Several of Elvis Presley‘s songs are still famous today. Despite this, one of the King of Rock ‘n’ Roll‘s greatest masterpieces is mostly ignored by his own fans. The track in question is a beautiful display of vulnerability and desperation. Shockingly, it was intended to be a parody of country songs.
1 underrated Elvis Presley song shows off his romantic side and his dark side
“Blue Christmas” is inescapable every holiday season. “Suspicious Minds” is a staple of classic rock radio. “Can’t Help Falling in Love” is the most overexposed love song ever. However, Elvis’ “Love Me” is rarely played today.
The track is a slow, melancholy doo-wop song that eschews the cliche, upbeat tone of most doo-wop hits. Instead, we hear Elvis sing about how he’s willing to love a woman no matter how awful she is to him. While Elvis is known across the globe for his love songs,...
1 underrated Elvis Presley song shows off his romantic side and his dark side
“Blue Christmas” is inescapable every holiday season. “Suspicious Minds” is a staple of classic rock radio. “Can’t Help Falling in Love” is the most overexposed love song ever. However, Elvis’ “Love Me” is rarely played today.
The track is a slow, melancholy doo-wop song that eschews the cliche, upbeat tone of most doo-wop hits. Instead, we hear Elvis sing about how he’s willing to love a woman no matter how awful she is to him. While Elvis is known across the globe for his love songs,...
- 2/11/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Tl;Dr:
Elvis Presley’s “Love Me” was intended as the follow-up to one of his most famous and influential hits. “Love Me” was not initially by the King of Rock ‘n’ Roll. Nicolas Cage performed the tune for one of the most beloved cult classic movies of the 1990s.
It might surprise some fans that Elvis Presley‘s “Love Me” was originally a parody song. It was initially given to him by a pair of songwriters as a joke. Subsequently, they revealed what they thought of the King of Rock ‘n’ Roll‘s interpretation of it.
Elvis Presley’s ‘Love Me’ was intended as the followup to his recording of ‘Hound Dog’
Jerry Leiber and Mike Stoller were a songwriting duo known for writing hits such as “Jailhouse Rock,” “Bossa Nova Baby,” and “Hound Dog.” In the 2009 book Hound Dog: The Leiber and Stoller Autobiography, Leiber discussed how “Love...
Elvis Presley’s “Love Me” was intended as the follow-up to one of his most famous and influential hits. “Love Me” was not initially by the King of Rock ‘n’ Roll. Nicolas Cage performed the tune for one of the most beloved cult classic movies of the 1990s.
It might surprise some fans that Elvis Presley‘s “Love Me” was originally a parody song. It was initially given to him by a pair of songwriters as a joke. Subsequently, they revealed what they thought of the King of Rock ‘n’ Roll‘s interpretation of it.
Elvis Presley’s ‘Love Me’ was intended as the followup to his recording of ‘Hound Dog’
Jerry Leiber and Mike Stoller were a songwriting duo known for writing hits such as “Jailhouse Rock,” “Bossa Nova Baby,” and “Hound Dog.” In the 2009 book Hound Dog: The Leiber and Stoller Autobiography, Leiber discussed how “Love...
- 9/19/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Carleton Carpenter, an actor whose lanky, aw-shucks cornpone good looks made him a familiar supporting presence opposite such leading ladies as Debbie Reynolds, Judy Garland and Elizabeth Taylor throughout the 1950s, died today in Warwick, New York, following years of declining health. He was 95.
His death was announced by spokesperson Kevin McAnarney.
Born Carleton Upham Carpenter in Bennington, Vermont, Carpenter served as a Seabee in the U.S. Navy during World War II, helping to build the airstrip from which the Enola Gay would later take off for its flight to Hiroshima. By the time of the 1945 atomic bombing, Carpenter had started his Broadway career with a role in David Merrick’s 1944 production Bright Boy.
Other Broadway roles would arrive in quick succession: Carpenter appeared in Three to Make Ready with Ray Bolger (1944), The Magic Touch (1947), John Murray Anderson’s Almanac (1953) and Hotel Paradiso (1957).
Carpenter’s TV and film credits developed alongside his stage career.
His death was announced by spokesperson Kevin McAnarney.
Born Carleton Upham Carpenter in Bennington, Vermont, Carpenter served as a Seabee in the U.S. Navy during World War II, helping to build the airstrip from which the Enola Gay would later take off for its flight to Hiroshima. By the time of the 1945 atomic bombing, Carpenter had started his Broadway career with a role in David Merrick’s 1944 production Bright Boy.
Other Broadway roles would arrive in quick succession: Carpenter appeared in Three to Make Ready with Ray Bolger (1944), The Magic Touch (1947), John Murray Anderson’s Almanac (1953) and Hotel Paradiso (1957).
