While I was too young to have seen the original Broadway production - and thus that might account for the previous criticism posted above - I think the fault lies with the reviewer (seeing a 1950's musical in 1990's terms).
The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.
Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.
Truly the most complete American musical on many levels!
The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.
Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.
Truly the most complete American musical on many levels!