Nominees in the categories of discovery of the year, public choice award and the new game music award have been revealed.
Film Fest Gent and The World Soundtrack Academy has unveiled the second and final wave of nominations for the 2023 World Soundtrack Awards, which will take place on October 21 at the Film Fest Gent in Belgium, with Golda, Avatar: The Way Of Water and The Menu among the additional titles represented.
Nominations for discovery of the year, public choice award, Wsa game music award, best original score for a Belgian production and the Sabam Award for best original composition by...
Film Fest Gent and The World Soundtrack Academy has unveiled the second and final wave of nominations for the 2023 World Soundtrack Awards, which will take place on October 21 at the Film Fest Gent in Belgium, with Golda, Avatar: The Way Of Water and The Menu among the additional titles represented.
Nominations for discovery of the year, public choice award, Wsa game music award, best original score for a Belgian production and the Sabam Award for best original composition by...
- 9/5/2023
- by Mona Tabbara
- ScreenDaily
Bill Groom has provided sumptuous, period-accurate sets for the entire run of “The Marvelous Mrs. Maisel,” but the final season of the Amazon comedy required the designer to go big with his designs. He is once again nominated in the Production Design for a Narrative Period or Fantasy Program (One Hour or More) category for the episode “Susan.” This installment required the creation of several extravagant theatrical sets. “It was probably the largest amount of work we did all season,” offers Groom. Watch the exclusive video interview above.
A core location in “Susan” is a business expo which houses several industrial musicals. Not only did each set have to contain the requisite amount of detail and flair that “Maisel” has been synonymous for in its design, but they also had to house original musical numbers. Dancers dressed as flowers come to life in a garden, a quintessential housewife dreams up...
A core location in “Susan” is a business expo which houses several industrial musicals. Not only did each set have to contain the requisite amount of detail and flair that “Maisel” has been synonymous for in its design, but they also had to house original musical numbers. Dancers dressed as flowers come to life in a garden, a quintessential housewife dreams up...
- 8/16/2023
- by Sam Eckmann
- Gold Derby
On Aug. 3, Prime Video and Variety collaborated to host Master Crafts at Nya Studios East, an event featuring the Emmy-nominated artisans behind Prime Video’s shows.
Moderated by Variety’s senior artisans editor Jazz Tangcay, the five panels included “Music to Our Ears,” with music supervisors, sound editors and mixers; “World Building” with cinematographers, production designers and a VFX supervisor; “Looking the Part,” with costume designers and makeup artists; “Names and Faces” with casting directors; and “The Final Cut” with producers.
The creatives behind critically acclaimed shows such as “The Marvelous Mrs. Maisel,” “Daisy Jones and the Six,” “Jury Duty,” “Swarm,” “The Lord of the Rings: The Rings of Power,” “Judy Blume Forever,” and “Dead Ringers” participated in the event. Speaking on a wide range of topics, the panelists drew back the curtain on some of this year’s most popular shows and explained how they brought them to life on screen.
Moderated by Variety’s senior artisans editor Jazz Tangcay, the five panels included “Music to Our Ears,” with music supervisors, sound editors and mixers; “World Building” with cinematographers, production designers and a VFX supervisor; “Looking the Part,” with costume designers and makeup artists; “Names and Faces” with casting directors; and “The Final Cut” with producers.
The creatives behind critically acclaimed shows such as “The Marvelous Mrs. Maisel,” “Daisy Jones and the Six,” “Jury Duty,” “Swarm,” “The Lord of the Rings: The Rings of Power,” “Judy Blume Forever,” and “Dead Ringers” participated in the event. Speaking on a wide range of topics, the panelists drew back the curtain on some of this year’s most popular shows and explained how they brought them to life on screen.
- 8/16/2023
- by Jaden Thompson and Jazz Tangcay
- Variety Film + TV
Three months from now, the Weeknd might just have an Emmy to place alongside his four Grammys and his Oscar nomination.
That’s because he joins a dozen other music superstars — including Dolly Parton, Common, Ryan Tedder, “Weird Al” Yankovic and Meshell Ndegeocello — who have entered work in this year’s Emmy competition.
