5/10
This film wants to be too much at the same time
23 January 2006
Warning: Spoilers
In enjoyed most of Egoyan's movies very much, but I was disappointed by Where The Truth Lies. I got the impression the film wants to be too much at the same time. There is no real focus while the story swerves from the fifties to the seventies, and from Los Angeles to New York to Miami. It's a historical portrait about Hollywood in the fifties, but also a psychological drama and a whodunit at the same time. This movie could have been great if it restricted itself to one of those genres. I kept wondering what Egoyan wanted to tell us - except who killed Maureen O'Flaherty. Maybe he wanted to tell us only that, but in that case the movie could have been a lot less complex. What annoyed me most was the completely improbable plot. A corpse in a lobster crate, mixed-up identities, secret letters from unknown senders, blackmail threats - that's so Agatha Christie! And I wonder if anyone felt not disappointed after the ridiculous ending.
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