The participants for Impact Australia 2 have been revealed, with nine emerging creators to be paired with nine mentors.
Following a call-out for submissions in June, the emerging creators that have been selected to work on their projects as part of the program are:
Jessie Hughes (Qld): Head Above Water (TV Series – half hour)
John Kachoyan (Vic): Gaia (Feature)
Drew Macdonald (Qld): Only One Survives (TV Series – hour)
Julia Moriarty (Nsw): Stony Rise (TV Series – hour)
Elena Pavli (Nsw): The Clinic 2200 (TV Series – half hour)
Felicity Price (Nsw): Bird Island (TV Series – hour)
Bradley Slabe (Vic): Owner’s Manual: Operation and Maintenance of the Human Body (Feature)
Ramon Watkins (Vic): Daddies (TV Series – half hour)
Harvey Zielinski (Vic): Sweet Milk Lake (Feature)
Stuart Beattie, Shaun Grant, and Sarah Lambert will join international writers Mark Bianculli, Dana Calvo, Hunter Covington, Eric Pearson, Stacy Traub,...
Following a call-out for submissions in June, the emerging creators that have been selected to work on their projects as part of the program are:
Jessie Hughes (Qld): Head Above Water (TV Series – half hour)
John Kachoyan (Vic): Gaia (Feature)
Drew Macdonald (Qld): Only One Survives (TV Series – hour)
Julia Moriarty (Nsw): Stony Rise (TV Series – hour)
Elena Pavli (Nsw): The Clinic 2200 (TV Series – half hour)
Felicity Price (Nsw): Bird Island (TV Series – hour)
Bradley Slabe (Vic): Owner’s Manual: Operation and Maintenance of the Human Body (Feature)
Ramon Watkins (Vic): Daddies (TV Series – half hour)
Harvey Zielinski (Vic): Sweet Milk Lake (Feature)
Stuart Beattie, Shaun Grant, and Sarah Lambert will join international writers Mark Bianculli, Dana Calvo, Hunter Covington, Eric Pearson, Stacy Traub,...
- 9/14/2021
- by Sean Slatter
- IF.com.au
Ben Lawrence and Beatrix Christian’s Hearts and Bones was named best original feature film screenplay at the Australian Writers’ Guild’s annual Awgie Awards yesterday evening, while Shaun Grant and Harry Cripps took home the adaptation prize for Penguin Bloom.
Two of 2019’s top dramas, The Hunting, written by Niki Aken and Matthew Cormack, and Total Control (Episode 3), by Pip Karmel, were recognised in the television categories, while The Heights, lauded for its depiction of contemporary Australia, won Peter Mattessi the Awgie in the television serial category, ending a run of 16-straight years for Neighbours and Home and Away.
Playwright Suzie Miller’s critically acclaimed one-woman play Prima Facie took out the evening’s highest honours, winning the 2020 Major Award, the David Williamson Prize for Excellence in Writing for Australian Theatre, and in the stage category.
The one-woman play holds a mirror up to the Australian legal system, exposing...
Two of 2019’s top dramas, The Hunting, written by Niki Aken and Matthew Cormack, and Total Control (Episode 3), by Pip Karmel, were recognised in the television categories, while The Heights, lauded for its depiction of contemporary Australia, won Peter Mattessi the Awgie in the television serial category, ending a run of 16-straight years for Neighbours and Home and Away.
Playwright Suzie Miller’s critically acclaimed one-woman play Prima Facie took out the evening’s highest honours, winning the 2020 Major Award, the David Williamson Prize for Excellence in Writing for Australian Theatre, and in the stage category.
The one-woman play holds a mirror up to the Australian legal system, exposing...
- 12/8/2020
- by Sean Slatter
- IF.com.au
Posh frocks, smoldering sexuality and a trail of intriguing but ultimately frustrating clues made for a great mystery back in 1975, when Peter Weir’s “Picnic at Hanging Rock” first appeared on the big screen. The tale of schoolgirl disappearances, deception and voyeurism remains a beacon of Australian cinema and launched Weir’s directing career.
