This slush-fest version of Rodgers and Hammerstein's famous musical suffers on the small screen because of its constant use of colour filters during the songs. On a big screen, this looks great, but just looks odd on TV.
This aside, though, this film of 'South Pacific' has much to enjoy. Mitzi Gaynor is a bubbly personality and is clearly enjoying herself as Nellie Forbush, 'washing that man out of her hair' and so on. Rossano Brazzi is charming as Emile (the singing is expertly done by Giorgio Tozzi); we can have a pang of regret that Ezio Pinza was seen to be too old to play the role by the time the film appeared - his work with Mary Martin in the original cast survives in cast recordings - but Brazzi looks the part.
John Kerr is a bit of a wet fish as Lt. Cable, while Juanita Hall as Bloody Mary is excellent, and Ray Walston as Luther, and France Nuyen as Liat, make an impression in smaller roles. The musical numbers are done extremely well - 'Bali Ha'i', 'I'm in Love With a Wonderful Guy', 'Some Enchanted Evening', 'Younger Than Springtime', and 'Happy Talk' and the rest.
Where the film does flag is in the sequences where Emile and Cable go to the island to report on the Japanese invaders. This was handled rather better in the 1990s remake, and also moves along better in the stage version. Here, it clashes a bit with the romantic overtones of the rest of the production.
This aside, though, this film of 'South Pacific' has much to enjoy. Mitzi Gaynor is a bubbly personality and is clearly enjoying herself as Nellie Forbush, 'washing that man out of her hair' and so on. Rossano Brazzi is charming as Emile (the singing is expertly done by Giorgio Tozzi); we can have a pang of regret that Ezio Pinza was seen to be too old to play the role by the time the film appeared - his work with Mary Martin in the original cast survives in cast recordings - but Brazzi looks the part.
John Kerr is a bit of a wet fish as Lt. Cable, while Juanita Hall as Bloody Mary is excellent, and Ray Walston as Luther, and France Nuyen as Liat, make an impression in smaller roles. The musical numbers are done extremely well - 'Bali Ha'i', 'I'm in Love With a Wonderful Guy', 'Some Enchanted Evening', 'Younger Than Springtime', and 'Happy Talk' and the rest.
Where the film does flag is in the sequences where Emile and Cable go to the island to report on the Japanese invaders. This was handled rather better in the 1990s remake, and also moves along better in the stage version. Here, it clashes a bit with the romantic overtones of the rest of the production.