenly finds some strength of character when she realizes that she loves someone without reservation. I'm not a fan of choosing the actor and having him lip sync, but Rossano certainly did so with feeling. Ray Ralston played his usual belligerent/con artist character. And who knew Tom Laughlin could act like a human being instead of just Billy Jack? Nice appearance there.
The colored filters are unfortunate. Good thing all the other directors saw Josh's mistake and didn't head down that rainbow road.
And I still find the job that Oscar Hammerstein III did of condensing James Michener's collection of short stories into this socially relevant (at the time) play truly amazing.
I gave the movie a seven because musicals always get five from me, the concept of the movie/play is great (if it gives us a reminder of where we've been), and the acting solid. I have to think that, in the hands of a better director, this movie might be dated, but truly wonderful.