Like Romero's "Day of the Dead," this is another marathon of carnage and excess talk, filled with scattered themes (martial law, role of the military, bureaucracy, disease, etc.). It's high-concept stuff, granted, but the budget is low and the script is unfocused. Like the attorney general's definition of "terrorism," the effects of the virus in "The Crazies" is just as vague (abnormal behavior that varies from person to person), but the unpredictability gets tedious after a while. The reason David Cronenberg's similarly-themed "Shivers" worked so well is because the parasites had a specific function (to replace a dead organ) and side-effect (they transform people into sex maniacs), and were confined to one specific location (an apartment complex). "The Crazies" is ambitious, but the unengaging performances and heavy-handed symbolism (tattered American flags, toy soldiers stepped on by real soldiers) renders it a mediocre oddity on Romero's resume.
5/10
5/10