With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.