But these days, those narrative qualities are being explored in greater depth on the small screen by top screenwriting and directing talent. “Picnic at Hanging Rock” has itself returned as a new TV miniseries piloted by FremantleMedia and picked up by Amazon for the U.S. and the BBC for Britain. Pay-channel Foxtel has it in Australia – where the novel of the same title is a classic of Australian literature – and sees the show as a subscriptions magnet.
“Picnic,” which opens the Berlinale’s TV strand Monday, is the highest-profile Australian project in Berlin this year.
But these days, those narrative qualities are being explored in greater depth on the small screen by top screenwriting and directing talent. “Picnic at Hanging Rock” has itself returned as a new TV miniseries piloted by FremantleMedia and picked up by Amazon for the U.S. and the BBC for Britain. Pay-channel Foxtel has it in Australia – where the novel of the same title is a classic of Australian literature – and sees the show as a subscriptions magnet.
“Picnic,” which opens the Berlinale’s TV strand Monday, is the highest-profile Australian project in Berlin this year.
- 10/28/2020
- by Patrick Frater
- Variety Film + TV
Mac Gudgeon and Jan Sardi.
Shaun Grant, Tony McNamara, Jacquelin Perske, Andrew Knight, Kate Mulvany, Jan Sardi and Mac Gudgeon were among the recipients of the 52nd annual Awgie Awards presented in Sydney on Thursday night.
Grant won the feature film adaptation prize for True History of the Kelly Gang while McNamara and Deborah Davis shared best original feature screenplay for The Favourite.
Sardi and Gudgeon accepted the award on Grant’s behalf; he is in La and will head to Toronto for the world premiere of Justin Kurzel’s bushranger tale which stars George Mackay, Russell Crowe, Nicholas Hoult, Essie Davis and Harry Greenwood.
That was Shaun’s fourth Awgie following Snowtown, Jasper Jones and Deadline Gallipoli.
Perske’s The Cry was named best telemovie or miniseries of four hours or less and Knight’s first episode of the second season of Jack Irish was judged best series or miniseries of four hours plus.
Shaun Grant, Tony McNamara, Jacquelin Perske, Andrew Knight, Kate Mulvany, Jan Sardi and Mac Gudgeon were among the recipients of the 52nd annual Awgie Awards presented in Sydney on Thursday night.
Grant won the feature film adaptation prize for True History of the Kelly Gang while McNamara and Deborah Davis shared best original feature screenplay for The Favourite.
Sardi and Gudgeon accepted the award on Grant’s behalf; he is in La and will head to Toronto for the world premiere of Justin Kurzel’s bushranger tale which stars George Mackay, Russell Crowe, Nicholas Hoult, Essie Davis and Harry Greenwood.
That was Shaun’s fourth Awgie following Snowtown, Jasper Jones and Deadline Gallipoli.
Perske’s The Cry was named best telemovie or miniseries of four hours or less and Knight’s first episode of the second season of Jack Irish was judged best series or miniseries of four hours plus.
- 8/22/2019
- by The IF Team
- IF.com.au
(L-r) Andrew Goldsmith, Lucy Hayes and Bradley Slabe.
Bradley Slabe, the co-director with Andrew Goldsmith of the Academy Award-shortlisted animated short Lost & Found, looks set for a major career boost after securing representation in the Us.
The writer-director signed with Los Angeles-based Verve after being introduced to the talent and literary agency by Jonathan Hludzinski, Animal Logic’s senior VP, production.
On the same trip to La he met with four management companies and is yet to decide which one to take on. “My dream is to create my own content but Verve has showed me the IP properties on their roster and asked me which ones I’d like to pitch for,” he tells If.
Slabe, Goldsmith and producer Lucy Hayes are keen to develop a TV series spin-off of Lost & Found, which would look at the community of knitted creatures before their ranks were thinned to two.
Bradley Slabe, the co-director with Andrew Goldsmith of the Academy Award-shortlisted animated short Lost & Found, looks set for a major career boost after securing representation in the Us.
The writer-director signed with Los Angeles-based Verve after being introduced to the talent and literary agency by Jonathan Hludzinski, Animal Logic’s senior VP, production.
On the same trip to La he met with four management companies and is yet to decide which one to take on. “My dream is to create my own content but Verve has showed me the IP properties on their roster and asked me which ones I’d like to pitch for,” he tells If.
