BROADCAST NEWS brings the world of network television newscasts to the screen in a very realistic way--where ratings rule and flash wins out over substance and the "charisma" of the anchor who brings us the news is seen as more important than the news itself.
The film was nominated for seven Academy Awards, including Best Picture and acting nominations for each of the three leads. Amazingly, no statuettes were achieved.
Holly Hunter deservedly won an Oscar six years later for THE PIANO, but her portrayal of Jane Craig, the no-nonsense producer for the Washington News Bureau, is perhaps her most memorable performance.
Craig is an "old-school" newswoman who came up the hard way, by being a good reporter. She is disturbed over what is happening in the broadcast industry as she sees quality being sacrificed over the battle for good ratings with a cheap pricetag. Hard on her peers in her demands for excellence, even against the flow of pressure in the other direction, she manages to turn everybody off, including potential relationships. Whenever she's alone with her thoughts, even for a moment, Jane breaks down in tears, then is incredibly able to go right back into a professional mode at a moment's notice.
William Hurt is Tom Grunick, the young newscaster with no experience but plenty of good looks--and, after all, that's what the public wants. Tom finds himself attracted to Jane, but she is at first upset with what she perceives is his undeserved success. Tom Grunick is exactly what Jane Craig has been campaigning against.
Later, though, even Jane succumbs to Tom's charm, much to the dismay of newswriter Aaron Altman, played by Albert Brooks.
Altman is the antithesis of Grunick--a gifted journalist who really knows his stuff, but lacks the presence and confidence that Tom displays before the cameras--and he's been secretly in love with Jane for years.
Brooks is one of the funniest actors of all-time. When the station starts to cut back in personnel to cut expenses, Brooks' character, Altman tries to save his job by trying out for the weekend anchor position. In the middle of the newscast, Altman breaks out in the worst case of "flop-sweat" in history--"Even Nixon didn't sweat this much."
Frustrated when he sees Tom getting ahead of him career-wise as well as winning the affections of Jane, Aaron pours out his heart to her, calling Tom 'the devil.' "He'll be attractive, he'll be nice and helpful...he'll get a job where he influences a great God-fearing nation...he'll never do an evil thing, he'll never deliberately hurt a living thing...he'll just bit by little bit lower our standards where they're important...just a tiny little bit.........and he'll get all the great women."
In the end, Jane finally recognizes Tom for the phony he really is, but that doesn't stop him from going all the way to the top. Altman, rather than compromise his standards, leaves the Washington Bureau and goes to work at a small station in the Pacific Northwest where he will be appreciated. Years later, they all meet again and find they've come to accept each other and how they fit in the grand scheme of things.
Anyone who has spent any time in the broadcast industry will recognize some of the inner workings of this crazy business--and will be able to laugh and cry right along with Jane and Tom and Aaron.
The film was nominated for seven Academy Awards, including Best Picture and acting nominations for each of the three leads. Amazingly, no statuettes were achieved.
Holly Hunter deservedly won an Oscar six years later for THE PIANO, but her portrayal of Jane Craig, the no-nonsense producer for the Washington News Bureau, is perhaps her most memorable performance.
Craig is an "old-school" newswoman who came up the hard way, by being a good reporter. She is disturbed over what is happening in the broadcast industry as she sees quality being sacrificed over the battle for good ratings with a cheap pricetag. Hard on her peers in her demands for excellence, even against the flow of pressure in the other direction, she manages to turn everybody off, including potential relationships. Whenever she's alone with her thoughts, even for a moment, Jane breaks down in tears, then is incredibly able to go right back into a professional mode at a moment's notice.
William Hurt is Tom Grunick, the young newscaster with no experience but plenty of good looks--and, after all, that's what the public wants. Tom finds himself attracted to Jane, but she is at first upset with what she perceives is his undeserved success. Tom Grunick is exactly what Jane Craig has been campaigning against.
Later, though, even Jane succumbs to Tom's charm, much to the dismay of newswriter Aaron Altman, played by Albert Brooks.
Altman is the antithesis of Grunick--a gifted journalist who really knows his stuff, but lacks the presence and confidence that Tom displays before the cameras--and he's been secretly in love with Jane for years.
Brooks is one of the funniest actors of all-time. When the station starts to cut back in personnel to cut expenses, Brooks' character, Altman tries to save his job by trying out for the weekend anchor position. In the middle of the newscast, Altman breaks out in the worst case of "flop-sweat" in history--"Even Nixon didn't sweat this much."
Frustrated when he sees Tom getting ahead of him career-wise as well as winning the affections of Jane, Aaron pours out his heart to her, calling Tom 'the devil.' "He'll be attractive, he'll be nice and helpful...he'll get a job where he influences a great God-fearing nation...he'll never do an evil thing, he'll never deliberately hurt a living thing...he'll just bit by little bit lower our standards where they're important...just a tiny little bit.........and he'll get all the great women."
In the end, Jane finally recognizes Tom for the phony he really is, but that doesn't stop him from going all the way to the top. Altman, rather than compromise his standards, leaves the Washington Bureau and goes to work at a small station in the Pacific Northwest where he will be appreciated. Years later, they all meet again and find they've come to accept each other and how they fit in the grand scheme of things.
Anyone who has spent any time in the broadcast industry will recognize some of the inner workings of this crazy business--and will be able to laugh and cry right along with Jane and Tom and Aaron.