5/10
All that was bad in '70s cinema, and worse.
27 October 2000
Okay, let's see ... on weekdays, our anti-heroine is a touchy-feely educator of hearing-impaired children, but all other times is a shallow, giggling, hedonistic airhead, and all because mean old Daddy keeps talking to her as if ... well, as if she's a shallow, giggling, hedonistic airhead. Do people like this really exist?

This may be one of the first and best-known "sure I'm a wacko but it's not my fault" films. More a series of impressions than an actual story, we have impossibly-young Richard Gere (who provides some of the funniest lines, though unintentionally) and Tom Berenger, both trying hard to do Marlon Brando impersonations. And Tuesday Weld's hair-tossing frenzies are so overacted that I wished she'd just stand still for a moment so we could remember what she looks like.

Watch for Brian Dennehy in a funny fantasy sequence.

The film is not without merit, but be prepared for a parade of unlikeable characters. 'Double Indemnity' pulled that off, and still managed greatness.

LFMG could have been a memorable classic, instead of just the title. Too many cardboard characters; too little substance; too many excuses. It's as shallow as the lead character.

Not recommended.
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