First off, I have never seen the original, so there won't be any comparisons to Geraldine Page. I wouldn't know her if I fell over her, actually. When I said unbiased, I meant I would not be comparing this to the original film. I will say that this movie is awful.
Tennessee Williams is a bit over my head, I think, so parts of this film were lost on me. It seems that Alexandra De Lago (Elizabeth Taylor) had been a star, but she's faded considerably. Apparently, she was away from the screen for some time, so her appearance surprised people. I shouldn't doubt it, as the poster for her attempted comeback shows Elizabeth Taylor in her early 20s. No wonder they're startled. She's 30-odd years older than they thought. Senility has set in early, and she simply can't keep her train of thought going for more than a few minutes before it derails, leaving her hopelessly confused. I found myself giggling every time she yelled "Where I am? Who are you?" I don't think it's supposed to be funny, but I laughed. Hard.
While staying at what looks like a hotel on the beach, Alexandra (a.k.a. the Princess Kosmonopolis, of all things) meets a hunky "masssage therapist." I put that in quotation marks, because while people seem to think he's a massage therapist, he's really a gigolo that preys on weak-minded older women. Who's more weak-minded than our laid-off legend, Alexandra. Oh, he's all over her, rubbing her back, which I didn't want to see, and unzipping her muumuu. (That's what it is, you know. Didn't want to see it, either.) Next scene, they're driving down the road. What road? What happened? At this point, I was in the same fix as Alexandra--completely confused. I realized that they'd been involved intimately, but why in the heck would she hook up with that goofball? (Goofball is played by the dreadfully horrible Mark Harmon, I guess.) As the "plot" develops, Goofball reveals himself to be a pathetic would-be blackmailer, and Alexandra reveals herself to be an equally pathetic, blackmailing, sex-starved "monster." That's her word for them--they're monsters. She's right about something, for once.
Along the way, we're forced to watch Goofball try to find his dream girl, aptly named Heavenly; we also have to sit through Elizabeth Taylor's slightly confused portrayal. Did anyone help her with this? Did the director ever tell her what to do? Is she supposed to be hilarious? What is going on?!?
I give this two out of five stars, as I enjoy a good bad movie.
Tennessee Williams is a bit over my head, I think, so parts of this film were lost on me. It seems that Alexandra De Lago (Elizabeth Taylor) had been a star, but she's faded considerably. Apparently, she was away from the screen for some time, so her appearance surprised people. I shouldn't doubt it, as the poster for her attempted comeback shows Elizabeth Taylor in her early 20s. No wonder they're startled. She's 30-odd years older than they thought. Senility has set in early, and she simply can't keep her train of thought going for more than a few minutes before it derails, leaving her hopelessly confused. I found myself giggling every time she yelled "Where I am? Who are you?" I don't think it's supposed to be funny, but I laughed. Hard.
While staying at what looks like a hotel on the beach, Alexandra (a.k.a. the Princess Kosmonopolis, of all things) meets a hunky "masssage therapist." I put that in quotation marks, because while people seem to think he's a massage therapist, he's really a gigolo that preys on weak-minded older women. Who's more weak-minded than our laid-off legend, Alexandra. Oh, he's all over her, rubbing her back, which I didn't want to see, and unzipping her muumuu. (That's what it is, you know. Didn't want to see it, either.) Next scene, they're driving down the road. What road? What happened? At this point, I was in the same fix as Alexandra--completely confused. I realized that they'd been involved intimately, but why in the heck would she hook up with that goofball? (Goofball is played by the dreadfully horrible Mark Harmon, I guess.) As the "plot" develops, Goofball reveals himself to be a pathetic would-be blackmailer, and Alexandra reveals herself to be an equally pathetic, blackmailing, sex-starved "monster." That's her word for them--they're monsters. She's right about something, for once.
Along the way, we're forced to watch Goofball try to find his dream girl, aptly named Heavenly; we also have to sit through Elizabeth Taylor's slightly confused portrayal. Did anyone help her with this? Did the director ever tell her what to do? Is she supposed to be hilarious? What is going on?!?
I give this two out of five stars, as I enjoy a good bad movie.