Voting began yesterday in the seven music categories. Approximately 550 members of the Academy’s music branch will cast ballots, although viewing the hundreds of entries before voting ends on June 26 is an impossible task, Academy officials privately concede.
The Weeknd, aka Abel Tesfaye, is among the 19 entries in the Music Direction category. He submitted “The Weeknd Live at Sofi Stadium,” an HBO special that aired in February. If nominated, he’s likely to be up against such past winners as Adam Blackstone and Rickey Minor (“The Oscars”).
Most of the big-name performers have entered the song category...
That’s because he joins a dozen other music superstars — including Dolly Parton, Common, Ryan Tedder, “Weird Al” Yankovic and Meshell Ndegeocello — who have entered work in this year’s Emmy competition.
Voting began yesterday in the seven music categories. Approximately 550 members of the Academy’s music branch will cast ballots, although viewing the hundreds of entries before voting ends on June 26 is an impossible task, Academy officials privately concede.
The Weeknd, aka Abel Tesfaye, is among the 19 entries in the Music Direction category. He submitted “The Weeknd Live at Sofi Stadium,” an HBO special that aired in February. If nominated, he’s likely to be up against such past winners as Adam Blackstone and Rickey Minor (“The Oscars”).
Most of the big-name performers have entered the song category...
- 6/17/2023
- by Jon Burlingame
- Variety Film + TV
When she won a Golden Globe for “The Devil Wears Prada,” Meryl Streep said it best about what the role of costume design could be in moving pictures while thanking costume designer Patricia Field: “That was like special effects for our movie.”
Indeed, “special effects” is what the effervescent Pat Field touch brings to any project that she signs her name under, the most popular among them undoubtedly being HBO’s “Sex and the City.” With perhaps the exception of “Mad Men” has there been another culturally iconic TV series in the last quarter century that informed, even evolved how people dressed in their daily lives?
So it’s no easy task to do justice to the life and legacy of Field, a colorful New York City personality with a recently published book about her life. But more versed in episodic outputs such as CNN’s four-part docuseries “American Style” than feature-length films,...
Indeed, “special effects” is what the effervescent Pat Field touch brings to any project that she signs her name under, the most popular among them undoubtedly being HBO’s “Sex and the City.” With perhaps the exception of “Mad Men” has there been another culturally iconic TV series in the last quarter century that informed, even evolved how people dressed in their daily lives?
So it’s no easy task to do justice to the life and legacy of Field, a colorful New York City personality with a recently published book about her life. But more versed in episodic outputs such as CNN’s four-part docuseries “American Style” than feature-length films,...
- 6/15/2023
- by Tomris Laffly
- The Wrap
A version of this story about Thomas Mizer and Curtis Moore and “The Marvelous Mrs. Maisel” first appeared in the Comedy Series issue of TheWrap’s awards magazine.
Five seasons of Amazon’s pop-culture-reveling hit “The Marvelous Mrs. Maisel” has yielded more stars rising than bagel dough, but possibly none more so than show composers Thomas Mizer and Curtis Moore. The duo, who met at Northwestern and mentored with “The Muppet Show” veteran and multiple Emmy winner Larry Grossman, are responsible for pretty much any piece of music you hear that isn’t from someone’s songbook, and like other efforts from Amy Sherman-Palladino and Daniel Palladino, you can bet musical numbers are going to be part of the deal.
“We did actually we were set up on a sort of blind date with them about close to 10 years ago now,” Mizer says. “We’d been writing a stage musical...
Five seasons of Amazon’s pop-culture-reveling hit “The Marvelous Mrs. Maisel” has yielded more stars rising than bagel dough, but possibly none more so than show composers Thomas Mizer and Curtis Moore. The duo, who met at Northwestern and mentored with “The Muppet Show” veteran and multiple Emmy winner Larry Grossman, are responsible for pretty much any piece of music you hear that isn’t from someone’s songbook, and like other efforts from Amy Sherman-Palladino and Daniel Palladino, you can bet musical numbers are going to be part of the deal.
“We did actually we were set up on a sort of blind date with them about close to 10 years ago now,” Mizer says. “We’d been writing a stage musical...
