Meg Mundell.
Fremantle and Triptych Pictures’ Kristian Moliere are teaming up to make a TV drama adapted from New Zealand-born author Meg Mundell’s second novel The Trespassers.
The tome follows a shipload of migrant workers fleeing from a pandemic-stricken UK who seek a fresh start in Australia. For nine-year-old Cleary the journey promises adventure, for former nurse Billie it’s a chance to put a shameful mistake behind her, while struggling schoolteacher Tom hopes for a brighter future.
But when a crew member is murdered and people start falling gravely ill, the Steadfast descends into chaos. Trapped on the ship, the trio must join forces to survive the journey and its aftermath.
The screenplay is being written by Andy Cox, who was a script consultant on Stephen Johnson’s High Ground, script editor on Jeremy Sims’ Last Cab to Darwin and script consultant on Kim Mordaunt’s The Rocket.
Fremantle and Triptych Pictures’ Kristian Moliere are teaming up to make a TV drama adapted from New Zealand-born author Meg Mundell’s second novel The Trespassers.
The tome follows a shipload of migrant workers fleeing from a pandemic-stricken UK who seek a fresh start in Australia. For nine-year-old Cleary the journey promises adventure, for former nurse Billie it’s a chance to put a shameful mistake behind her, while struggling schoolteacher Tom hopes for a brighter future.
But when a crew member is murdered and people start falling gravely ill, the Steadfast descends into chaos. Trapped on the ship, the trio must join forces to survive the journey and its aftermath.
The screenplay is being written by Andy Cox, who was a script consultant on Stephen Johnson’s High Ground, script editor on Jeremy Sims’ Last Cab to Darwin and script consultant on Kim Mordaunt’s The Rocket.
- 9/4/2019
- by The IF Team
- IF.com.au
The Sessions writer-director Ben Lewin is attached to helm Blue Rose, a biopic about the self-described .sex crazed. Australian composer and pianist Percy Grainger.
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
La-based Jeffrey Walker will return to Oz a to direct Dance Academy: The Comeback., a spin-off of Werner Film Productions. popular TV series, which will follow a young ballerina who dreams of being a star.
Following Ruin and Hail, Amiel Courtin-Wilson is to write, produce and direct Hawkwood, a thriller set in the backwaters of Africa which tells of ageing mercenary.s journey from chaos to grace.
These are among 16 feature projects which are receiving more than $620,000 in development funding from Screen Australia.
Lewin will write Blue Rose with Wain Fimeri for producers Chryssy Tintner, Jan Eymann, Judi Levine and Arclight.s Mark Lazarus and Gary Hamilton. His next film is Us indie romantic drama Purple Hearts, which will star Jane the Virgin's Gina Rodriguez...
- 4/21/2015
- by Don Groves
- IF.com.au
After shooting his debut film The Rocket in northern Laos and Thailand, Kim Mordaunt will go back to the region to direct a biopic about the legendary Australian combat photo-journalist Neil Davis.
One Crowded Hour is based on Tim Bowden.s biography of that title and is set in Australia, Vietnam and Cambodia.
For more than 20 years from the early 1960s, Davis brought enduring images of the full horror of war directly from the battlefront to the world.s TV.s screens.
After surviving numerous wars he was killed in September 1985 while filming an attempted coup in the streets of Bangkok. His still-running camera recorded his own death.
Andy Cox is writing the screenplay for producers Todd Fellman (Bait, Mental, A Few Best Men) and Lance Kelleher, with Screen Australia funding development.
.We will shoot mostly in Australia and likely Vietnam but are yet to scout in Asia so we...
One Crowded Hour is based on Tim Bowden.s biography of that title and is set in Australia, Vietnam and Cambodia.
For more than 20 years from the early 1960s, Davis brought enduring images of the full horror of war directly from the battlefront to the world.s TV.s screens.
After surviving numerous wars he was killed in September 1985 while filming an attempted coup in the streets of Bangkok. His still-running camera recorded his own death.