Carpenter’s TV and film credits developed alongside his stage career.
- 1/31/2022
- by Greg Evans
- Deadline Film + TV
Carleton Carpenter, who performed on stage and screen alongside stars such as Debbie Reynolds in “Two Weeks With Love” and Judy Garland in “Summer Stock,” died Monday in Warwick, N.Y., according to his reps. He was 95.
Carpenter was a multi-hyphenate artist whose career spanned eight decades. His 1950 duet with Debbie Reynolds covering the song “Aba Daba Honeymoon” sold more than a million copies. He performed in countless radio, television and film productions and on stages on- and off-Broadway. He even went on to write a number of books, including his 2017 memoir, “The Absolute Joy of Work.”
Born Carleton Upham Carpenter Jr. on July 10, 1926 in Bennington, Vt., Carpenter attended Bennington High School and served as a Seabee in the U.S. Navy during World War II. He attended the National High School Institute for Theatre Arts at Northwestern University and began his performance career as a clown and magician at carnivals.
Carpenter was a multi-hyphenate artist whose career spanned eight decades. His 1950 duet with Debbie Reynolds covering the song “Aba Daba Honeymoon” sold more than a million copies. He performed in countless radio, television and film productions and on stages on- and off-Broadway. He even went on to write a number of books, including his 2017 memoir, “The Absolute Joy of Work.”
Born Carleton Upham Carpenter Jr. on July 10, 1926 in Bennington, Vt., Carpenter attended Bennington High School and served as a Seabee in the U.S. Navy during World War II. He attended the National High School Institute for Theatre Arts at Northwestern University and began his performance career as a clown and magician at carnivals.
- 1/31/2022
- by Sasha Urban
- Variety Film + TV
How did Ringo Starr decide to celebrate 80 years of 8-day weeks? By hosting his own Big Birthday Special livestream to benefit Black Lives Matter? By giving a shout out to the late Little Richard as “my hero”? By jamming on “Helter Skelter” with Paul McCartney? All of the above.
It was beyond fab to see Ringo sit behind his legendary drum kit and tell a worldwide audience: “Let’s say it again: Black lives matter! Stand up and make your voice heard!” His star-studded 80th birthday bash was a celebration...
It was beyond fab to see Ringo sit behind his legendary drum kit and tell a worldwide audience: “Let’s say it again: Black lives matter! Stand up and make your voice heard!” His star-studded 80th birthday bash was a celebration...
- 7/8/2020
- by Rob Sheffield
- Rollingstone.com
The centerpiece of Scott Ora’s cluttered San Fernando Valley apartment is the 1939 Oscar his step-grandfather, the late lyricist Leo Robin, was presented for co-writing “Thanks for the Memory.” Sung by Bob Hope and Shirley Ross in the film “The Big Broadcast of 1938,” the trophy sits proudly on the piano where Robin worked on some of his biggest hits. The movie marked the comedian’s breakout role and Leo’s tune, co-written with frequent collaborator Ralph Rainger, soon became Hope’s theme song. It was Robin’s only Academy Award win out of a total of 10 nominations.
Over the course of 20 years, from 1934 (when the best original song category was introduced and he was nominated for “Love in Bloom”) through 1954, Robin, a member of the Songwriters Hall of Fame who died in 1984 at the age of 84, earned 10 Oscar nominations (two in 1949 alone). His impressive catalog includes signature tunes for Maurice Chevalier...
Over the course of 20 years, from 1934 (when the best original song category was introduced and he was nominated for “Love in Bloom”) through 1954, Robin, a member of the Songwriters Hall of Fame who died in 1984 at the age of 84, earned 10 Oscar nominations (two in 1949 alone). His impressive catalog includes signature tunes for Maurice Chevalier...
- 10/1/2019
- by Roy Trakin
- Variety Film + TV
Stanley Nelson brings a studious effort to Miles Davis: Birth of the Cool, the music makes it real.
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"Music is always there, it comes before everything," Miles Davis says early in director Stanley Nelson's (The Black Panthers: Vanguard of the Revolution) documentary Miles Davis: Birth of the Cool. This thesis comes in all forms during the film. It is an explanation, a direction and an excuse at various times. But after an hour into the film, it becomes apparent Miles Davis, the quintessential cool jazz cat, wasn't so aloof as it would seem. Everything went into his music. His loves, his torments, his early family's inner turmoil, the entire racial divide of America came out of his horn. And he encouraged the musicians who played with him to do the same.
Miles Davis: Birth Of the Cool is comprehensive and revelatory, even if it is a...
