10/10
Documentary style tale by Documentary filmmakers
3 August 2006
Warning: Spoilers
No major spoiler in this comment, but if you don't want to know much, don't read much. The two directors brought this film to Hollywood's Egyptian Theatre and their introduction was minimal, stating "Just open your mind".

This was a very cleverly crafted movie that engages you early, teases you with hints of a classic rocker-style crash and burn tale, but never lets you know fully what is to come until it hits you. Creatively structured, you have a tale of mid 70's rockers, examined in real-time in a faux documentary, which allowed the film to have the story you're promised; yet includes actors portraying those same characters years later, commenting on the experience with the benefit of hindsight. This nuance not only keeps you intrigued, but also moves the plot-ball from cup to cup, keeping the storyline actively non-linear.

The hook to this movie, besides sexy young conjoined twin rockers, is the documentary feel they achieve. The directors told the audience at the Egyptian that sets were built 360degrees, and the cinematographer acted like a real-time documentary cameraman, moving through the scenes naturally, which were never blocked. Scenes were rehearsed and improv was encouraged as long as the essence of the scene was preserved. All the sound and dialog is real-time; all the concert music is recorded real-time and the band is actually playing the music you're hearing. They mentioned that the boom-mic operator even dressed in costume to blend in with the crowd during club scenes. This builds a very believable feeling of reality rather than a corny set-up that easily happens when creating faux star docs.

The story is well told and very engaging and it's worth seeing for that - but if you have any interest in the film-making process, this is a great study in new styles. The faux documentary style also allows for surprise celebrity cameo appearances.

Definitely not a "happy" film, but hearing the produced soundtrack version of the music during the credits does add a lift at the end.
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