"Born To Kill" is a very unpleasant film.
Its premise is unpleasant, its narrative is unpleasant, its denouement is unpleasant.
Unfortunately it is very well done.
The cast was great, with superlative performances from actors who mostly didn't become household names.
Claire Trevor, who did, was outstanding, looking her best, giving one of her best portrayals.
Elisha Cook, Jr., gives an excellent performance, perhaps the best chance he ever had in movies to shine, to portray a sympathetic character.
Too often he was just someone slimy, unlikable. If his character got bumped off, mostly it was good riddance.
In "Born To Kill" he showed he should have been given more respect in Hollywood, given more and better roles. Elisha Cook's performance is enough reason to watch.
Esther Howard, who made scores of movies, steals nearly every scene she is in. That her character gets so many chances to do so is a tribute to the writers and producers who didn't shortchange the script or its audiences.
Kathryn Card, who later played the mother of Lucy Ricardo on "I Love Lucy," is a maid in "Born To Kill," yet she is such a dominant personality she stands out.
Again it is a tribute to the writers and producers that the character is allowed to do so, to speak lines, to be a visible part of the story.
Other "minor" characters are played by names -- Ellen Corby, for instance, often uncredited except here at IMDb -- who went on to some fame and fortune, and they got a chance, with this script and under the direction of Robert Wise (surely proved a genius over the years), to be more than atmosphere or background.
"Born To Kill" is not fun, but it is something film historians will want to see.
Its premise is unpleasant, its narrative is unpleasant, its denouement is unpleasant.
Unfortunately it is very well done.
The cast was great, with superlative performances from actors who mostly didn't become household names.
Claire Trevor, who did, was outstanding, looking her best, giving one of her best portrayals.
Elisha Cook, Jr., gives an excellent performance, perhaps the best chance he ever had in movies to shine, to portray a sympathetic character.
Too often he was just someone slimy, unlikable. If his character got bumped off, mostly it was good riddance.
In "Born To Kill" he showed he should have been given more respect in Hollywood, given more and better roles. Elisha Cook's performance is enough reason to watch.
Esther Howard, who made scores of movies, steals nearly every scene she is in. That her character gets so many chances to do so is a tribute to the writers and producers who didn't shortchange the script or its audiences.
Kathryn Card, who later played the mother of Lucy Ricardo on "I Love Lucy," is a maid in "Born To Kill," yet she is such a dominant personality she stands out.
Again it is a tribute to the writers and producers that the character is allowed to do so, to speak lines, to be a visible part of the story.
Other "minor" characters are played by names -- Ellen Corby, for instance, often uncredited except here at IMDb -- who went on to some fame and fortune, and they got a chance, with this script and under the direction of Robert Wise (surely proved a genius over the years), to be more than atmosphere or background.
"Born To Kill" is not fun, but it is something film historians will want to see.