- 6/15/2023
- by Jason Clark
- The Wrap
“I was sort of blown away by how much I was feeling about saying goodbye to the cast. And also truly I was really having a hard time saying goodbye to Rose as I watched her,” says Marin Hinkle about watching the series finale of “The Marvelous Mrs. Maisel.” The Amazon comedy recently wrapped up its fifth and final season. Thanks to several time jumps in the story, the actress was able to explore her character many years into the future. The experience asked the actress to explore how Rose evolved emotionally and professionally over the course of her life. Watch the exclusive video interview above.
In Episode 7, entitled “A House Full of Extremely Lame Horses,” Hinkle appears in a poignant flash-forward scene which depicts Rose struggling to film a commercial for her matchmaking business. The actress is aged up with transformative prosthetic makeup, which Hinkle admits she wanted to...
In Episode 7, entitled “A House Full of Extremely Lame Horses,” Hinkle appears in a poignant flash-forward scene which depicts Rose struggling to film a commercial for her matchmaking business. The actress is aged up with transformative prosthetic makeup, which Hinkle admits she wanted to...
- 6/10/2023
- by Sam Eckmann
- Gold Derby
Deadline has launched the streaming site for Sound & Screen: Television, its live-music showcase featuring the musicians and their scores behind this year’s buzziest small-screen series and movies.
Click here to launch the streaming site.
The event Tuesday at UCLA’s Royce Hall in front of a packed house of Academy and guild voters featured a 50-piece orchestra conducted by the composers behind their works.
The site features all 12 panel conversations from the 14 series and movies who took part in the event, with the list of participating studios and streamers encompassing the wide swath of the biz: Apple TV+, CBS, Hulu, Paramount+, Prime Video, Showtime and HBO Max.
Panelists on board for music and panel conversations were composer Bear McCreary with The Lord of the Rings: The Rings of Power; composers Tom Mizer and Curtis Moore with The Marvelous Mrs. Maisel; composers Brian Tyler and Breton Vivian, behind Yellowstone and its prequel 1923; composer Christophe Beck,...
Click here to launch the streaming site.
The event Tuesday at UCLA’s Royce Hall in front of a packed house of Academy and guild voters featured a 50-piece orchestra conducted by the composers behind their works.
The site features all 12 panel conversations from the 14 series and movies who took part in the event, with the list of participating studios and streamers encompassing the wide swath of the biz: Apple TV+, CBS, Hulu, Paramount+, Prime Video, Showtime and HBO Max.
Panelists on board for music and panel conversations were composer Bear McCreary with The Lord of the Rings: The Rings of Power; composers Tom Mizer and Curtis Moore with The Marvelous Mrs. Maisel; composers Brian Tyler and Breton Vivian, behind Yellowstone and its prequel 1923; composer Christophe Beck,...
- 5/12/2023
- by The Deadline Team
- Deadline Film + TV
“The Marvelous Mrs. Maisel” has submitted “Your Personal Trash Man Can” in the outstanding original music and lyrics category for Emmys consideration.
Written by Curtis Moore and songwriting partner Thomas Mizer, the song features in “Susan,” Episode 4 of the Amazon Prime series’ fifth and final season. One of the most music-filled episodes of the show, “Susan” follows Susie (Alex Borstein) and Midge (Rachel Brosnahan) as they help a garbage man who calls in sick.
The episode was also submitted for production design for a narrative period or fantasy program (one hour or more) by Bill Groom, production designer; Neil Prince, supervising art director and Ellen Christiansen, set decorator.
The costume team also submitted the episode in the period costume category.
Meanwhile, the show’s cinematographers, Alex Nepomniaschy and M. David Mullen, will be vying for Emmy consideration in the cinematography for a single-camera series (one hour) category, with Nepomniaschy submitting...
Written by Curtis Moore and songwriting partner Thomas Mizer, the song features in “Susan,” Episode 4 of the Amazon Prime series’ fifth and final season. One of the most music-filled episodes of the show, “Susan” follows Susie (Alex Borstein) and Midge (Rachel Brosnahan) as they help a garbage man who calls in sick.
The episode was also submitted for production design for a narrative period or fantasy program (one hour or more) by Bill Groom, production designer; Neil Prince, supervising art director and Ellen Christiansen, set decorator.
The costume team also submitted the episode in the period costume category.
