This movie seemed promising, following in the wake of movies like House of Flying Daggers and Crouching Tiger, Hidden dragon, this movie seemed to follow in their footsteps. Already a few minutes into the movie, I find that I am partially right, the wire-work and choreography is clearly inspired by previously mentioned movies, however, the quality of said elements lacks the dance-like qualities Crouching tiger, Hidden dragon and Flying daggers had, and the tempo makes it less enjoyable to view. The movie has some interesting camera use, but it doesn't reach the sophisticated level of the two previously mentioned movies.
This movie clearly shows how eastern movie-making becomes heavily influenced by western ideas of how a movie is supposed to be made. Roughly the first half hour of this movie could just as well have been an American college-movie moved to a Dynasty era China. The dialog and thematics are heavily modernized. You even hear some modern expressions and one asiafied American brand name, if this is supposed to be a joke, or very poorly disguised product placement, I don't know.
The plot is strikingly similar to any American romantic comedy, and the ending fails to surprise with anything, except exceeding all limits for exactly how happy it can be, almost to the point where it becomes parodic, but not quite.
All in all, I feel that this movie had promised me another Flying Daggers, but ended up giving me an Asiatic movie that tried too hard to appeal to a western audience, and ended up turning silly, possibly even provoking for fans of Asian movie-making.
This movie clearly shows how eastern movie-making becomes heavily influenced by western ideas of how a movie is supposed to be made. Roughly the first half hour of this movie could just as well have been an American college-movie moved to a Dynasty era China. The dialog and thematics are heavily modernized. You even hear some modern expressions and one asiafied American brand name, if this is supposed to be a joke, or very poorly disguised product placement, I don't know.
The plot is strikingly similar to any American romantic comedy, and the ending fails to surprise with anything, except exceeding all limits for exactly how happy it can be, almost to the point where it becomes parodic, but not quite.
All in all, I feel that this movie had promised me another Flying Daggers, but ended up giving me an Asiatic movie that tried too hard to appeal to a western audience, and ended up turning silly, possibly even provoking for fans of Asian movie-making.