this movie, besides giving the casual viewer a glimpse into the operatic world, also affords the viewer a casual glimpse into the world and the business, of music making, and it ain't pretty. but it's accurate.
as a professional musician in an international setting for more than 25 years, let me assure you that the evils of the music business are all here on display, and they are represented accurately: complaining musicians, managers for whom the word 'know' was replaced by the word 'no' at an early age (perhaps in their infancy), smarmy interfering union reps, and please God, save us all from short conductors with bleeping inferiority complexes.
and then there are the operatic singers. oh my!! (dr. georg szell called opera singers, " 'unmusical beasts', who have to have every note beaten into them by a vocal coach". this is true, by my experience).
the only really weak moment that i noticed was when the conductor left the podium during a rehearsal to knock on the door of the singer. this is absolutely improbable/impossible in my experience. conductors get their 'power' by being on the podium. they do not leave the podium
orchestra conducters get/force sex by more sordid means, not by leaving the podium.
this movie has a lot to recommend it, on many different levels- check it out.
i give it a 9.2.
watch it in a 'Robert Altman' frame of mind, i think that you will see what i mean.
it's not 'terror in tiny town'. and it's not, 'the godfather, part one'. it's somewhere in between. it's really a fine movie.
thanks. alvink
as a professional musician in an international setting for more than 25 years, let me assure you that the evils of the music business are all here on display, and they are represented accurately: complaining musicians, managers for whom the word 'know' was replaced by the word 'no' at an early age (perhaps in their infancy), smarmy interfering union reps, and please God, save us all from short conductors with bleeping inferiority complexes.
and then there are the operatic singers. oh my!! (dr. georg szell called opera singers, " 'unmusical beasts', who have to have every note beaten into them by a vocal coach". this is true, by my experience).
the only really weak moment that i noticed was when the conductor left the podium during a rehearsal to knock on the door of the singer. this is absolutely improbable/impossible in my experience. conductors get their 'power' by being on the podium. they do not leave the podium
orchestra conducters get/force sex by more sordid means, not by leaving the podium.
this movie has a lot to recommend it, on many different levels- check it out.
i give it a 9.2.
watch it in a 'Robert Altman' frame of mind, i think that you will see what i mean.
it's not 'terror in tiny town'. and it's not, 'the godfather, part one'. it's somewhere in between. it's really a fine movie.
thanks. alvink