8/10
Queen Bette
28 April 2005
The main interest in this 1939 film is the great performance by Bette Davis. It was a role she was born to play. Her input on the film makes it work in unexpected ways. Under the direction of Michael Curtiz, the stage play, by Maxwell Anderson, gets a great Technicolor production. The adaptation by Norman Reilly Raine and Aeneas McKenzie, works well.

The main thing is not to look for real history in this movie. We are given a fictionalized account of what Mr. Anderson thought was drama, taking dramatic license along the way. With all that into account, the film rewards the viewers splendidly.

Errol Flynn was cast as Robert Devereux for his good looks, no doubt. He offers such a contrast against the aging Elizabeth, that one wonders what could have attracted these two souls into a love both felt for one another. Mr. Flynn is not as effective here as in some of his other vehicles, where he reigned supreme. In this movie, he is totally outfoxed by a cunning Bette Davis. Both stars brought their own chemistry to the roles and it's curious that after all the years since it was released, the film still fascinates.

Olivia de Havilland plays a minor role of Penelope. It's curious seeing her in some frames with Errol Flynn, her partner in many movies where they played lovers to better effect. The supporting cast is excellent. Donald Crisp, Alan Hale, Vincent Price, Henry Stephenson, Nanette Fabray and Herny Daniell, among others, support the two stars well.

Ultimately this was one of the best films Bette Davis graced with her appearance. The film remains one of her signature creations. This Elizabeth offered her a role in which she could portray one of the strongest women in history. Ms. Davis outshines others whenever they are seen in scenes together.

Long live this queen! Long live Queen Bette!
32 out of 42 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed