Exclusive: Michael Peña, Carolina Bartczak, Maxim Roy and Stephen Bogaert are on board for the Roland Emmerich-helmed sci-fi epic Moonfall, joining an A-list ensemble that includes Halle Berry, Patrick Wilson, John Bradley, Eme Ikwuakor, Charlie Plummer and Donald Sutherland.
The space drama takes off with a mysterious force that knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation.
Peña is taking over the role previously held by Stanley Tucci, who had to exit the project due to government-imposed travel restrictions banning UK flights into Canada. Peña will play Tom Lopez, a wealthy car dealer who is married...
The space drama takes off with a mysterious force that knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation.
Peña is taking over the role previously held by Stanley Tucci, who had to exit the project due to government-imposed travel restrictions banning UK flights into Canada. Peña will play Tom Lopez, a wealthy car dealer who is married...
- 1/12/2021
- by Amanda N'Duka
- Deadline Film + TV
Exclusive: Donald Sutherland (Ad Astra) and Eme Ikwuakor (Marvel’s Inhumans) are joining Halle Berry, Patrick Wilson, Stanley Tucci, John Bradley and Charlie Plummer in Roland Emmerich’s sci-fi epic Moonfall, which has started principal photography in Montreal.
The $136M-budgeted independent film will see a mysterious force knock the Moon from its orbit around Earth and send it hurtling on a collision course with life as we know it. With only weeks before impact, a ragtag team launches a last-ditch mission into space to land on the lunar surface and save the planet from annihilation.
Screen legend Sutherland will play the gatekeeper of NASA’s secret archives, who struggles with his conscience whether to tell the world the truth about what really happened during the Apollo moon landings in the early seventies. Ikwuakor will play a high-ranking military official and estranged father to the son of Halle Berry’s character.
The $136M-budgeted independent film will see a mysterious force knock the Moon from its orbit around Earth and send it hurtling on a collision course with life as we know it. With only weeks before impact, a ragtag team launches a last-ditch mission into space to land on the lunar surface and save the planet from annihilation.
Screen legend Sutherland will play the gatekeeper of NASA’s secret archives, who struggles with his conscience whether to tell the world the truth about what really happened during the Apollo moon landings in the early seventies. Ikwuakor will play a high-ranking military official and estranged father to the son of Halle Berry’s character.
- 10/26/2020
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Stanley Tucci and John Bradley will star alongside Halle Berry, Patrick Wilson, and Charlie Plummer in Moonfall, Liongate’s space epic from director and screenwriter Roland Emmerich.
Slated to begin production this month in Montreal, the plot is set off by a mysterious force that knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation
Tucci will play Tom Phillips, a wealthy car dealer, who’s married to Brian Harper’s (Wilson) ex-wife, while Bradley is Kc Houseman, an eccentric and unkempt genius who discovers that the moon has fallen out of its orbit. Josh Gad was originally...
Slated to begin production this month in Montreal, the plot is set off by a mysterious force that knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation
Tucci will play Tom Phillips, a wealthy car dealer, who’s married to Brian Harper’s (Wilson) ex-wife, while Bradley is Kc Houseman, an eccentric and unkempt genius who discovers that the moon has fallen out of its orbit. Josh Gad was originally...
- 10/13/2020
- by Amanda N'Duka
- Deadline Film + TV
Halle Berry has signed on as the female lead for Moonfall, the Roland Emmerich-helmed sci-fi epic, which was acquired by Lionsgate late last year. The pic follows a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation.
Berry is joining Josh Gad, who was previously announced as part of the cast. The Oscar-winning actress will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe.
Emmerich, Harald Kloser, and Spenser Cohen co-write the screenplay which Emmerich is producing under his Centropolis Entertainment banner with Kloser producing through his company, Street Entertainment.
Berry is joining Josh Gad, who was previously announced as part of the cast. The Oscar-winning actress will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe.
Emmerich, Harald Kloser, and Spenser Cohen co-write the screenplay which Emmerich is producing under his Centropolis Entertainment banner with Kloser producing through his company, Street Entertainment.
- 5/19/2020
- by Amanda N'Duka
- Deadline Film + TV
Halle Berry is going galactic. The actress will star alongside Josh Gad in “Moonfall,” a sci-fi space epic from director Roland Emmerich.
“Moonfall” centers on a mysterious force knocking the moon from its orbit around Earth, which sends it hurtling on a collision course with life as we know it. In response, a ragtag team launches an impossible last-ditch mission into space to land on the lunar surface and save Earth from annihilation.
Berry will play a Nasa astronaut-turned-administrator, whose previous space mission holds a clue about an impending catastrophe. Gad will portray a scientific genius who has correctly concluded that the moon has fallen out of its orbit. Emmerich will direct the movie from a script he penned with his “2012” co-writer Harald Kloser and Spenser Cohen.
Lionsgate plans to release the movie in 2021 and has slated for production to begin this fall in Montreal, pending safety measures around the coronavirus pandemic.
“Moonfall” centers on a mysterious force knocking the moon from its orbit around Earth, which sends it hurtling on a collision course with life as we know it. In response, a ragtag team launches an impossible last-ditch mission into space to land on the lunar surface and save Earth from annihilation.
Berry will play a Nasa astronaut-turned-administrator, whose previous space mission holds a clue about an impending catastrophe. Gad will portray a scientific genius who has correctly concluded that the moon has fallen out of its orbit. Emmerich will direct the movie from a script he penned with his “2012” co-writer Harald Kloser and Spenser Cohen.
Lionsgate plans to release the movie in 2021 and has slated for production to begin this fall in Montreal, pending safety measures around the coronavirus pandemic.
- 5/19/2020
- by Dave McNary
- Variety Film + TV
Production scheduled for Montreal in autumn ahead of planned 2021 theatrical release.
Halle Berry will star for Roland Emmerich in the sci-fi Moonfall, which Lionsgate will distribute in North America and Agc Studios licensed internationally.
Oscar-winner Berry will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe facing Earth.
After an unknown force sends the moon careening towards Earth, a crack team embarks on a last-ditch mission into space to save humanity. Josh Gad also stars.
Production is scheduled for Montreal in autumn ahead of a planned 2021 theatrical release. Emmerich co-wrote the screenplay with Harald Kloser (2012), and Spenser Cohen.
Halle Berry will star for Roland Emmerich in the sci-fi Moonfall, which Lionsgate will distribute in North America and Agc Studios licensed internationally.
Oscar-winner Berry will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe facing Earth.
After an unknown force sends the moon careening towards Earth, a crack team embarks on a last-ditch mission into space to save humanity. Josh Gad also stars.
Production is scheduled for Montreal in autumn ahead of a planned 2021 theatrical release. Emmerich co-wrote the screenplay with Harald Kloser (2012), and Spenser Cohen.
- 5/19/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Halle Berry is set to join the cast of “Moonfall,” the sci-fi epic from director Roland Emmerich, Lionsgate announced Tuesday.
She’ll join Josh Gad in the film that will be released theatrically in 2021.
In “Moonfall,” a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation.
Also Read: Josh Gad Joins Roland Emmerich's Thriller 'Moonfall'
Berry will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe. Emmerich will direct and he co-wrote the script with “2012” co-writer Harald Kloser, as well as Spenser Cohen.
“Moonfall” hopes to begin production this fall in Montreal.
She’ll join Josh Gad in the film that will be released theatrically in 2021.
In “Moonfall,” a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact, and against all odds, a ragtag team launches an impossible last-ditch mission into space, leaving behind everyone they love and risking everything to land on the lunar surface and save our planet from annihilation.
Also Read: Josh Gad Joins Roland Emmerich's Thriller 'Moonfall'
Berry will play a Nasa astronaut-turned-administrator whose previous space mission holds a clue about an impending catastrophe. Emmerich will direct and he co-wrote the script with “2012” co-writer Harald Kloser, as well as Spenser Cohen.
“Moonfall” hopes to begin production this fall in Montreal.
- 5/19/2020
- by Brian Welk
- The Wrap
Casting underway ahead of spring production start.
After months of speculation the upcoming Roland Emmerich/Centropolis Entertainment sci-fi Moonfall has found a Chinese distributor and will be handled by Huayi Brothers.
The company will serve as executive produce and distribute the story about a scratch team sent to correct the Moon’s orbit after a mysterious force sends it hurtling on a collision course with Earth.
Agc International and CAA Media Finance brokered the deal after launching sales in Cannes last summer. Huayi Brothers and its partners, including Hong Kong affiliate Huayi Tencent Entertainment, will provide equity funding for the production.
After months of speculation the upcoming Roland Emmerich/Centropolis Entertainment sci-fi Moonfall has found a Chinese distributor and will be handled by Huayi Brothers.
The company will serve as executive produce and distribute the story about a scratch team sent to correct the Moon’s orbit after a mysterious force sends it hurtling on a collision course with Earth.
Agc International and CAA Media Finance brokered the deal after launching sales in Cannes last summer. Huayi Brothers and its partners, including Hong Kong affiliate Huayi Tencent Entertainment, will provide equity funding for the production.
- 1/17/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Roland Emmerich has signed a deal with Huayi Brothers to distribute his next film, “Moonfall,” in China, the company announced on Thursday.
Huayi Brothers’ Dennis and James Wang will also serve as executive producers on the sci-fi film, which follows a last-ditch attempt to stop the moon from colliding with Earth after a mysterious force knocks it out of orbit. Emmerich is directing from a script by himself, Harald Kloser and Spenser Cohen.
Also Read: Lionsgate Lands Roland Emmerich's Sci-Fi Epic 'Moonfall'
Emmerich is producing Moonfall under his Centropolis banner with Kloser producing through
his company, Street Entertainment. Ute Emmerich, Stuart Ford, J.P. Pettinato, Carsten Lorenz, and
Marco Shepherd are all listed as executive producers.
“We believe that the most effective way to facilitate worldwide cultural exchange is in collaboration with top artists, and this project marks a milestone for us as a solid content creator in the international film business,...
Huayi Brothers’ Dennis and James Wang will also serve as executive producers on the sci-fi film, which follows a last-ditch attempt to stop the moon from colliding with Earth after a mysterious force knocks it out of orbit. Emmerich is directing from a script by himself, Harald Kloser and Spenser Cohen.
Also Read: Lionsgate Lands Roland Emmerich's Sci-Fi Epic 'Moonfall'
Emmerich is producing Moonfall under his Centropolis banner with Kloser producing through
his company, Street Entertainment. Ute Emmerich, Stuart Ford, J.P. Pettinato, Carsten Lorenz, and
Marco Shepherd are all listed as executive producers.
“We believe that the most effective way to facilitate worldwide cultural exchange is in collaboration with top artists, and this project marks a milestone for us as a solid content creator in the international film business,...
- 1/17/2020
- by Jeremy Fuster
- The Wrap
Roland Emmerich and Centropolis Entertainment’s $150 million sci-fi movie Moonfall is getting funding and Chinese distribution from Huayi Brothers.
The big-canvas project is scheduled to go into production this spring and casting is underway. The Huayi deal was negotiated by Agc International, the international sales and distribution arm of Stuart Ford’s Agc Studios, and CAA Media Finance.
In Moonfall, a mysterious force knocks the moon from its orbit around Earth and sends it on a collision course with life as we know it. With weeks before impact, a ragtag team launches a last-ditch mission into space to land on the lunar surface and save the planet from annihilation. The script comes from Emmerich, his 2012 co-writer Harald Kloser and Spenser Cohen.
Emmerich is producing under his Centropolis banner, with Kloser producing through his company, Street Entertainment. Huayi Brothers co-founders Dennis Wang and James Wang will executive produce, along with Ute Emmerich,...
The big-canvas project is scheduled to go into production this spring and casting is underway. The Huayi deal was negotiated by Agc International, the international sales and distribution arm of Stuart Ford’s Agc Studios, and CAA Media Finance.
In Moonfall, a mysterious force knocks the moon from its orbit around Earth and sends it on a collision course with life as we know it. With weeks before impact, a ragtag team launches a last-ditch mission into space to land on the lunar surface and save the planet from annihilation. The script comes from Emmerich, his 2012 co-writer Harald Kloser and Spenser Cohen.
Emmerich is producing under his Centropolis banner, with Kloser producing through his company, Street Entertainment. Huayi Brothers co-founders Dennis Wang and James Wang will executive produce, along with Ute Emmerich,...
- 1/17/2020
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Centropolis Entertainment principals Roland and Ute Emmerich have elevated Marco Shepherd to a new post, Head of Production and Development. Shepherd, who started at the production company in 2005, takes the job at a time when Centropolis has a lot percolating. “We are excited to have Marco in this new position of Head of Production and Development," the Emmerich siblings said in a statement. "His hard work, dedication and enthusiasm for Centropolis over the…...
- 3/24/2016
- Deadline
Roland Emmerich's dramatization of the Stonewall Riots, which stars “Warhorse” breakout Jeremy Irvine, has also added Jonathan Rhys Meyers, Ron Perlman and Joey King to the supporting cast. The film is being produced by Centropolis Entertainment, the film and television production company Emmerich, and his sister, producer Ute Emmerich. Production began this week. “Stonewall” is written by Jon Robin Baitz. The plot revolves around the 1969 Stonewall Riots, the violent clash that kicked off the gay rights movement in New York City. The drama centers on Danny Winters (Jeremy Irvine), who flees to New York, leaving behind his sister (Joey King). He.
- 6/3/2014
- by Jordan Zakarin
- The Wrap
In Columbia Pictures’ White House Down, Capitol Policeman John Cale (Channing Tatum) has just been denied his dream job with the Secret Service of protecting President James Sawyer (Jamie Foxx). Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation’s government falling into chaos and time running out, it’s up to Cale to save the president, his daughter, and the country.
Columbia Pictures’ White House Down is the new action film from director Roland Emmerich, whose films, including Independence Day, The Day After Tomorrow, 2012, and Anonymous, have taken in more than $3 billion worldwide.
Enter for your chance to receive a pass (Good for 2) to the advance screening of White House Down on June 25th at 7:00 Pm in St. Louis.
Answer the...
Columbia Pictures’ White House Down is the new action film from director Roland Emmerich, whose films, including Independence Day, The Day After Tomorrow, 2012, and Anonymous, have taken in more than $3 billion worldwide.
Enter for your chance to receive a pass (Good for 2) to the advance screening of White House Down on June 25th at 7:00 Pm in St. Louis.
Answer the...
- 6/17/2013
- by Movie Geeks
- WeAreMovieGeeks.com
Jason Clarke Joins White House Down for Sony In Roland Emmerich's film, a Secret Service agent must save the life of the U.S. president (Foxx) after the White House is overtaken by a paramilitary group. Clarke is set to play the group's leader called Stenz, reports Deadline. Maggie Gyllenhaal stars alongside Channing Tatum, James Woods, Jamie Foxx, Joey King and Richard Jenkins in the James Vandeerbilt-scripted action drama. Bradley Fischer, Vanderbilt, Laeta Kalogridis, Emmerich, Larry Franco and Harald Kloser produce White House Down while Ute Emmerich and Reid Carolin serve as executive producers.
- 8/3/2012
- Upcoming-Movies.com
Jason Clarke Joins White House Down for Sony In Roland Emmerich's film, a Secret Service agent must save the life of the U.S. president (Foxx) after the White House is overtaken by a paramilitary group. Clarke is set to play the group's leader called Stenz, reports Deadline. Maggie Gyllenhaal stars alongside Channing Tatum, James Woods, Jamie Foxx, Joey King and Richard Jenkins in the James Vandeerbilt-scripted action drama. Bradley Fischer, Vanderbilt, Laeta Kalogridis, Emmerich, Larry Franco and Harald Kloser produce White House Down while Ute Emmerich and Reid Carolin serve as executive producers.
- 8/3/2012
- Upcoming-Movies.com
Two weeks shy of its theatrical debut in the U.S., "2012 (2009)" went to downtown Los Angeles for its premiere. On Tuesday, November 3, black carpet was rolled out and a scene of destruction complete with a car crashing through a wall was built up in front of Regal Cinemas La Live to greet the oncoming celebrities.
Many of the cast members were seen joining the festivity on the special evening. Amanda Peet, John Cusack, Thandie Newton, Woody Harrelson, Chiwetel Ejiofor, Oliver Platt and Danny Glover were only some of them spotted. Two of its young actors, Liam James and Morgan Lily who played Noah and Lilly Curtis, were present as well.
The man behind the global disaster movie, director/produce/writer Roland Emmerich, also didn't miss out the special screening. He came in accompanied by his producer sister Ute Emmerich. Additionally, season 8 runner-up of "American Idol" as well as the singer...
Many of the cast members were seen joining the festivity on the special evening. Amanda Peet, John Cusack, Thandie Newton, Woody Harrelson, Chiwetel Ejiofor, Oliver Platt and Danny Glover were only some of them spotted. Two of its young actors, Liam James and Morgan Lily who played Noah and Lilly Curtis, were present as well.
The man behind the global disaster movie, director/produce/writer Roland Emmerich, also didn't miss out the special screening. He came in accompanied by his producer sister Ute Emmerich. Additionally, season 8 runner-up of "American Idol" as well as the singer...
- 11/4/2009
- by AceShowbiz.com
- Aceshowbiz
Singaporean actor Chin Han (The Dark Knight) will next star in Roland Emmerich's 2012, according to Variety. Chin Han joins an ensemble cast that includes John Cusack, Amanda Peet, Chiwetel Ejifor and Danny Glover. The pic, co-written and to be produced and directed by Emmerich for Centropolis Entertainment and Columbia Studios, begins shooting in Vancouver in August. Additional producers are Harold Kloser, Larry Franco and Mark Gordon, with Centropolis' Ute Emmerich and Michael Wimer exec producing. "I have always enjoyed Roland Emmerich's epic take on sci-fi and disaster movies and really look forward to being a part of this film," Chin Han said.
- 7/10/2008
- bloody-disgusting.com
Amanda Peet has landed the female lead in Roland Emmerich's epic disaster project "2012".
Peet is joining a strong ensemble cast led by John Cusack that includes Chiwetel Ejiofor, Thandie Newton, Danny Glover and Oliver Platt.
"2012" revolves around a global cataclysm and the heroic struggle of the survivors. Peet is playing Cusack's ex-wife, newly married to a wealthy man. Cusack plays a divorced father trying to become a writer while holding a job as a limo driver.
Emmerich wrote the script with Harald Kloser, who is producing with Mark Gordon and Larry Franco. Emmerich also is executive producing with Michael Wimer and Ute Emmerich.
Columbia's Matt Tolmach and Rachel O'Connor are overseeing for the studio.
Barring an actors strike, the movie will shoot in July. The release date for "2012" is July 10, 2009.
Peet, repped by Gersh and Management 360, is shooting Nicole Holofcener's untitled comedy and will appear in the upcoming "The X-Files" movie.
Peet is joining a strong ensemble cast led by John Cusack that includes Chiwetel Ejiofor, Thandie Newton, Danny Glover and Oliver Platt.
"2012" revolves around a global cataclysm and the heroic struggle of the survivors. Peet is playing Cusack's ex-wife, newly married to a wealthy man. Cusack plays a divorced father trying to become a writer while holding a job as a limo driver.
Emmerich wrote the script with Harald Kloser, who is producing with Mark Gordon and Larry Franco. Emmerich also is executive producing with Michael Wimer and Ute Emmerich.
Columbia's Matt Tolmach and Rachel O'Connor are overseeing for the studio.
Barring an actors strike, the movie will shoot in July. The release date for "2012" is July 10, 2009.
Peet, repped by Gersh and Management 360, is shooting Nicole Holofcener's untitled comedy and will appear in the upcoming "The X-Files" movie.
- 6/13/2008
- The Hollywood Reporter - Movie News
Danny Glover, Thandie Newton and Oliver Platt may be making a date with 2012.
The actors are in discussions to join Columbia's epic disaster project, which Roland Emmerich is directing.
2012 centers on a global cataclysm and tells the heroic struggle of the survivors.
Glover is in talks to play the president, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff.
John Cusack and Chiwetel Ejiofor already are on board.
Emmerich is directing a script he penned with his 10,000 BC co-writer Harald Kloser. He is serving as an exec producer with Michael Wimmer and Ute Emmerich.
Kloser is producing with Mark Gordon and Larry Franco. Columbia's Matt Tolmach and Rachel O'Connor are overseeing for the studio.
2012 was shopped around with a $200 million budget, but Columbia said it will be made for less than that.
The studio is planning a July 10, 2009, release, with filming set to begin in July -- unless there is an actors strike.
The actors are in discussions to join Columbia's epic disaster project, which Roland Emmerich is directing.
2012 centers on a global cataclysm and tells the heroic struggle of the survivors.
Glover is in talks to play the president, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff.
John Cusack and Chiwetel Ejiofor already are on board.
Emmerich is directing a script he penned with his 10,000 BC co-writer Harald Kloser. He is serving as an exec producer with Michael Wimmer and Ute Emmerich.
Kloser is producing with Mark Gordon and Larry Franco. Columbia's Matt Tolmach and Rachel O'Connor are overseeing for the studio.
2012 was shopped around with a $200 million budget, but Columbia said it will be made for less than that.
The studio is planning a July 10, 2009, release, with filming set to begin in July -- unless there is an actors strike.
Danny Glover, Thandie Newton and Oliver Platt are the latest to join Roland Emmerich's 2012, Columbia's epic disaster project that centers on a global cataclysm and tells the heroic struggle of the survivors. Glover is in talks to play the president, with Newton in discussions to play his daughter. Platt is in negotiations to play the president's chief of staff. John Cusack and Chiwetel Ejiofor already are on board. Emmerich is directing a script he penned with his "10,000 Bc" co-writer Harald Kloser. He is serving as an exec producer with Michael Wimmer and Ute Emmerich. "2012" was shopped around with a $200 million budget, but Columbia said it will be made for less than that. The studio is planning a July 10, 2009, release, with filming set to begin in July -- unless there is an actors strike.
- 6/2/2008
- bloody-disgusting.com
Michael Wimer is leaving CAA to join long-term client Roland Emmerich as a production partner at his Centropolis Entertainment banner. The pair are in advanced talks to land a first-look production deal at Columbia Pictures, where Centropolis had been based. Emmerich directed Godzilla and The Patriot for Sony. His upcoming projects at Sony include Anthem and The Murder of King Tut. Emmerich is also in preproduction on Soul of the Age. The partners are following in the footsteps of former CAA agent Josh Donen, who left CAA this year to form a production banner with former client Sam Raimi, also landing a deal at Sony. Wimer and Emmerich are partnered at Centropolis with Ute Emmerich. Wimer's other clients at CAA include Tony Scott, Peter Tolan, David Zucker and Simon West. He is expected to wrap at the agency in the next few weeks.
- 4/19/2005
- The Hollywood Reporter - Movie News
Michael Moore meets Irwin Allen courtesy of "The Day After Tomorrow", a curious hybrid of sociopolitical cautionary tale and good old-fashioned disaster flick complete with state-of-the-art special effects and the kind of hokey dialogue that, for better or worse, often tends to go with the territory.
While all producer Allen needed were capsized cruise ships ("The Poseidon Adventure"), flaming skyscrapers ("The Towering Inferno") and killer bees ("The Swarm") to have audiences quivering in their seats, filmmaker Roland Emmerich has upped the ante considerably, dealing with no less than an imminent deep-freeze of the entire, globally warmed planet.
Ultimately, the message aspect and the human drama aspect aren't nearly as persuasive as the truly awesome special effects, which aren't burdened by hokey dialogue that lands with all the subtlety of one of the picture's mighty hailstorms.
Despite the clunky bits, "Tomorrow" still manages to deliver the blockbuster goods, though it's easy to see why Fox could be a little uncertain of the outcome.
In light of the current international political climate, not to mention an ongoing spate of natural disasters closer to home, are people willing to rush out and see what portions of the country are experiencing in what's left of their own back yards?
Then again, the seismic ratings generated by NBC's "10.5" miniseries would seem to bode well for "Tomorrow" particularly given the picture's comparatively compact $125 million budget.
Mother nature may be the real star of the show, but Dennis Quaid provides the trusted human element as Jack Hall, a climatologist whose research on the subject of global warming would indicate that a catastrophic shift in the world's climate could occur much sooner than anybody had anticipated.
His warnings fall on the deaf ears of the current administration, as personified by Vice President Becker (Kenneth Welsh), a man who bears an unmistakable resemblance to a certain Mr. Cheney.
But a series of freak weather occurrences -- snow falling in New Delhi, record hurricane-force winds whipping Hawaii, hail the size of Toyotas pelting Tokyo -- suggest that Hall's forecast of disaster could actually be mere days away.
In short order, multiple tornadoes sweep through Los Angeles, picking off the letters of the Hollywood sign and paring down the famed Capitol Records building.
Meanwhile, on the other coast, the mother of all floods takes Manhattan, followed by precipitously plunging temperatures. Among those fleeing into the Manhattan Public Library for shelter is Hall's son, Sam (Jake Gyllenhaal), who's in town for an academic competition.
As a mass evacuation sends half the country scurrying for the Mexican border, Hall heads in the opposite direction, pledging to his son that he'll come and get him before the new Ice Age beats him to it.
Although it lacks the us-vs.-them bravado of Emmerich's "Independence Day", the film is a considerable improvement over the last time he laid Gotham to waste with his noisy 1998 "Godzilla" remake.
Environmental activists will certainly applaud the film's message, even if it's accompanied by some of that corny dialogue provided by Emmerich and co-screenwriter Jeffrey Nachmanoff.
Credit visual effects supervisor Karen Goulekas and production designer Barry Chusid with delivering the film's biggest bang for the buck -- the staggering visuals, which combine mammoth set-pieces (constructed on Montreal soundstages) that were considerably enhanced by Digital Domain's CGI assist. Many of those sequences, including a frostbitten New York, are a thing of nightmarish beauty.
There's also strength in cinematographer Ueli Steiger's framing and composer Harald Kloser's quietly stirring score, which is reasonably low-key for the genre. Even more remarkably restrained is the decision not to include the obligatory love theme, no matter how tempting it might have been to have Maureen McGovern singing, "There's got to be a morning after the day after tomorrow."
The Day After Tomorrow
20th Century Fox
20th Century Fox presents a Centropolis Entertainment/Lions Gate/Mark Gordon Co. production
A Roland Emmerich film
Credits:
Director: Roland Emmerich
Screenwriters: Roland Emmerich, Jeffrey Nachmanoff
Story: Roland Emmerich
Producers: Mark Gordon, Roland Emmerich
Executive producers: Stephanie Germain, Ute Emmerich, Kelly Van Horn
Director of photography: Ueli Steiger
Production designer: Barry Chusid
Editor: David Brenner
Costume designer: Renee April
Visual effects supervisor: Karen Goulekas
Music: Harald Kloser
Casting: April Webster
Cast:
Professor Jack Hall: Dennis Quaid
Sam Hall: Jake Gyllenhaal
Terry Rapson: Ian Holm
Laura Chapman: Emmy Rossum
Dr. Lucy Hall: Sela Ward
Jason Evans: Dash Mihok
Frank Harris: Jay O. Sanders
Vice President Becker: Kenneth Welsh
MPAA rating PG-13
Running time -- 124 minutes...
While all producer Allen needed were capsized cruise ships ("The Poseidon Adventure"), flaming skyscrapers ("The Towering Inferno") and killer bees ("The Swarm") to have audiences quivering in their seats, filmmaker Roland Emmerich has upped the ante considerably, dealing with no less than an imminent deep-freeze of the entire, globally warmed planet.
Ultimately, the message aspect and the human drama aspect aren't nearly as persuasive as the truly awesome special effects, which aren't burdened by hokey dialogue that lands with all the subtlety of one of the picture's mighty hailstorms.
Despite the clunky bits, "Tomorrow" still manages to deliver the blockbuster goods, though it's easy to see why Fox could be a little uncertain of the outcome.
In light of the current international political climate, not to mention an ongoing spate of natural disasters closer to home, are people willing to rush out and see what portions of the country are experiencing in what's left of their own back yards?
Then again, the seismic ratings generated by NBC's "10.5" miniseries would seem to bode well for "Tomorrow" particularly given the picture's comparatively compact $125 million budget.
Mother nature may be the real star of the show, but Dennis Quaid provides the trusted human element as Jack Hall, a climatologist whose research on the subject of global warming would indicate that a catastrophic shift in the world's climate could occur much sooner than anybody had anticipated.
His warnings fall on the deaf ears of the current administration, as personified by Vice President Becker (Kenneth Welsh), a man who bears an unmistakable resemblance to a certain Mr. Cheney.
But a series of freak weather occurrences -- snow falling in New Delhi, record hurricane-force winds whipping Hawaii, hail the size of Toyotas pelting Tokyo -- suggest that Hall's forecast of disaster could actually be mere days away.
In short order, multiple tornadoes sweep through Los Angeles, picking off the letters of the Hollywood sign and paring down the famed Capitol Records building.
Meanwhile, on the other coast, the mother of all floods takes Manhattan, followed by precipitously plunging temperatures. Among those fleeing into the Manhattan Public Library for shelter is Hall's son, Sam (Jake Gyllenhaal), who's in town for an academic competition.
As a mass evacuation sends half the country scurrying for the Mexican border, Hall heads in the opposite direction, pledging to his son that he'll come and get him before the new Ice Age beats him to it.
Although it lacks the us-vs.-them bravado of Emmerich's "Independence Day", the film is a considerable improvement over the last time he laid Gotham to waste with his noisy 1998 "Godzilla" remake.
Environmental activists will certainly applaud the film's message, even if it's accompanied by some of that corny dialogue provided by Emmerich and co-screenwriter Jeffrey Nachmanoff.
Credit visual effects supervisor Karen Goulekas and production designer Barry Chusid with delivering the film's biggest bang for the buck -- the staggering visuals, which combine mammoth set-pieces (constructed on Montreal soundstages) that were considerably enhanced by Digital Domain's CGI assist. Many of those sequences, including a frostbitten New York, are a thing of nightmarish beauty.
There's also strength in cinematographer Ueli Steiger's framing and composer Harald Kloser's quietly stirring score, which is reasonably low-key for the genre. Even more remarkably restrained is the decision not to include the obligatory love theme, no matter how tempting it might have been to have Maureen McGovern singing, "There's got to be a morning after the day after tomorrow."
The Day After Tomorrow
20th Century Fox
20th Century Fox presents a Centropolis Entertainment/Lions Gate/Mark Gordon Co. production
A Roland Emmerich film
Credits:
Director: Roland Emmerich
Screenwriters: Roland Emmerich, Jeffrey Nachmanoff
Story: Roland Emmerich
Producers: Mark Gordon, Roland Emmerich
Executive producers: Stephanie Germain, Ute Emmerich, Kelly Van Horn
Director of photography: Ueli Steiger
Production designer: Barry Chusid
Editor: David Brenner
Costume designer: Renee April
Visual effects supervisor: Karen Goulekas
Music: Harald Kloser
Casting: April Webster
Cast:
Professor Jack Hall: Dennis Quaid
Sam Hall: Jake Gyllenhaal
Terry Rapson: Ian Holm
Laura Chapman: Emmy Rossum
Dr. Lucy Hall: Sela Ward
Jason Evans: Dash Mihok
Frank Harris: Jay O. Sanders
Vice President Becker: Kenneth Welsh
MPAA rating PG-13
Running time -- 124 minutes...
Michael Moore meets Irwin Allen courtesy of "The Day After Tomorrow", a curious hybrid of sociopolitical cautionary tale and good old-fashioned disaster flick complete with state-of-the-art special effects and the kind of hokey dialogue that, for better or worse, often tends to go with the territory.
While all producer Allen needed were capsized cruise ships ("The Poseidon Adventure"), flaming skyscrapers ("The Towering Inferno") and killer bees ("The Swarm") to have audiences quivering in their seats, filmmaker Roland Emmerich has upped the ante considerably, dealing with no less than an imminent deep-freeze of the entire, globally warmed planet.
Ultimately, the message aspect and the human drama aspect aren't nearly as persuasive as the truly awesome special effects, which aren't burdened by hokey dialogue that lands with all the subtlety of one of the picture's mighty hailstorms.
Despite the clunky bits, "Tomorrow" still manages to deliver the blockbuster goods, though it's easy to see why Fox could be a little uncertain of the outcome.
In light of the current international political climate, not to mention an ongoing spate of natural disasters closer to home, are people willing to rush out and see what portions of the country are experiencing in what's left of their own back yards?
Then again, the seismic ratings generated by NBC's "10.5" miniseries would seem to bode well for "Tomorrow" particularly given the picture's comparatively compact $125 million budget.
Mother nature may be the real star of the show, but Dennis Quaid provides the trusted human element as Jack Hall, a climatologist whose research on the subject of global warming would indicate that a catastrophic shift in the world's climate could occur much sooner than anybody had anticipated.
His warnings fall on the deaf ears of the current administration, as personified by Vice President Becker (Kenneth Welsh), a man who bears an unmistakable resemblance to a certain Mr. Cheney.
But a series of freak weather occurrences -- snow falling in New Delhi, record hurricane-force winds whipping Hawaii, hail the size of Toyotas pelting Tokyo -- suggest that Hall's forecast of disaster could actually be mere days away.
In short order, multiple tornadoes sweep through Los Angeles, picking off the letters of the Hollywood sign and paring down the famed Capitol Records building.
Meanwhile, on the other coast, the mother of all floods takes Manhattan, followed by precipitously plunging temperatures. Among those fleeing into the Manhattan Public Library for shelter is Hall's son, Sam (Jake Gyllenhaal), who's in town for an academic competition.
As a mass evacuation sends half the country scurrying for the Mexican border, Hall heads in the opposite direction, pledging to his son that he'll come and get him before the new Ice Age beats him to it.
Although it lacks the us-vs.-them bravado of Emmerich's "Independence Day", the film is a considerable improvement over the last time he laid Gotham to waste with his noisy 1998 "Godzilla" remake.
Environmental activists will certainly applaud the film's message, even if it's accompanied by some of that corny dialogue provided by Emmerich and co-screenwriter Jeffrey Nachmanoff.
Credit visual effects supervisor Karen Goulekas and production designer Barry Chusid with delivering the film's biggest bang for the buck -- the staggering visuals, which combine mammoth set-pieces (constructed on Montreal soundstages) that were considerably enhanced by Digital Domain's CGI assist. Many of those sequences, including a frostbitten New York, are a thing of nightmarish beauty.
There's also strength in cinematographer Ueli Steiger's framing and composer Harald Kloser's quietly stirring score, which is reasonably low-key for the genre. Even more remarkably restrained is the decision not to include the obligatory love theme, no matter how tempting it might have been to have Maureen McGovern singing, "There's got to be a morning after the day after tomorrow."
The Day After Tomorrow
20th Century Fox
20th Century Fox presents a Centropolis Entertainment/Lions Gate/Mark Gordon Co. production
A Roland Emmerich film
Credits:
Director: Roland Emmerich
Screenwriters: Roland Emmerich, Jeffrey Nachmanoff
Story: Roland Emmerich
Producers: Mark Gordon, Roland Emmerich
Executive producers: Stephanie Germain, Ute Emmerich, Kelly Van Horn
Director of photography: Ueli Steiger
Production designer: Barry Chusid
Editor: David Brenner
Costume designer: Renee April
Visual effects supervisor: Karen Goulekas
Music: Harald Kloser
Casting: April Webster
Cast:
Professor Jack Hall: Dennis Quaid
Sam Hall: Jake Gyllenhaal
Terry Rapson: Ian Holm
Laura Chapman: Emmy Rossum
Dr. Lucy Hall: Sela Ward
Jason Evans: Dash Mihok
Frank Harris: Jay O. Sanders
Vice President Becker: Kenneth Welsh
MPAA rating PG-13
Running time -- 124 minutes...
While all producer Allen needed were capsized cruise ships ("The Poseidon Adventure"), flaming skyscrapers ("The Towering Inferno") and killer bees ("The Swarm") to have audiences quivering in their seats, filmmaker Roland Emmerich has upped the ante considerably, dealing with no less than an imminent deep-freeze of the entire, globally warmed planet.
Ultimately, the message aspect and the human drama aspect aren't nearly as persuasive as the truly awesome special effects, which aren't burdened by hokey dialogue that lands with all the subtlety of one of the picture's mighty hailstorms.
Despite the clunky bits, "Tomorrow" still manages to deliver the blockbuster goods, though it's easy to see why Fox could be a little uncertain of the outcome.
In light of the current international political climate, not to mention an ongoing spate of natural disasters closer to home, are people willing to rush out and see what portions of the country are experiencing in what's left of their own back yards?
Then again, the seismic ratings generated by NBC's "10.5" miniseries would seem to bode well for "Tomorrow" particularly given the picture's comparatively compact $125 million budget.
Mother nature may be the real star of the show, but Dennis Quaid provides the trusted human element as Jack Hall, a climatologist whose research on the subject of global warming would indicate that a catastrophic shift in the world's climate could occur much sooner than anybody had anticipated.
His warnings fall on the deaf ears of the current administration, as personified by Vice President Becker (Kenneth Welsh), a man who bears an unmistakable resemblance to a certain Mr. Cheney.
But a series of freak weather occurrences -- snow falling in New Delhi, record hurricane-force winds whipping Hawaii, hail the size of Toyotas pelting Tokyo -- suggest that Hall's forecast of disaster could actually be mere days away.
In short order, multiple tornadoes sweep through Los Angeles, picking off the letters of the Hollywood sign and paring down the famed Capitol Records building.
Meanwhile, on the other coast, the mother of all floods takes Manhattan, followed by precipitously plunging temperatures. Among those fleeing into the Manhattan Public Library for shelter is Hall's son, Sam (Jake Gyllenhaal), who's in town for an academic competition.
As a mass evacuation sends half the country scurrying for the Mexican border, Hall heads in the opposite direction, pledging to his son that he'll come and get him before the new Ice Age beats him to it.
Although it lacks the us-vs.-them bravado of Emmerich's "Independence Day", the film is a considerable improvement over the last time he laid Gotham to waste with his noisy 1998 "Godzilla" remake.
Environmental activists will certainly applaud the film's message, even if it's accompanied by some of that corny dialogue provided by Emmerich and co-screenwriter Jeffrey Nachmanoff.
Credit visual effects supervisor Karen Goulekas and production designer Barry Chusid with delivering the film's biggest bang for the buck -- the staggering visuals, which combine mammoth set-pieces (constructed on Montreal soundstages) that were considerably enhanced by Digital Domain's CGI assist. Many of those sequences, including a frostbitten New York, are a thing of nightmarish beauty.
There's also strength in cinematographer Ueli Steiger's framing and composer Harald Kloser's quietly stirring score, which is reasonably low-key for the genre. Even more remarkably restrained is the decision not to include the obligatory love theme, no matter how tempting it might have been to have Maureen McGovern singing, "There's got to be a morning after the day after tomorrow."
The Day After Tomorrow
20th Century Fox
20th Century Fox presents a Centropolis Entertainment/Lions Gate/Mark Gordon Co. production
A Roland Emmerich film
Credits:
Director: Roland Emmerich
Screenwriters: Roland Emmerich, Jeffrey Nachmanoff
Story: Roland Emmerich
Producers: Mark Gordon, Roland Emmerich
Executive producers: Stephanie Germain, Ute Emmerich, Kelly Van Horn
Director of photography: Ueli Steiger
Production designer: Barry Chusid
Editor: David Brenner
Costume designer: Renee April
Visual effects supervisor: Karen Goulekas
Music: Harald Kloser
Casting: April Webster
Cast:
Professor Jack Hall: Dennis Quaid
Sam Hall: Jake Gyllenhaal
Terry Rapson: Ian Holm
Laura Chapman: Emmy Rossum
Dr. Lucy Hall: Sela Ward
Jason Evans: Dash Mihok
Frank Harris: Jay O. Sanders
Vice President Becker: Kenneth Welsh
MPAA rating PG-13
Running time -- 124 minutes...
- 5/27/2004
- The Hollywood Reporter - Movie News
Some nifty period art direction isn't enough to merit a trek to "The Thirteenth Floor", an otherwise laughably inept hunk of sci-fi hokum looking to hook "The Matrix" crowd.
Fusing the latter picture's parallel universe schematic with aspects of "L.A. Confidential" and "The Truman Show", this presentation from Roland Emmerich's Centropolis Entertainment gets inextricably snagged in progressively preposterous plotting, vacuous dialogue and weak lead performances.
While "The Thirteenth Floor" might generate a little opening weekend cyber-geek curiosity, poor word-of-mouth will likely stall it in the boxoffice basement.
Inspired by the novel, "Simulacron-3" by Daniel F. Galouye, the picture actually starts off promisingly enough with Armin Mueller-Stahl's Hannon Fuller taking in the evening social scene in Los Angeles, circa 1937.
Or is he?
It turns out Fuller and his partner Douglas Hall (Craig Bierko) have actually created the convincing landscape on a computer chip on the 13th floor of a downtown L.A. office tower. But when Fuller turns up murdered and Hall awakens to discover a bloody shirt in his own laundry basket, this whole virtual reality business turns seriously real.
With a pesky detective (Dennis Haysbert) on his tail, Hall, determined to clear his name, takes a few risky trips back to his simulated city, only to encounter a Chinese boxful of existential roadblocks, not to mention the alluring but mysterious Jane (Gretchen Mol), who claims to be Fuller's daughter.
