I ended up liking this quite a bit, although paradoxically the movie's greatest strength (an unwillingness to get wrapped up in the political arguments pro/con on the Iraq war, a willingness more or less to keep the vision down to the grunt's level) is also the movie's big weakness, as it often seems one or two steps removed from raw footage (in fact there's two false endings here, until finally the movie makers concede that they don't know how to end the thing....and then end it). The movie makers start the film suggesting this stuff should be on television and I agree; this really should be a very special "Primetime Live" or something.
That said, the footage is superb, the sense of a grunt's life very well evoked, with individual personalities nicely delineated. For what it is, essentially journalism in documentary film fancy-dress, it's very well done. The movie makers took some real risk; one only wishes more journalists would do the same. I also liked the melange of hip-hop, Islam, metal guitar, doper humor, Army briskness, pop culture references and the like that the film portrays: I have a pet theory that the twenty-first century will be characterized by the multi-cultural stew that GUNNER PALACE and the like portray. Worth checking out.
That said, the footage is superb, the sense of a grunt's life very well evoked, with individual personalities nicely delineated. For what it is, essentially journalism in documentary film fancy-dress, it's very well done. The movie makers took some real risk; one only wishes more journalists would do the same. I also liked the melange of hip-hop, Islam, metal guitar, doper humor, Army briskness, pop culture references and the like that the film portrays: I have a pet theory that the twenty-first century will be characterized by the multi-cultural stew that GUNNER PALACE and the like portray. Worth checking out.