Andy Cox is writing the screenplay for producers Todd Fellman (Bait, Mental, A Few Best Men) and Lance Kelleher, with Screen Australia funding development.
.We will shoot mostly in Australia and likely Vietnam but are yet to scout in Asia so we...
- 7/24/2014
- by Don Groves
- IF.com.au
Screen Australia has committed almost $360,000 in funding to assist 15 filmmaking teams and three new internships.
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
- 5/20/2013
- by Staff Writer
- IF.com.au
Screen Australia has committed more than $450,000 in development funding across 19 feature films.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
Psychological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner, will also receive funding.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
Psychological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner, will also receive funding.
- 11/19/2012
- by Emily Blatchford
- IF.com.au
Over $450 000 in funding will be spread across 19 feature films following an announcement from Screen Australia today.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
.Pyschological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner,...
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
.Pyschological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner,...
- 11/19/2012
- by Emily Blatchford
- IF.com.au
Brendan Cowell
Writer and actor Brendan Cowell will make his feature film directorial debut with the adaptation of his play Ruben Guthrie - the story of a wild-boy agency creative who burns himself out.
Cowell’s project is among 19 films to receive a cut of the $450,000 development support from Screen Australia.
Cowell has teamed up with Yael Bergman, producer of I Love You Too, which starred Cowell, and executive producers Laura Waters and Andrea Denholm.
The film’s synopsis reads: “By day, 29-year-old Ruben Guthrie is the wunderkind creative at one of Sydney’s hottest boutique ad agencies; by night, he is one of Sydney’s most notorious party boys until he jumps off a hotel roof into a wading pool and nearly kills himself. Over the next 12 months, Ruben tries to build a life around AA, cups of tea, inner growth and sex with a reformed addict. His friends,...
Writer and actor Brendan Cowell will make his feature film directorial debut with the adaptation of his play Ruben Guthrie - the story of a wild-boy agency creative who burns himself out.
Cowell’s project is among 19 films to receive a cut of the $450,000 development support from Screen Australia.
Cowell has teamed up with Yael Bergman, producer of I Love You Too, which starred Cowell, and executive producers Laura Waters and Andrea Denholm.
The film’s synopsis reads: “By day, 29-year-old Ruben Guthrie is the wunderkind creative at one of Sydney’s hottest boutique ad agencies; by night, he is one of Sydney’s most notorious party boys until he jumps off a hotel roof into a wading pool and nearly kills himself. Over the next 12 months, Ruben tries to build a life around AA, cups of tea, inner growth and sex with a reformed addict. His friends,...
- 11/19/2012
- by Colin Delaney
- Encore Magazine
What's old is new again, but did The English Beat ever go out of style? Shout! Factory is releasing the popular '80s Brit band's entire catalog (plus previously unreleased nuggets) in a new box set, The Complete Beat, out July 10, and co-founding member Dave Wakeling took time to talk to me about the timeless sound of the band, why they broke up, his jealousy over the success of Fine Young Cannibals, and the ultimate fan concert he hopes to stage.
"The Beat finished when it was meant to. We promised each other that if it ever became incredibly hard work, or we felt like we were going through the motions, or we felt we were doing anything that we didn't want to do, [that would be it]," Wakeling, now 56, said before a recent live gig in Aspen, Co. "Sad as it was, the right thing happened, and I'm pleased because now 30 years later we only made three lps, but they're...
"The Beat finished when it was meant to. We promised each other that if it ever became incredibly hard work, or we felt like we were going through the motions, or we felt we were doing anything that we didn't want to do, [that would be it]," Wakeling, now 56, said before a recent live gig in Aspen, Co. "Sad as it was, the right thing happened, and I'm pleased because now 30 years later we only made three lps, but they're...
- 7/9/2012
- TheInsider.com
Wolf Creek director Greg McLean has received development support from Screen Australia for a new film set in Vietnam.
McLean’s project Black Echoes is among 13 projects to have been selected in the latest round of funding from the national screen agency.
Set in in the Vietnamese countryside, the film is about a group of tourists who go on an adventure into Viet Cong tunnels more claustrophic and scary than the famous Cu Chi tunnels.
