Southern politics and strip-tease dancers make for a steamy mix and although we don't feel the heat of `Big Easy' this does try to raise the temperature. But it's thwarted by its own lack of direction. There are, in effect, three stories here - firstly the fall and rise (and fall again) of Earl K Long (`fine Governor of the great State of Louisiana'); secondly, the rise of stripper Blaze Starr and thirdly, what happens when these two larger than life characters form a life-changing relationship. Shelton concentrates on the latter, leaving us feeling that there might actually have been more fertile ground in either of the first two.
Newman (as Long) dominates the proceedings as a scoundrel of a politician that y'all are gonna love. His political opponents are totally against his support for Civil Rights - and his supporters are dubious too. His relationship with Starr doesn't exactly help his political chances. The politics alone, with Starr more in the background, could have made for an intense movie. Starr arrives on the scene as a leading light in the New Orleans strip joints (although quite how she makes the leap from nervous, reluctant stripper to top of the bill is omitted). Once they get together the film loses direction, not knowing whether to delve more deeply into the politics or whether to lighten the presentation by concentrating on the relationship. Some scenes seem to be included primarily so that some cute jokes can be kept in the script - `meet my yes men and their wives' is an example of a scene that doesn't add much to depth, but seems to be there for the laugh. Overall Shelton leans to the light touch and the whole ends up begging more questions than it answers.
The film does acknowledge the changing times of the late 1950s and the advent of a more liberal society. Long foresees the advent of a successful Civil Rights movement, whilst Starr sees a future where strippers will be required to remove their G-strings. But overall this is a lost opportunity, concentrating on the veneer of a not-too-convincing relationship at the expense of a greater expose. In short Shelton should have removed the political G-string.
Newman (as Long) dominates the proceedings as a scoundrel of a politician that y'all are gonna love. His political opponents are totally against his support for Civil Rights - and his supporters are dubious too. His relationship with Starr doesn't exactly help his political chances. The politics alone, with Starr more in the background, could have made for an intense movie. Starr arrives on the scene as a leading light in the New Orleans strip joints (although quite how she makes the leap from nervous, reluctant stripper to top of the bill is omitted). Once they get together the film loses direction, not knowing whether to delve more deeply into the politics or whether to lighten the presentation by concentrating on the relationship. Some scenes seem to be included primarily so that some cute jokes can be kept in the script - `meet my yes men and their wives' is an example of a scene that doesn't add much to depth, but seems to be there for the laugh. Overall Shelton leans to the light touch and the whole ends up begging more questions than it answers.
The film does acknowledge the changing times of the late 1950s and the advent of a more liberal society. Long foresees the advent of a successful Civil Rights movement, whilst Starr sees a future where strippers will be required to remove their G-strings. But overall this is a lost opportunity, concentrating on the veneer of a not-too-convincing relationship at the expense of a greater expose. In short Shelton should have removed the political G-string.