A tragedy leaves five people scarred. To heal, one of the survivors invites the others to her home in the Umbrian hills. As she says, to let the beauty of Umbria be a healing balm.
Umbria is one of the stars of the film, yet with a deft hand the director and cinematographer weave its physical beauty to complement the unfolding drama of the film.
Maggie Smith delivers a stunning performance. Her character is a flawed woman who escapes into an alcoholic haze and dreamweaving to explore her soul and the souls of those around her. Ever curious, she delves into places she should not, but always with kind and good intentions.
Chris Cooper plays a persnickety scientist with understated excellence. His facial expressions are magnificent, his words economical, his performance strong.
Ronnie Barker plays a retired English military with aplomb. Beno Furmann delivers a low-key performance, his eyes and his face reflecting guilt and pain. Timothy Spall plays an Irishman with a rare sweetness. A young American girl, Emmy Clarke, plays the film's lynchpin, Aimee, with simple perfection. And Giancarlo Giannini adds a deft touch.
This is a delightful film. There is no glitz, no whiz-bang action. It is a study of the human soul, of the human capacity to deal with pain, to cope, and to survive. The acting ranges from the good to the wonderful, and it is a fabulous example of film-making.
Umbria is one of the stars of the film, yet with a deft hand the director and cinematographer weave its physical beauty to complement the unfolding drama of the film.
Maggie Smith delivers a stunning performance. Her character is a flawed woman who escapes into an alcoholic haze and dreamweaving to explore her soul and the souls of those around her. Ever curious, she delves into places she should not, but always with kind and good intentions.
Chris Cooper plays a persnickety scientist with understated excellence. His facial expressions are magnificent, his words economical, his performance strong.
Ronnie Barker plays a retired English military with aplomb. Beno Furmann delivers a low-key performance, his eyes and his face reflecting guilt and pain. Timothy Spall plays an Irishman with a rare sweetness. A young American girl, Emmy Clarke, plays the film's lynchpin, Aimee, with simple perfection. And Giancarlo Giannini adds a deft touch.
This is a delightful film. There is no glitz, no whiz-bang action. It is a study of the human soul, of the human capacity to deal with pain, to cope, and to survive. The acting ranges from the good to the wonderful, and it is a fabulous example of film-making.