Meanwhile, the show’s cinematographers, Alex Nepomniaschy and M. David Mullen, will be vying for Emmy consideration in the cinematography for a single-camera series (one hour) category, with Nepomniaschy submitting...
- 5/11/2023
- by Jazz Tangcay
- Variety Film + TV
Awards-contending composers and songwriters were on hand Tuesday in Los Angeles for Deadline’s Sound & Screen: Television event, which showcased the music from buzzy awards-season titles.
The Panelists were Cristobal Tapia de Veer (The White Lotus), Rachael Moore (George & Tammy), Jack Douglas and David Johansen (Personality Crisis: One Night Only), Tim Phillips (Bad Sisters), John Powell(Still: A Michael J. Fox Movie), Tom Howe (Ted Lasso/Shrinking), Stephen Barton (Star Trek: Picard), Breton Vivian and Brian Tyler (Yellowstone/1923), Siddhartha Khosla(Only Murders in the Building), Bear McCreary (The Lord of the Rings: The Rings of Power), Curtis Moore and Thomas Mizer (The Marvelous Mrs. Maisel).
Click through the gallery to see their portraits, panels and performances.
The Panelists were Cristobal Tapia de Veer (The White Lotus), Rachael Moore (George & Tammy), Jack Douglas and David Johansen (Personality Crisis: One Night Only), Tim Phillips (Bad Sisters), John Powell(Still: A Michael J. Fox Movie), Tom Howe (Ted Lasso/Shrinking), Stephen Barton (Star Trek: Picard), Breton Vivian and Brian Tyler (Yellowstone/1923), Siddhartha Khosla(Only Murders in the Building), Bear McCreary (The Lord of the Rings: The Rings of Power), Curtis Moore and Thomas Mizer (The Marvelous Mrs. Maisel).
Click through the gallery to see their portraits, panels and performances.
- 5/11/2023
- by The Deadline Team
- Deadline Film + TV
The Marvelous Mrs. Maisel composers Thomas Mizer and Curtis Moore are used to being kept on their toes. So, when creator Amy Sherman-Palladino approached them about writing a few musical numbers for a variety act, which would culminate in a tune about the neighborhood trash man for Season 5, the composers knew they’d “figure it out.”
“We have no idea what’s going to happen in the scripts, we don’t get them. They write them late. So we had no idea what it was gonna be about. We knew there was a big musical coming up,” Moore said during an appearance at Deadline’s Sound & Screen: Television awards-season event, where he was joined by Mizer. “So we got the assignment, [and] we were like, ‘Wait, what?'”
Added Mizer: “She just brought us into a room and said, ‘It’s gonna be about trash.’ And imagine our faces at that moment.
“We have no idea what’s going to happen in the scripts, we don’t get them. They write them late. So we had no idea what it was gonna be about. We knew there was a big musical coming up,” Moore said during an appearance at Deadline’s Sound & Screen: Television awards-season event, where he was joined by Mizer. “So we got the assignment, [and] we were like, ‘Wait, what?'”
Added Mizer: “She just brought us into a room and said, ‘It’s gonna be about trash.’ And imagine our faces at that moment.
- 5/11/2023
- by Katie Campione
- Deadline Film + TV
“Anytime there’s a framework, it gives us a sandbox to work in. The more specific a challenge is, the better and more focused we can make it,” explains Curtis Moore. He and his songwriting partner Thomas Moore provided the original tunes for the fifth and final season of the Amazon series “The Marvelous Mrs. Maisel.” While the duo created the original music that audiences hear playing in Midge’s strip club or in the theme to The Gordon Ford Show, their biggest task was writing the original songs in Episode 4, “Susan.” There, a series of industrial musicals culminate in a show stopping, garbage-themed extravaganza. Watch the exclusive video interview above.
“It was sort of returning to our roots of music theater in a fun way,” notes Mizer of their work. He continues that writer/director Amy Sherman-Palladino gave them “the keys to the car” as the musicals featured in...
“It was sort of returning to our roots of music theater in a fun way,” notes Mizer of their work. He continues that writer/director Amy Sherman-Palladino gave them “the keys to the car” as the musicals featured in...