Other projects to receive funding include The Outrageous Barry Rush, directed by Red Dog’s Kriv Stenders, written by Andy Cox and produced by Alan Harris, The Dressmaker by written and directed by Jocelyn Moorhouse and produced by Sue Maslin and the sequel to last year’s online hit, The Tunnel, called The Tunnel: Dead End by Enzo Tedeschi and Julian Harvey.
Single-project Development: Feature Development
Addition
Genre Romantic Comedy
Producers Bruna Papandrea, Cristina Pozzan...
McLean’s project Black Echoes is among 13 projects to have been selected in the latest round of funding from the national screen agency.
Set in in the Vietnamese countryside, the film is about a group of tourists who go on an adventure into Viet Cong tunnels more claustrophic and scary than the famous Cu Chi tunnels.
Other projects to receive funding include The Outrageous Barry Rush, directed by Red Dog’s Kriv Stenders, written by Andy Cox and produced by Alan Harris, The Dressmaker by written and directed by Jocelyn Moorhouse and produced by Sue Maslin and the sequel to last year’s online hit, The Tunnel, called The Tunnel: Dead End by Enzo Tedeschi and Julian Harvey.
Single-project Development: Feature Development
Addition
Genre Romantic Comedy
Producers Bruna Papandrea, Cristina Pozzan...
- 3/2/2012
- by Colin Delaney
- Encore Magazine
A sequel to last year.s successful low-budget horror film The Tunnel is currently in the works.
The sequel . titled The Tunnel: Dead End . received development funding from Screen Australia earlier this month and will pick up the story years down the track. No shoot date has been set for the horror flick.
It.s a sequel creators Enzo Tedeschi and Julian Harvey weren.t planning on. .Initially, we weren.t anticipating doing another Tunnel film but the overwhelmingly positive reaction to the original . as well as our fans clamouring for another on an almost daily basis . made us go back and give it a second thought,. Tedeschi and Harvey, of Distracted Media, said in a joint statement.
.We weren't going to go ahead unless we could find a story we were 100 per cent behind, which we now have, and are thrilled to have the support of Screen Australia.
The sequel . titled The Tunnel: Dead End . received development funding from Screen Australia earlier this month and will pick up the story years down the track. No shoot date has been set for the horror flick.
It.s a sequel creators Enzo Tedeschi and Julian Harvey weren.t planning on. .Initially, we weren.t anticipating doing another Tunnel film but the overwhelmingly positive reaction to the original . as well as our fans clamouring for another on an almost daily basis . made us go back and give it a second thought,. Tedeschi and Harvey, of Distracted Media, said in a joint statement.
.We weren't going to go ahead unless we could find a story we were 100 per cent behind, which we now have, and are thrilled to have the support of Screen Australia.
- 2/29/2012
- by Sam Dallas
- IF.com.au
Screen Australia has announced a new round of funding for 18 filmmaking teams to develop feature projects including teams led by producer Emile Sherman (The King’s Speech), director Kriv Stenders (Red Dog) and director Gillian Armstrong.
The funding totals $500,000.
Sherman is working with Clayton Jacobsen (Kenny) to develop crime film The Docks with writers Jamie Browne and Kris Mrksa.
Auteur director and cancer sufferer Paul Cox is working with executive producer Shaun Miller and producer Maggie Miles to develop his own memoir Tales from the Cancer Ward into drama script Force of Destiny.
Screen Australia also continues its investment in producer Marian Macgowan’s The Great, with writer Tony McNamara and director Gillian Armstrong on the adaptation of McNamara’s play of the same name.
Red Dog director Kriv Stenders works with his Lucky Country writer Andy Cox to develop their comic romance script F*****! A Romance.
Screen Australia has...
The funding totals $500,000.
Sherman is working with Clayton Jacobsen (Kenny) to develop crime film The Docks with writers Jamie Browne and Kris Mrksa.
Auteur director and cancer sufferer Paul Cox is working with executive producer Shaun Miller and producer Maggie Miles to develop his own memoir Tales from the Cancer Ward into drama script Force of Destiny.