Although the storyline initially feels like "The Twilight Zone" episode that never was, it quickly devolves into hopelessly banal techno-babble. Director Josef Rusnak, who handled second unit work on Emmerich's "Godzilla", has an impressive eye for visual detail; his scripting, in collaboration with Ravel Centeno-Rodriguez, suffers from a verbal stiffness that has an English-as-a-second-language ring to it.
It doesn't make it easy for the actors, but while Haysbert, Vincent D'Onofrio (as a loopy technician and his slick virtual counterpart) and the always reliable Mueller-Stahl manage to give their characters some much-needed weight, the clenched-jawed Bierko and the vamp-eyed Mol flail helplessly. It's like watching the stunt doubles for Charlie Sheen and Penelope Ann Miller tackling a cold reading class.
That leaves any potential scenery-stealing to the scenery itself, and, thanks to some stand-out work from production designer Kirk M. Petruccelli and art director Frank Bollinger, the film succeeds admirably in its richly stylized recreations of 1930s Los Angeles captured to picture postcard perfection by cinematographer Wedigo von Schultzendorff.
By enhancing the likes of the exterior of the old Ambassador Hotel and the interior of the Queen Mary with a little clever set dressing and computer-generated touching-up, "The Thirteenth Floor", at least visually conveys the illusion of something greater than its reality, virtual or otherwise.
THE THIRTEENTH FLOOR
Sony Pictures Releasing
Columbia Pictures presents
a Centropolis Entertainment production
Producers:Roland Emmerich, Ute Emmerich and Marco Weber
Executive producers:Michael Ballhaus and Helga Ballhaus
Director:Josef Rusnak
Screenwriters:Josef Rusnak and Ravel Centeno-Rodriguez
Based on the book "Simulacron-3" by:Daniel F. Galouye
Director of photography:Wedigo von Schultzendorff
Production designer:Kirk M. Petruccelli
Editor:Henry Richardson
Costume designer:Joseph Porro
Music:Harald Kloser
Casting:April Webster
Color/stereo
Cast:
Ferguson/Hall:Craig Bierko
Jane/Natasha:Gretchen Mol
Ashton/Whitney:Vincent D'Onofrio
Detective McBain:Dennis Haysbert
Grierson/Fuller:Armin Mueller-Stahl
Zev Bernstein:Steven Schub
Running time -- 120 minutes
MPAA rating: R...
Fusing the latter picture's parallel universe schematic with aspects of "L.A. Confidential" and "The Truman Show", this presentation from Roland Emmerich's Centropolis Entertainment gets inextricably snagged in progressively preposterous plotting, vacuous dialogue and weak lead performances.
While "The Thirteenth Floor" might generate a little opening weekend cyber-geek curiosity, poor word-of-mouth will likely stall it in the boxoffice basement.
Inspired by the novel, "Simulacron-3" by Daniel F. Galouye, the picture actually starts off promisingly enough with Armin Mueller-Stahl's Hannon Fuller taking in the evening social scene in Los Angeles, circa 1937.
Or is he?
It turns out Fuller and his partner Douglas Hall (Craig Bierko) have actually created the convincing landscape on a computer chip on the 13th floor of a downtown L.A. office tower. But when Fuller turns up murdered and Hall awakens to discover a bloody shirt in his own laundry basket, this whole virtual reality business turns seriously real.
With a pesky detective (Dennis Haysbert) on his tail, Hall, determined to clear his name, takes a few risky trips back to his simulated city, only to encounter a Chinese boxful of existential roadblocks, not to mention the alluring but mysterious Jane (Gretchen Mol), who claims to be Fuller's daughter.
Although the storyline initially feels like "The Twilight Zone" episode that never was, it quickly devolves into hopelessly banal techno-babble. Director Josef Rusnak, who handled second unit work on Emmerich's "Godzilla", has an impressive eye for visual detail; his scripting, in collaboration with Ravel Centeno-Rodriguez, suffers from a verbal stiffness that has an English-as-a-second-language ring to it.
It doesn't make it easy for the actors, but while Haysbert, Vincent D'Onofrio (as a loopy technician and his slick virtual counterpart) and the always reliable Mueller-Stahl manage to give their characters some much-needed weight, the clenched-jawed Bierko and the vamp-eyed Mol flail helplessly. It's like watching the stunt doubles for Charlie Sheen and Penelope Ann Miller tackling a cold reading class.
That leaves any potential scenery-stealing to the scenery itself, and, thanks to some stand-out work from production designer Kirk M. Petruccelli and art director Frank Bollinger, the film succeeds admirably in its richly stylized recreations of 1930s Los Angeles captured to picture postcard perfection by cinematographer Wedigo von Schultzendorff.
By enhancing the likes of the exterior of the old Ambassador Hotel and the interior of the Queen Mary with a little clever set dressing and computer-generated touching-up, "The Thirteenth Floor", at least visually conveys the illusion of something greater than its reality, virtual or otherwise.
THE THIRTEENTH FLOOR
Sony Pictures Releasing
Columbia Pictures presents
a Centropolis Entertainment production
Producers:Roland Emmerich, Ute Emmerich and Marco Weber
Executive producers:Michael Ballhaus and Helga Ballhaus
Director:Josef Rusnak
Screenwriters:Josef Rusnak and Ravel Centeno-Rodriguez
Based on the book "Simulacron-3" by:Daniel F. Galouye
Director of photography:Wedigo von Schultzendorff
Production designer:Kirk M. Petruccelli
Editor:Henry Richardson
Costume designer:Joseph Porro
Music:Harald Kloser
Casting:April Webster
Color/stereo
Cast:
Ferguson/Hall:Craig Bierko
Jane/Natasha:Gretchen Mol
Ashton/Whitney:Vincent D'Onofrio
Detective McBain:Dennis Haysbert
Grierson/Fuller:Armin Mueller-Stahl
Zev Bernstein:Steven Schub
Running time -- 120 minutes
MPAA rating: R...
- 5/21/1999
- The Hollywood Reporter - Movie News
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