If you don't like the film, listen to the score.
20 June 1999
A fairly good end to the trilogy, although it's a shame the threatened armaggeddon never comes off (as in the later novels). Sam Neill puts in a good performance as the Devil's son and is surrounded by decent character actors. However, how Jerry Goldsmith didn't win an Oscar for the score, I will never know. It's absolutely amazing and proves music really can improve a film (just imagine a score-less Psycho, for example).
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