- 5/8/2023
- by Sam Eckmann
- Gold Derby
Music has always been an intrinsic part of The Marvelous Mrs. Maisel, with a perfectly curated soundtrack for both its in-era songs its often anachronistic end credits music.
However, on The Marvelous Mrs. Maisel Season 5 Episode 4, we get the closest we've ever gotten to a musical episode, even if all the numbers are diegetic.
"Take It Away!" is the perfect title for the opening number of a trash-related musical.
Composers Thomas Mizer and Curtis Moore have truly outdone themselves with the many songs for this show-within-a show as well as the opening number" Everything Goes" and the "Dream Kitchen," which feels both whimsical and authentic to the period.
Emily Bergl's Tessie shows up here and gets to sing, which we learned recently is a thing she likes to do. It may be on a big pile of trash, but at least she's center stage, much to Susie's surprise.
Every...
However, on The Marvelous Mrs. Maisel Season 5 Episode 4, we get the closest we've ever gotten to a musical episode, even if all the numbers are diegetic.
"Take It Away!" is the perfect title for the opening number of a trash-related musical.
Composers Thomas Mizer and Curtis Moore have truly outdone themselves with the many songs for this show-within-a show as well as the opening number" Everything Goes" and the "Dream Kitchen," which feels both whimsical and authentic to the period.
Emily Bergl's Tessie shows up here and gets to sing, which we learned recently is a thing she likes to do. It may be on a big pile of trash, but at least she's center stage, much to Susie's surprise.
Every...
- 4/21/2023
- by Mary Littlejohn
- TVfanatic
Sound & Screen, Deadline’s inaugural live concert showcasing the composers, music supervisors and songwriters behind the music of television’s buzziest shows, has set the lineup for its in-person event May 5 at UCLA’s Royce Hall.
The free-to-attend evening will feature a 50-piece orchestra performing songs from 12 featured series, followed by panelists talking about their respective works. Those include some of the biggest names in music, from a virtual performance by The Rolling Stones icon Mick Jagger for Apple TV+’s Slow Horses to in-person discussions with composers Daniel Pemberton, Amanda Jones, Sean Callery, Nico Muhly, Jeff Russo and Dan Romer; composer-songwriters Tom Mizer and Curtis Moore; and music supervisor Jen Malone.
The lineup features Amazon Studios’ The Marvelous Mrs. Maisel; Apple TV+’s Pachinko, Slow Horses and The Afterparty; HBO/HBO Max’s Euphoria, Station Eleven, Somebody Somewhere and A Black Lady Sketch Show; CBS Studios’ Star Trek: Picard...
The free-to-attend evening will feature a 50-piece orchestra performing songs from 12 featured series, followed by panelists talking about their respective works. Those include some of the biggest names in music, from a virtual performance by The Rolling Stones icon Mick Jagger for Apple TV+’s Slow Horses to in-person discussions with composers Daniel Pemberton, Amanda Jones, Sean Callery, Nico Muhly, Jeff Russo and Dan Romer; composer-songwriters Tom Mizer and Curtis Moore; and music supervisor Jen Malone.
The lineup features Amazon Studios’ The Marvelous Mrs. Maisel; Apple TV+’s Pachinko, Slow Horses and The Afterparty; HBO/HBO Max’s Euphoria, Station Eleven, Somebody Somewhere and A Black Lady Sketch Show; CBS Studios’ Star Trek: Picard...
- 4/26/2022
- by The Deadline Team
- Deadline Film + TV
Fans of "The Marvelous Mrs. Maisel" are well accustomed to ending an episode with a song stuck in their heads. Amazon Prime Video's hit series can't let the clothes do all the work, so it also throws audiences back into 1960s New York with the help of a nostalgic, swinging soundtrack, featuring everyone from Fred Astaire and Barbra Streisand to Nina Simone and Ella Fitzgerald. Back in its third season, "Maisel" took its atmosphere to the next level with its first batch of original songs, courtesy of the musical magic of songwriting duo Thomas Mizer and Curtis Moore. A...
The post Songwriters Mizer & Moore Break Down The Original Music of The Marvelous Mrs. Maisel [Interview] appeared first on /Film.
The post Songwriters Mizer & Moore Break Down The Original Music of The Marvelous Mrs. Maisel [Interview] appeared first on /Film.