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"Music is always there, it comes before everything," Miles Davis says early in director Stanley Nelson's (The Black Panthers: Vanguard of the Revolution) documentary Miles Davis: Birth of the Cool. This thesis comes in all forms during the film. It is an explanation, a direction and an excuse at various times. But after an hour into the film, it becomes apparent Miles Davis, the quintessential cool jazz cat, wasn't so aloof as it would seem. Everything went into his music. His loves, his torments, his early family's inner turmoil, the entire racial divide of America came out of his horn. And he encouraged the musicians who played with him to do the same.
Miles Davis: Birth Of the Cool is comprehensive and revelatory, even if it is a...
- 9/10/2019
- Den of Geek
Miles Davis is the one jazz figure of the postwar era who had, and still has, the larger-than-life quality of a pop star. Other jazz artists, of course, became legends, but Miles, like Picasso or Dylan, had a mystique rooted not just in his genius but in his cult of personality. And as with all pop icons, the mystique only grew the more that he mutated — from the glaring-eyed cool cat of the ’50s to the sunken-cheeked fusion hipster of the late ’60s to the raspy sci-fi funk badass who Eddie Murphy, on “Saturday Night Live,” compared (hilariously) to a Gremlin action figure. Davis’ bad behavior, of course, was part of his mystique: the crazed drug cocktails that destroyed and sustained him (at one pointed he favored cocaine plus beer but whiskey plus milk), the way he loved women deeply yet, too often, treated them reprehensibly.
So any documentary about...
So any documentary about...
- 1/31/2019
- by Owen Gleiberman
- Variety Film + TV
The Recording Academy will honor artists from a wide variety of genres next spring when it hands out Lifetime Achievement Grammys at a special ceremony. It will recognize Black Sabbath, George Clinton and Parliament-Funkadelic, jazz singer Billy Eckstine, Donny Hathaway, Julio Iglesias, Sam and Dave and Dionne Warwick, according to Variety, in Los Angeles on May 11th.
Other honorees include producer Lou Adler, artists and songwriters Ashford and Simpson and songwriter Johnny Mandel, who will all receive Trustees Awards. The late Saul Walker, who innovated microphone preamps and other recording technologies,...
Other honorees include producer Lou Adler, artists and songwriters Ashford and Simpson and songwriter Johnny Mandel, who will all receive Trustees Awards. The late Saul Walker, who innovated microphone preamps and other recording technologies,...
- 12/19/2018
- by Kory Grow
- Rollingstone.com
Exclusive: The biopic about Sammy Davis, Jr. now has been set up at Paramount Pictures, where producer Lorenzo di Bonaventura has his overall deal. The project is on the development fast track, soon to be hiring a writer and a director to make the feature film about the dancer-singer-actor-musician to becoming a reality.
The movie will be based in large part on the 1965 memoir Yes I Can: The Story of Sammy Davis, Jr. that he penned with Jane and Burt Boyar.
Davis’ heirs are joining a producing team led by Lionel Richie, di Bonaventura and Mike Menchel. The latter two most recently joined forces for Only the Brave, the feature about the 19 firefighting heroes who died during the 2013 Yarnell Hill fire in Arizona.
Richie was the key to getting all the rights deals done to be able to bring Davis’ story to the masses. “I cannot tell you how excited...
The movie will be based in large part on the 1965 memoir Yes I Can: The Story of Sammy Davis, Jr. that he penned with Jane and Burt Boyar.
Davis’ heirs are joining a producing team led by Lionel Richie, di Bonaventura and Mike Menchel. The latter two most recently joined forces for Only the Brave, the feature about the 19 firefighting heroes who died during the 2013 Yarnell Hill fire in Arizona.
Richie was the key to getting all the rights deals done to be able to bring Davis’ story to the masses. “I cannot tell you how excited...
- 6/18/2018
- by Anita Busch
- Deadline Film + TV
When it comes to rock and roll fantasies, most of us would surely put "hanging with Keith Richards' near the top of our list. Really, who wouldn't want to spend some quality time with the legendary Rolling Stones guitarist, spinning records, playing Fender Telecasters (preferably named after Dickens' characters) and having the old pirate regale you with tales of over a half-century's worth of musical adventures?
Director Morgan Neville (20 Feet From Stardom, Best of Enemies) got to do just that while making Keith Richards: Under The Influence, which premieres...
Director Morgan Neville (20 Feet From Stardom, Best of Enemies) got to do just that while making Keith Richards: Under The Influence, which premieres...
- 9/18/2015
- Rollingstone.com
Highly individual American drummer, bandleader and jazz visionary who toured with Lena Horne in the 1950s
A hundred years into its evolution, jazz incorporates ethnic and European classical instruments, drum machines and DJs spinning decks. A half-century or so ago, hardware habits were more cut and dried. A jazz big band had trumpets, trombones, saxes and a rhythm section. A small band had a rhythm section, a sax and trumpet, with maybe a guitar or a vibraphone. One that featured a (very quiet) guitarist, a flute or clarinet, a cellist, and a drummer who preferred mallets to sticks seemed like a strange beast in the jazz forest.