Slabe, Goldsmith and producer Lucy Hayes are keen to develop a TV series spin-off of Lost & Found, which would look at the community of knitted creatures before their ranks were thinned to two.
- 1/6/2019
- by The IF Team
- IF.com.au
Australian filmmaker Bradley Slabe, director of the stop-motion animated short film Lost and Found, which was named as part of the Oscar shortlist, has inked with Verve for representation.
The 7-minute film follows a crochet toy dinosaur who must completely unravel itself to save the love of its life.
Lost and Found was also nominated for an Annie Award. Its won Best Animated Film at the Sydney Film Festival and the Audience Award for Animated Short Film at the Austin Film Festival.
Slabe also served as a writer on season one of the Australian animated series, Kitty Is Not a Cat, which was picked up for a second season.
The 7-minute film follows a crochet toy dinosaur who must completely unravel itself to save the love of its life.
Lost and Found was also nominated for an Annie Award. Its won Best Animated Film at the Sydney Film Festival and the Audience Award for Animated Short Film at the Austin Film Festival.
Slabe also served as a writer on season one of the Australian animated series, Kitty Is Not a Cat, which was picked up for a second season.
- 1/2/2019
- by Amanda N'Duka
- Deadline Film + TV
With Christmas around the corner, this is the last official If newsletter for 2018.
It’s been our pleasure to report on a busy year, which saw Australian films perform respectably at the box office despite a crowded market and often limited P&A spend. Peter Rabbit, Ladies in Black and Breath were all commercial hits. Screen Australia’s Indigenous department turned 25, and stories from Indigenous filmmakers – like Sweet Country and Mystery Road – dominated the year, capturing both audiences and acclaim. In TV, shows like Mr Inbetween and Harrow resonated internationally. Our emerging filmmakers also speak to a bright future, with Charles Williams’ All These Creatures winning the Cannes Film Festival Short Film Palme d’Or, and Andrew Goldsmith and Bradley Slabe’s short animation Lost & Found shortlisted for an Oscar just today.
And of course, the industry continued to debate policy settings, grapple with digital disruption, and try to promote safer,...
It’s been our pleasure to report on a busy year, which saw Australian films perform respectably at the box office despite a crowded market and often limited P&A spend. Peter Rabbit, Ladies in Black and Breath were all commercial hits. Screen Australia’s Indigenous department turned 25, and stories from Indigenous filmmakers – like Sweet Country and Mystery Road – dominated the year, capturing both audiences and acclaim. In TV, shows like Mr Inbetween and Harrow resonated internationally. Our emerging filmmakers also speak to a bright future, with Charles Williams’ All These Creatures winning the Cannes Film Festival Short Film Palme d’Or, and Andrew Goldsmith and Bradley Slabe’s short animation Lost & Found shortlisted for an Oscar just today.
And of course, the industry continued to debate policy settings, grapple with digital disruption, and try to promote safer,...
- 12/18/2018
- by jkeast
- IF.com.au
‘Lost & Found’.
Australian stop-motion short Lost & Found, co-directed by Andrew Goldsmith and Bradley Slabe, is one of ten films shortlisted in the animated short film category for the 91st annual Academy Awards.
The dialogue-free film, which follows a knitted dinosaur who must unravel himself to save the love of his life, was written by Slabe and produced by Lucy J. Hayes.
The film has screened at number of festivals around the world including Berlinale, where it made its premiere, as well as locally at Sydney, Melbourne, Adelaide and CinefestOz.
In Australia, Lost & Found has already won a number of significant awards, including the Aacta Award for Best Animated Short; Short Film Production of the Year at the Screen Producers Australia Awards; and Best Animation and the Major Award at the Awgie Awards. Internationally, the film is also currently in contention for the Annie Award for Best Animated Short Subject.
Australian stop-motion short Lost & Found, co-directed by Andrew Goldsmith and Bradley Slabe, is one of ten films shortlisted in the animated short film category for the 91st annual Academy Awards.
The dialogue-free film, which follows a knitted dinosaur who must unravel himself to save the love of his life, was written by Slabe and produced by Lucy J. Hayes.
