This movie is little-watched compared to Coppola's other Viet Nam movie, "Apocalypse Now", which is unfortunate, because it's a gem. Taking a device straight out of Aeschylus' masterpiece "The Persians", the war itself is almost entirely an off-screen presence (except for a few atmospheric news-reel clips, which serve to separate acts, as it were). Instead, like "The Persians", it considers the war through its effects on those at home, and does a generally excellent job.
It is particularly good at showing the view from inside the military "family", both of that life in general, and the effects of Viet Nam in particular. James Caan and James Earl Jones (the latter especially) turn in fine performances as veteran non-coms (the backbone of any army). One reviewer condemned D.B. Sweeney's portrayal of the young gung-ho recruit Willow because he sounded as if he were reading his line from cue cards - which rather misses the point, which is that because the green Willow doesn't know what it's really like, the slogans he repeats inevitably sound tinny and false.
Despite a few flaws (e.g. Mary Stuart Masterton's character is rather under-developed, and a few scenes are clangers), overall this is one of the greatest of all Viet Nam movies.
It is particularly good at showing the view from inside the military "family", both of that life in general, and the effects of Viet Nam in particular. James Caan and James Earl Jones (the latter especially) turn in fine performances as veteran non-coms (the backbone of any army). One reviewer condemned D.B. Sweeney's portrayal of the young gung-ho recruit Willow because he sounded as if he were reading his line from cue cards - which rather misses the point, which is that because the green Willow doesn't know what it's really like, the slogans he repeats inevitably sound tinny and false.
Despite a few flaws (e.g. Mary Stuart Masterton's character is rather under-developed, and a few scenes are clangers), overall this is one of the greatest of all Viet Nam movies.