Funny and sad, sweet and acerbic, Shopgirl is quite simply the most rewarding experience of the year. I have not read Steve Martin's novel, but from what I knew of it I kinda thought the movie would be good. What I did not expect was an experience so involving, so compelling and simply so delightful. Good, interesting characters start with the writing; great characters emerge when the actors enhance the writers vision. And we see three great examples of this here.
Everything about this film was note perfect; a terrific, slightly idiosyncratic story, wonderful scenes that sometimes have you laughing, sometimes wiping away a tear and always inviting your rapt attention. Terrific acting and direction which ensured that every scene was "just enough".
There is a word that is hardly ever used today, and if it is, it's usually in a sneering way; and that word is "sophistication". But "Shopgirl" is a truly sophisticated movie. Not in the superficial and secondary sense of being glamorous or even cultured, but in the better sense of intelligence, complexity and subtlety. And there is real intelligence at work here; and while all involved display it, it is Steve Martin's own vision that ultimately informs every aspect of the film.
The success of "Million Dollar Baby" gave me new respect for the Oscars; is it too much too hope that "Shopgirl" could achieve the same recognition?
Everything about this film was note perfect; a terrific, slightly idiosyncratic story, wonderful scenes that sometimes have you laughing, sometimes wiping away a tear and always inviting your rapt attention. Terrific acting and direction which ensured that every scene was "just enough".
There is a word that is hardly ever used today, and if it is, it's usually in a sneering way; and that word is "sophistication". But "Shopgirl" is a truly sophisticated movie. Not in the superficial and secondary sense of being glamorous or even cultured, but in the better sense of intelligence, complexity and subtlety. And there is real intelligence at work here; and while all involved display it, it is Steve Martin's own vision that ultimately informs every aspect of the film.
The success of "Million Dollar Baby" gave me new respect for the Oscars; is it too much too hope that "Shopgirl" could achieve the same recognition?