The film has screened at number of festivals around the world including Berlinale, where it made its premiere, as well as locally at Sydney, Melbourne, Adelaide and CinefestOz.
In Australia, Lost & Found has already won a number of significant awards, including the Aacta Award for Best Animated Short; Short Film Production of the Year at the Screen Producers Australia Awards; and Best Animation and the Major Award at the Awgie Awards. Internationally, the film is also currently in contention for the Annie Award for Best Animated Short Subject.
- 12/18/2018
- by jkeast
- IF.com.au
Pixar’s “Bao” (available for online viewing below through December 23rd) and DreamWorks’ “Bilby” and “Bird Karma” lead the Academy’s shortlist of 10 for Best Animated Short.
They were joined by “Age of Sail,” from Oscar winner John Kahrs (“Paperman”) via his Vr Google Spotlight short about being adrift at sea; National Board of Canada’s “Animal Behaviour” (directed by Alison Snowden and David Fine) about hilarious animal issues; Cartoon Saloon’s “Late Afternoon” (directed by Louise Bagnall), which explores dementia; “Lost & Found” (directed by Andrew Goldsmith & Bradley Slabe) about recovering a special friendship; “One Small Step” (directed by Disney alums Andrew Chesworth and Bobby Pontillas) about qualifying for the space program; “Pépé le Morse” (directed by Lucrèce Andreae) about a family’s sojourn of mourning; and “Weekends” (directed by Pixar story artist Trevor Jimenez) based on his difficult childhood being shuttled between parents in Toronto.
However, the frontrunner remains “Bao,...
They were joined by “Age of Sail,” from Oscar winner John Kahrs (“Paperman”) via his Vr Google Spotlight short about being adrift at sea; National Board of Canada’s “Animal Behaviour” (directed by Alison Snowden and David Fine) about hilarious animal issues; Cartoon Saloon’s “Late Afternoon” (directed by Louise Bagnall), which explores dementia; “Lost & Found” (directed by Andrew Goldsmith & Bradley Slabe) about recovering a special friendship; “One Small Step” (directed by Disney alums Andrew Chesworth and Bobby Pontillas) about qualifying for the space program; “Pépé le Morse” (directed by Lucrèce Andreae) about a family’s sojourn of mourning; and “Weekends” (directed by Pixar story artist Trevor Jimenez) based on his difficult childhood being shuttled between parents in Toronto.
However, the frontrunner remains “Bao,...
- 12/17/2018
- by Bill Desowitz
- Indiewire
Caitlin Yeo and Apra Amcos CEO Dean Ormston.
Caitlin Yeo and Matteo Zingales each won two awards at the annual annual Screen Music Awards staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs) at the City Recital Hall in Sydney on Monday night.
Yeo won feature film score of the year and best soundtrack album for The Butterfly Tree, Priscilla Cameron’s movie about an ex-burlesque queen (Melissa George) who puts a curse on single dad Al (Ewen Leslie) and his son Fin (Ed Oxenbould).
The president of the Agsc, Yeo previously won feature film score of the year for Kim Mordant’s The Rocket in 2013.
Matteo Zingales was rewarded for his work on Hoodlum Entertainment’s Harrow as best television theme and for his collaboration with Antony Partos on Bunya Productions’ Mystery Road, which was deemed best music for a miniseries or telemovie.
Nerida Tyson-Chew took...
Caitlin Yeo and Matteo Zingales each won two awards at the annual annual Screen Music Awards staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs) at the City Recital Hall in Sydney on Monday night.
Yeo won feature film score of the year and best soundtrack album for The Butterfly Tree, Priscilla Cameron’s movie about an ex-burlesque queen (Melissa George) who puts a curse on single dad Al (Ewen Leslie) and his son Fin (Ed Oxenbould).
The president of the Agsc, Yeo previously won feature film score of the year for Kim Mordant’s The Rocket in 2013.
Matteo Zingales was rewarded for his work on Hoodlum Entertainment’s Harrow as best television theme and for his collaboration with Antony Partos on Bunya Productions’ Mystery Road, which was deemed best music for a miniseries or telemovie.
Nerida Tyson-Chew took...
- 11/19/2018
- by The IF Team
- IF.com.au
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