Screen Australia also continues its investment in producer Marian Macgowan’s The Great, with writer Tony McNamara and director Gillian Armstrong on the adaptation of McNamara’s play of the same name.
Red Dog director Kriv Stenders works with his Lucky Country writer Andy Cox to develop their comic romance script F*****! A Romance.
Screen Australia has...
- 12/12/2011
- by Colin Delaney
- Encore Magazine
Image via Wikipedia
Update 8/21: So much for hotel wi-fi, which also limited our Harvey Awards coverage.
A recording of the full Hugo Awards Ceremony is still up at http://www.ustream.tv/recorded/16783348 Two caveats: there’s a commercial ad that you have to watch before the actual recording, and the ceremony starts some 35 minutes or so into the stream.
There were 2100 valid voting ballots were counted, 2086 electronic and 14 by postal mail.
Best Novel (1813 ballots)
Blackout/All Clear by Connie Willis (Ballantine Spectra)
Best Novella (1467 ballots)
The Lifecycle of Software Objects by Ted Chiang (Subterranean) – Read Online
Best Novelette (1469 ballots)
“The Emperor of Mars” by Allen M. Steele (Asimov’s, June 2010) – Read Online
Best Short Story (1597 ballots)
“For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010) – Read Online
Best Related Work (1220 ballots)
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It,...
Update 8/21: So much for hotel wi-fi, which also limited our Harvey Awards coverage.
A recording of the full Hugo Awards Ceremony is still up at http://www.ustream.tv/recorded/16783348 Two caveats: there’s a commercial ad that you have to watch before the actual recording, and the ceremony starts some 35 minutes or so into the stream.
There were 2100 valid voting ballots were counted, 2086 electronic and 14 by postal mail.
Best Novel (1813 ballots)
Blackout/All Clear by Connie Willis (Ballantine Spectra)
Best Novella (1467 ballots)
The Lifecycle of Software Objects by Ted Chiang (Subterranean) – Read Online
Best Novelette (1469 ballots)
“The Emperor of Mars” by Allen M. Steele (Asimov’s, June 2010) – Read Online
Best Short Story (1597 ballots)
“For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010) – Read Online
Best Related Work (1220 ballots)
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It,...
- 8/21/2011
- by Glenn Hauman
- Comicmix.com
The Hugo Award nominees for 2011 have been announced, which means that come August 20th, 15 amazingly talented people will be awarded the highest form of recognition (and greatest award trophy of all time!) that the science fiction/fantasy community can bestow. Check ‘em out below.
Best Novel
Blackout/All Clear by Connie Willis (Ballantine Spectra)
Cryoburn by Lois McMaster Bujold (Baen)
The Dervish House by Ian McDonald (Gollancz; Pyr)
Feed by Mira Grant (Orbit)
The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit)
Best Novella
“The Lady Who Plucked Red Flowers beneath the Queen’s Window” by Rachel Swirsky (Subterranean Magazine, Summer 2010)
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
“The Maiden Flight of McCauley’s Bellerophon” by Elizabeth Hand (Stories: All New Tales, William Morrow)
“The Sultan of the Clouds” by Geoffrey A. Landis (Asimov’s, September 2010)
“Troika” by Alastair Reynolds (Godlike Machines, Science Fiction Book Club)
Best Novelette...
Best Novel
Blackout/All Clear by Connie Willis (Ballantine Spectra)
Cryoburn by Lois McMaster Bujold (Baen)
The Dervish House by Ian McDonald (Gollancz; Pyr)
Feed by Mira Grant (Orbit)
The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit)
Best Novella
“The Lady Who Plucked Red Flowers beneath the Queen’s Window” by Rachel Swirsky (Subterranean Magazine, Summer 2010)
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
“The Maiden Flight of McCauley’s Bellerophon” by Elizabeth Hand (Stories: All New Tales, William Morrow)
“The Sultan of the Clouds” by Geoffrey A. Landis (Asimov’s, September 2010)
“Troika” by Alastair Reynolds (Godlike Machines, Science Fiction Book Club)
Best Novelette...