- 3/10/2022
- by Shania Russell
- Slash Film
With an atmosphere decorated by dazzling showtunes and iconic era-appropriate standards, "The Marvelous Mrs. Maisel" has always touted a high batting average when it comes to memorable musical moments (and Emmy wins for musical supervision). But that didn't stop the series from stepping up to the plate for another irresistible injection of personality: original music.
The third season of "Maisel" added songwriting/composing duo Thomas Mizer and Curtis Moore to its esteemed ranks. Together, the musical team has added new tunes ranging from Broadway ensemble numbers to jazzy '60s hits. They made a perfect fit for the show's third season when...
The post The Marvelous Mrs. Maisel Season 5 Promises More Toe-Tapping Tunes From Mizer & Moore appeared first on /Film.
The third season of "Maisel" added songwriting/composing duo Thomas Mizer and Curtis Moore to its esteemed ranks. Together, the musical team has added new tunes ranging from Broadway ensemble numbers to jazzy '60s hits. They made a perfect fit for the show's third season when...
The post The Marvelous Mrs. Maisel Season 5 Promises More Toe-Tapping Tunes From Mizer & Moore appeared first on /Film.
- 3/9/2022
- by Shania Russell
- Slash Film
‘The Marvelous Mrs. Maisel,’ ‘SNL,’ ‘Watchmen’ and more predicted to win at 2020 Creative Arts Emmys
The Prrimetime Emmys telecast is on Sunday night, September 20, on ABC, but by then most of the awards will already have been handed out. The Creative Arts Awards are where the lion’s share of categories will be announced. So who will win? We’re predicting 29 categories that will be presented between Monday, September 14, and Saturday, September 19. There are many, many more prizes than that up for grabs, but scroll down to see our official predicted winners listed by series; these predictions are based on the combined forecasts of over 1,200 Gold Derby users as of this writing.
“The Marvelous Mrs. Maisel” is nominated 20 times overall this year, more than any other comedy, and we’re predicting three wins for the show: Best Comedy Guest Actress (Wanda Sykes), Best Music and Lyrics (“One Less Angel” by songwriters Thomas Mizer and Curtis Moore) and Best Music Supervision. But the lavish period series...
“The Marvelous Mrs. Maisel” is nominated 20 times overall this year, more than any other comedy, and we’re predicting three wins for the show: Best Comedy Guest Actress (Wanda Sykes), Best Music and Lyrics (“One Less Angel” by songwriters Thomas Mizer and Curtis Moore) and Best Music Supervision. But the lavish period series...
- 9/14/2020
- by Daniel Montgomery
- Gold Derby
As Emmy voting draws to a close, the 2020 music nominations span rookies to regulars. Martin Phipps landed his sixth nomination overall for the dramatic score to Netflix’s “The Crown.” Nine Inch Nails’ Trent Reznor and his scoring partner Atticus Ross nabbed a nomination for their first series, HBO’s “Watchmen.” Emmy fave “The Marvelous Mrs. Maisel” grabbed another music supervision nom, while composers Thomas Mizer and Curtis Moore landed their first for music and lyrics.
There is a wealth of music nominated across different sounds and genres. Variety breaks it all down in the annual Emmy chart.
Music Composition for a Series
"The Crown" (Netflix)
Composer: Martin Phipps
Pedigree: Six previous nominations
“Aberfan”
Vibe: Solo horn for a grieving Elizabeth; choir for mourning Welsh village
"Euphoria" (HBO)
Composer: Labrinth
Pedigree: First nomination (two this year)
“’03 Bonnie and Clyde”
Vibe: Contemporary sounds complement teen sex-and-drugs drama
"The Mandalorian" (Disney Plus...
There is a wealth of music nominated across different sounds and genres. Variety breaks it all down in the annual Emmy chart.
Music Composition for a Series
"The Crown" (Netflix)
Composer: Martin Phipps
Pedigree: Six previous nominations
“Aberfan”
Vibe: Solo horn for a grieving Elizabeth; choir for mourning Welsh village
"Euphoria" (HBO)
Composer: Labrinth
Pedigree: First nomination (two this year)
“’03 Bonnie and Clyde”
Vibe: Contemporary sounds complement teen sex-and-drugs drama
"The Mandalorian" (Disney Plus...
