Sometimes a comedic story idea could make for an emotionally engrossing thriller instead. Such is the case with MERCI POUR LE CHOCOLAT. Chabrol turns what would be a situation comedy plot into a compelling thriller about failed relationships. A respected pianist Andre Polonski (Jacques Dutronc) figures that a maternity ward mishap caused him and his wife, Marie (Isabelle Hubbert) a chocolate manufacturer, to raise the wrong child.
Their college age `son', Guillaume, actually belongs to somebody else. Andre's real child seems to be Jeanne, (Anna Maoglalis) a lovely piano student. Jeanne and her boyfriend, a medical lab intern, are trying to figure out what poison will do some undetected dirty work (Chabrol originally studied to be a pharmacist) Chabrol started his career in the 1950's co-authoring well respected essays on Alfred Hitchcock with fellow countryman and future director Eric Rohmer. Unlike DePalma with his very obvious `Hey, hey look, what Hitchcock film is my scene copied from?' Chabrol wisely keeps his Hitchcock copying to a minimum with subtle Hitchcock styled camera movement. Instead of celebrating `technical innovation', Chabrol uses his camera to keep us gazing at the film's characters.
Their college age `son', Guillaume, actually belongs to somebody else. Andre's real child seems to be Jeanne, (Anna Maoglalis) a lovely piano student. Jeanne and her boyfriend, a medical lab intern, are trying to figure out what poison will do some undetected dirty work (Chabrol originally studied to be a pharmacist) Chabrol started his career in the 1950's co-authoring well respected essays on Alfred Hitchcock with fellow countryman and future director Eric Rohmer. Unlike DePalma with his very obvious `Hey, hey look, what Hitchcock film is my scene copied from?' Chabrol wisely keeps his Hitchcock copying to a minimum with subtle Hitchcock styled camera movement. Instead of celebrating `technical innovation', Chabrol uses his camera to keep us gazing at the film's characters.