- 4/25/2011
- by Brandon Johnston
- ScifiMafia
Screen Australia has annouced development investment for 13 features, two animated shorts, two games and the completion of two shorts.
Projects include B Model, to be directed and produced by Rachel Griffiths, as well as new projects from the Spierig Brothers (Jungle), Bruce Beresford (The Fortunes of Richard Mahoney, co-production with China), Emile Sherman (Tracks) and Gregor Jordan (Five Spice)
Hannah Hilliard (Franswa Sharl) and Callum Cooper (Little Brother) were announced as the first recipients of the new Director’s Acclaim Fund, which recognises the importance of directors maintaining momentum following critical acclaim of their short film.
The projects are:
Features
B Model
Producers Rachel Griffiths, Louise Smith
Writer Samantha Strauss
Director Rachel Griffiths
Synopsis A young Australian girl gets swept up into the chaotic, exciting world of high fashion modelling. Sydney, Tokyo, London and New York. An innocent in a sex-soaked business, she is seeking love and validation, but isn...
Projects include B Model, to be directed and produced by Rachel Griffiths, as well as new projects from the Spierig Brothers (Jungle), Bruce Beresford (The Fortunes of Richard Mahoney, co-production with China), Emile Sherman (Tracks) and Gregor Jordan (Five Spice)
Hannah Hilliard (Franswa Sharl) and Callum Cooper (Little Brother) were announced as the first recipients of the new Director’s Acclaim Fund, which recognises the importance of directors maintaining momentum following critical acclaim of their short film.
The projects are:
Features
B Model
Producers Rachel Griffiths, Louise Smith
Writer Samantha Strauss
Director Rachel Griffiths
Synopsis A young Australian girl gets swept up into the chaotic, exciting world of high fashion modelling. Sydney, Tokyo, London and New York. An innocent in a sex-soaked business, she is seeking love and validation, but isn...
- 4/19/2011
- by Miguel Gonzalez
- Encore Magazine
The British Fantasy Society have announced the nominees for the 2010 British Fantasy Awards. Highlight include a nomination for actress Axelle Carolyn (Centurion) for her book It Lives Again!, nominations for both Fables and Locke & Key in the comics category, and a Best Magazine nomination for Cemetery Dance and Murky Depths.
Best Novel
Best Served Cold, Joe Abercrombie (Gollancz) Futile Flame, Sam Stone (House of Murky Depths) One, Conrad Williams (Virgin) The Naming Of The Beasts, Mike Carey (Orbit) Under The Dome, Stephen King (Hodder & Stoughton)
Best Novella
Old Man Scratch, Rio Youers (Ps) Roadkill, Rob Shearman, from Roadkill/Siren Beat (Twelfth Planet) and Love Songs for the Shy and Cynical (Big Finish) The Language Of Dying, Sarah Pinborough (Ps) The Witnesses Are Gone, Joel Lane (Ps) Vardoger, Stephen Volk (Gray Friar)
Best Short Story
Careful What You Wish For, Justin Carroll, in Dragontales: Short Stories of Flame, Tooth and Scale,...
Best Novel
Best Served Cold, Joe Abercrombie (Gollancz) Futile Flame, Sam Stone (House of Murky Depths) One, Conrad Williams (Virgin) The Naming Of The Beasts, Mike Carey (Orbit) Under The Dome, Stephen King (Hodder & Stoughton)
Best Novella
Old Man Scratch, Rio Youers (Ps) Roadkill, Rob Shearman, from Roadkill/Siren Beat (Twelfth Planet) and Love Songs for the Shy and Cynical (Big Finish) The Language Of Dying, Sarah Pinborough (Ps) The Witnesses Are Gone, Joel Lane (Ps) Vardoger, Stephen Volk (Gray Friar)
Best Short Story
Careful What You Wish For, Justin Carroll, in Dragontales: Short Stories of Flame, Tooth and Scale,...
- 6/12/2010
- by Phil
- Nerdly
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