"Coming Soon" is my favorite film this year! A bit sloppy at times but a great overall achievement!
In the catalogue for the Plzen festival where the film premiered, they quote Sir Tijn Po as saying that he just wants to emulate his two greatest film-making heroes, Jan Svakmajer and Pier Paolo Pasolini. I never heard this comparison before and I find it a little strange. I also love both Svankmajer and Pasolini but their styles are so different - Svankmajer's films never let up for a second while many of Pasolini's scenes seem to last forever. I do agree, however, that both of these directors seem to approach cinema with similar intentions and try using it as a tool to express what is usually expressed via poetry, theater, classical music and the like. But their individual styles are almost opposites.
"Coming Soon" reminded me more of Munch's classic painting "The Scream". You can feel the actors and director just bursting with frustration and screaming at the top of their lungs, screaming to all clergy, politicians, and censors "F...off! Let us think and breathe and live the way WE see fit!!!" For me it was an expressionistic work of art that lingers long after the individual scenes fade away. It's a collective revolt which I identify with very much.
One of the main newspapers here, Hospodarske Noviny, wrote about the film: " conveyed with an extraordinary amount of humor and exaggeration which like the director's hero (Svankmajer) tries to shatter barriers." The style of this film is far from Svankmajer's world (no animation or rusty spoons) but I agree that it shares his sense of provocation and exploration.
Talking of Pasolini, this film actually did remind me a bit of "Salo: 120 Days of Sodom" at least as far as shock-value is concerned. But unlike "Salo" which is full of violence and Sadism, "Coming Soon" is full of love and humor (except for the one scene with the bull and skins ). While watching the film I wasn't uncomfortable at all, my own shock came days after I saw the film. It's like a little bug that enters your brain and slowly nibbles away at your previous opinions.
I'm curious to see how far this film will go but I'm betting it will find a nice cult following. I, for one, am in!
In the catalogue for the Plzen festival where the film premiered, they quote Sir Tijn Po as saying that he just wants to emulate his two greatest film-making heroes, Jan Svakmajer and Pier Paolo Pasolini. I never heard this comparison before and I find it a little strange. I also love both Svankmajer and Pasolini but their styles are so different - Svankmajer's films never let up for a second while many of Pasolini's scenes seem to last forever. I do agree, however, that both of these directors seem to approach cinema with similar intentions and try using it as a tool to express what is usually expressed via poetry, theater, classical music and the like. But their individual styles are almost opposites.
"Coming Soon" reminded me more of Munch's classic painting "The Scream". You can feel the actors and director just bursting with frustration and screaming at the top of their lungs, screaming to all clergy, politicians, and censors "F...off! Let us think and breathe and live the way WE see fit!!!" For me it was an expressionistic work of art that lingers long after the individual scenes fade away. It's a collective revolt which I identify with very much.
One of the main newspapers here, Hospodarske Noviny, wrote about the film: " conveyed with an extraordinary amount of humor and exaggeration which like the director's hero (Svankmajer) tries to shatter barriers." The style of this film is far from Svankmajer's world (no animation or rusty spoons) but I agree that it shares his sense of provocation and exploration.
Talking of Pasolini, this film actually did remind me a bit of "Salo: 120 Days of Sodom" at least as far as shock-value is concerned. But unlike "Salo" which is full of violence and Sadism, "Coming Soon" is full of love and humor (except for the one scene with the bull and skins ). While watching the film I wasn't uncomfortable at all, my own shock came days after I saw the film. It's like a little bug that enters your brain and slowly nibbles away at your previous opinions.
I'm curious to see how far this film will go but I'm betting it will find a nice cult following. I, for one, am in!