But the groups of the American drummer Chico Hamilton, who has died aged 92, did feature such instrumentation and, contrary to the jazz orthodoxies of the 1950s, they were for a time runaway successes. Hamilton led West Coast bands in that decade that came...
A hundred years into its evolution, jazz incorporates ethnic and European classical instruments, drum machines and DJs spinning decks. A half-century or so ago, hardware habits were more cut and dried. A jazz big band had trumpets, trombones, saxes and a rhythm section. A small band had a rhythm section, a sax and trumpet, with maybe a guitar or a vibraphone. One that featured a (very quiet) guitarist, a flute or clarinet, a cellist, and a drummer who preferred mallets to sticks seemed like a strange beast in the jazz forest.
But the groups of the American drummer Chico Hamilton, who has died aged 92, did feature such instrumentation and, contrary to the jazz orthodoxies of the 1950s, they were for a time runaway successes. Hamilton led West Coast bands in that decade that came...
- 11/26/2013
- by John Fordham
- The Guardian - Film News
New York — Reactions to Phil Ramone's death:
___
"A friend, a musical genius and the most lovable person. It was a thrill for me to have worked with Phil, and I have so many wonderful memories." – Elton John
___
"I'm so saddened to learn of Phil's passing. We first worked together in 1967 when I did a free concert in Central Park. His brilliance at capturing sound was immediately evident. Later we worked together on the film `A Star Is Born' where Phil was able to record me singing live, including `Evergreen.' In the next decade we worked on the soundtrack to `Yentl' and many other recordings. Phil had impeccable musical taste, great ears and the most gentle way of bringing out the best in all the artists he worked with. The monumental recordings he produced will endure for all time." – Barbra Streisand
___
"There aren't enough words to express how heavy...
___
"A friend, a musical genius and the most lovable person. It was a thrill for me to have worked with Phil, and I have so many wonderful memories." – Elton John
___
"I'm so saddened to learn of Phil's passing. We first worked together in 1967 when I did a free concert in Central Park. His brilliance at capturing sound was immediately evident. Later we worked together on the film `A Star Is Born' where Phil was able to record me singing live, including `Evergreen.' In the next decade we worked on the soundtrack to `Yentl' and many other recordings. Phil had impeccable musical taste, great ears and the most gentle way of bringing out the best in all the artists he worked with. The monumental recordings he produced will endure for all time." – Barbra Streisand
___
"There aren't enough words to express how heavy...
- 3/31/2013
- by AP
- Huffington Post
Getty Tony Bennett in concert in Las Vegas last month.
Tony Bennett turned 85 yesterday and he is sweeter than ever. But take a peek at his hands on the cover of my biography of him, “All the Things You Are.” You will be surprised to find that such an avuncular, honey of a guy has the huge, powerful hands of a boxer.
After he had avoided me during the two years I wrote the book, I ran into Tony in...
Tony Bennett turned 85 yesterday and he is sweeter than ever. But take a peek at his hands on the cover of my biography of him, “All the Things You Are.” You will be surprised to find that such an avuncular, honey of a guy has the huge, powerful hands of a boxer.
After he had avoided me during the two years I wrote the book, I ran into Tony in...
- 8/4/2011
- by David Evanier
- Speakeasy/Wall Street Journal
Velvet-voiced singer, actor and activist who broke new ground for black performers
A handful of decades ago the roles for black performers in Hollywood movies were deliberately kept peripheral to the plots, so that their appearances could easily be edited out for screenings in the American south. Black singers and musicians were barred from taking rooms in the same hotels in which they were performing. Partners in an interracial marriage might decide to leave the Us and move to more hospitable locations, such as Paris, to avoid hate mail and threats. All this and more happened to the singer and actor Lena Horne, who has died aged 92.
Horne not only rose above it all, but also significantly contributed to changing the situation. The velvet-voiced, multi-talented Horne first negotiated, and then resisted, the worst that a racist entertainment industry could throw at her. She rose to its summit as an original...
A handful of decades ago the roles for black performers in Hollywood movies were deliberately kept peripheral to the plots, so that their appearances could easily be edited out for screenings in the American south. Black singers and musicians were barred from taking rooms in the same hotels in which they were performing. Partners in an interracial marriage might decide to leave the Us and move to more hospitable locations, such as Paris, to avoid hate mail and threats. All this and more happened to the singer and actor Lena Horne, who has died aged 92.
Horne not only rose above it all, but also significantly contributed to changing the situation. The velvet-voiced, multi-talented Horne first negotiated, and then resisted, the worst that a racist entertainment industry could throw at her. She rose to its summit as an original...
- 5/10/2010
- by John Fordham
- The Guardian - Film News
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