- 8/26/2020
- by Jon Burlingame
- Variety Film + TV
Composers Emile Mosseri (“Homecoming” Season 2), Ariel Marx (“Ted Bundy: Falling for a Killer”), Faith Soloway (“Transparent: Musicale Finale”), Thomas Mizer and Curtis Moore (“The Marvelous Mrs. Maisel” Season 3), Paul Leonard-Morgan (“Tales From the Loop”), and Nathan Barr (“Carnival Row”) will participate in a Q&a on June 29 at 5 p.m. Pt/8 p.m. Et in the “Variety Streaming Room” presented by Amazon.
The virtual conversation will highlight clips from each of the composer’s respective series and spotlight how they created scores to match the show’s story.
The “Variety Streaming Room” is dedicated to presenting virtual conversations that span private screenings of upcoming projects in film and TV, exclusive Q&As with creators and talent, and relevant B2B discussions with industry thought leaders.
Secure your spot for the free virtual conversation here: https://variety.com/amazonroundtable.
The virtual conversation will highlight clips from each of the composer’s respective series and spotlight how they created scores to match the show’s story.
The “Variety Streaming Room” is dedicated to presenting virtual conversations that span private screenings of upcoming projects in film and TV, exclusive Q&As with creators and talent, and relevant B2B discussions with industry thought leaders.
Secure your spot for the free virtual conversation here: https://variety.com/amazonroundtable.
- 6/16/2020
- by Variety Staff
- Variety Film + TV
How do you craft a mythical hit single from 1959? That was the challenge for songwriters Thomas Mizer and Curtis Moore (“For The Love Of Tiffany”), who were tapped by “The Marvelous Mrs. Maisel” creator Amy Sherman-Palladino and executive producer Dan Palladino to compose five original songs for Season 3’s newest character, pop star Shy Baldwin (Leroy McClain). This was a marked departure from the usual jukebox playlists used as the musical backdrop for the misadventures of Rachel Brosnahan’s stand-up comic, Midge.
The first song the duo tackled was “One Less Angel,” a joyous crowd pleaser for Baldwin to perform with his backup singers, The Silver Belles. “It put us in a situation just like writers would’ve written songs at that time,” said lyricist Mizer. “Amy was very specific about wanting Shy Baldwin to have his own identity, to be recognizable as one person [based on a composite of Sam Cooke and Johnny Mathis...
The first song the duo tackled was “One Less Angel,” a joyous crowd pleaser for Baldwin to perform with his backup singers, The Silver Belles. “It put us in a situation just like writers would’ve written songs at that time,” said lyricist Mizer. “Amy was very specific about wanting Shy Baldwin to have his own identity, to be recognizable as one person [based on a composite of Sam Cooke and Johnny Mathis...
- 6/5/2020
- by Bill Desowitz
- Thompson on Hollywood
How do you craft a mythical hit single from 1959? That was the challenge for songwriters Thomas Mizer and Curtis Moore (“For The Love Of Tiffany”), who were tapped by “The Marvelous Mrs. Maisel” creator Amy Sherman-Palladino and executive producer Dan Palladino to compose five original songs for Season 3’s newest character, pop star Shy Baldwin (Leroy McClain). This was a marked departure from the usual jukebox playlists used as the musical backdrop for the misadventures of Rachel Brosnahan’s stand-up comic, Midge.
The first song the duo tackled was “One Less Angel,” a joyous crowd pleaser for Baldwin to perform with his backup singers, The Silver Belles. “It put us in a situation just like writers would’ve written songs at that time,” said lyricist Mizer. “Amy was very specific about wanting Shy Baldwin to have his own identity, to be recognizable as one person [based on a composite of Sam Cooke and Johnny Mathis...
The first song the duo tackled was “One Less Angel,” a joyous crowd pleaser for Baldwin to perform with his backup singers, The Silver Belles. “It put us in a situation just like writers would’ve written songs at that time,” said lyricist Mizer. “Amy was very specific about wanting Shy Baldwin to have his own identity, to be recognizable as one person [based on a composite of Sam Cooke and Johnny Mathis...
- 6/5/2020
- by Bill Desowitz
- Indiewire
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