Wong Kar-wai's Fallen Angels dives headfirst into the cultural alienation and milennial dread of modern-day Hong Kong. The film has a distinctly detached feeling about it that is certainly close to what its characters must feel. Some scenes are hypnotic and dreamlike, while others seem brutally real. The film's characters always seem to be wandering, or, perhaps, simply going through the motions of life. The voice-overs - which Wong uses as effectively as any director since the heyday of Terrence Malick - effectively add an extra dimension to the characters. The ending of Fallen Angels is one of the most beautiful, poetic, and true ever filmed.
While this film's predecessor, Wong's Chungking Express is a wonderful, exceptional movie, Fallen Angels is ultimately superior - a masterpiece that Wong only surpassed with his last film, the astonishing In the Mood for Love. Still, while In the Mood for Love may be Wong's best film to date, Fallen Angels remains (as it probably always will) the quintessential Wong Kar-wai picture in that it perfectly embodies the bold, Godardian, recklessness that the name Wong Kar-wai immediately brings to mind. 10/10
While this film's predecessor, Wong's Chungking Express is a wonderful, exceptional movie, Fallen Angels is ultimately superior - a masterpiece that Wong only surpassed with his last film, the astonishing In the Mood for Love. Still, while In the Mood for Love may be Wong's best film to date, Fallen Angels remains (as it probably always will) the quintessential Wong Kar-wai picture in that it perfectly embodies the bold, Godardian, recklessness that the name Wong Kar-wai immediately brings to mind. 10/10