6/10
"I'm going back...where I can be me."
26 March 2005
Director Vincente Minnelli gets this stagy adaptation of the Broadway success off to a splashy start; however, like most musicals helmed by the erratic Minnelli, he never quite lives up to that colorful opening. Beginning with a succession of ringing rotary phones--all in kicky colors--the prelude acts as an advertisement for Susanswerphone, a telephone answering service. It looks as though this going be pure genius, until we find out that nervously-wired Judy Holliday is the only operator Susanswerphone seems to have (and she's the kooky type, getting involved in other people's lives because she has nothing going on in her own). Holliday is in love with one of the clients, a Broadway playwright who thinks he's washed up, and feels guilty about dating him under an alias, but her situation doesn't seem exceptionally dire. Dean Martin (miscast) sings a nice, funny version of "Just in Time" with Holliday, but otherwise hasn't much to offer. The stale plot, trite and cozy-contrived, gets a boost from the musical moments, but even those are not staged with much excitement. Too bad...Susanswerphone had great possibilities. **1/2 from ****
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