This documentary centers around an army unit that has made its base at one of Uday Hussein's "Pleasure" Palaces. Gunner Palace, essentially, traces the lives of the members of the unit from the point of view of Michael Tucker, a reporter embedded with the unit.
What works so well in this film is the simple fact that the viewer is getting to see the actual day to day activities of soldiers stationed in Iraq. It is fascinating and interesting, in this respect. What we are seeing is going on RIGHT NOW. It is unlikely the immediacy of Gunner Palace, and its impact, will be lost on anyone.
Unfortunately, aside from the main strength of the film, the video footage shot by Mr. Tucker, there seems to have been little thought in how to present the information. It is simply not edited well. It proceeds in a somewhat chronological order, but is hampered by an almost comical voice over, I assume done by Tucker, himself. It sounds odd and overly dramatic, even for some as dramatic as war. The narration just doesn't work.
The experiences of the soldiers themselves, are at times, very intriguing and include some amusing and often endearing raps performed by the soldiers about living in Iraq. It's clear that singing about the war, either with an electric guitar or a rap beat drummed out on a jeep is helping them get through the every day stresses they face. Presented more clearly and effectively, these raps could have given a nice structure to the film but seem more random and inserted without thought. And this is a shame, because there seems to have been a great deal of material the director could have drawn from. He was stationed there with them, for God's sake.
Also, somewhat inexplicably, the director/narrator, towards the end of the film, recounts his own experiences leaving Iraq and adjusting to home life again. Why I say this is inexplicable is because one would assume it would be the final moment of the documentary with maybe an epilogue, but rather the film shifts back to Iraq and continues on. It only adds confusion and disrupts the viewers ability to track the events and people appearing in Gunner Palace.
If only to see the faces of the soldiers and citizens in Iraq, as they are actually living, this film is worth seeing. It is a shame, however, that the footage Tucker shot didn't find it's way into more capable hands. Gunner Palace could have been even more compelling and affecting.
What works so well in this film is the simple fact that the viewer is getting to see the actual day to day activities of soldiers stationed in Iraq. It is fascinating and interesting, in this respect. What we are seeing is going on RIGHT NOW. It is unlikely the immediacy of Gunner Palace, and its impact, will be lost on anyone.
Unfortunately, aside from the main strength of the film, the video footage shot by Mr. Tucker, there seems to have been little thought in how to present the information. It is simply not edited well. It proceeds in a somewhat chronological order, but is hampered by an almost comical voice over, I assume done by Tucker, himself. It sounds odd and overly dramatic, even for some as dramatic as war. The narration just doesn't work.
The experiences of the soldiers themselves, are at times, very intriguing and include some amusing and often endearing raps performed by the soldiers about living in Iraq. It's clear that singing about the war, either with an electric guitar or a rap beat drummed out on a jeep is helping them get through the every day stresses they face. Presented more clearly and effectively, these raps could have given a nice structure to the film but seem more random and inserted without thought. And this is a shame, because there seems to have been a great deal of material the director could have drawn from. He was stationed there with them, for God's sake.
Also, somewhat inexplicably, the director/narrator, towards the end of the film, recounts his own experiences leaving Iraq and adjusting to home life again. Why I say this is inexplicable is because one would assume it would be the final moment of the documentary with maybe an epilogue, but rather the film shifts back to Iraq and continues on. It only adds confusion and disrupts the viewers ability to track the events and people appearing in Gunner Palace.
If only to see the faces of the soldiers and citizens in Iraq, as they are actually living, this film is worth seeing. It is a shame, however, that the footage Tucker shot didn't find it's way into more capable hands. Gunner Palace could have been even more compelling and affecting.