The BBC has picked up Irish crime drama Kin from Fifth Season.
The RTÉ series, which aired in the U.S. on AMC+, is the latest high-profile show snapped up by the BBC buying team, following the likes of AMC’s Interview with the Vampire. It is produced by Joker financier Bron Studios and Man in the High Castle outfit Headline Pictures.
Kin stars Clare Dunne (Herself), Charlie Cox (Daredevil), Aidan Gillen (Game of Thrones) and Ciarán Hinds (Game of Thrones). It follows gang wars in Dublin. A boy is killed and his family embarks on a gangland war with an international cartel: a war that is impossible to win. The Kinsellas are a local crime family, while the Cunningham cartel is a vast global organization.
“Anchored by a tremendous cast, Kin is a powerful and intense story of love, grief, family and crime, and its devastating ramifications,” said Sue Deeks,...
The RTÉ series, which aired in the U.S. on AMC+, is the latest high-profile show snapped up by the BBC buying team, following the likes of AMC’s Interview with the Vampire. It is produced by Joker financier Bron Studios and Man in the High Castle outfit Headline Pictures.
Kin stars Clare Dunne (Herself), Charlie Cox (Daredevil), Aidan Gillen (Game of Thrones) and Ciarán Hinds (Game of Thrones). It follows gang wars in Dublin. A boy is killed and his family embarks on a gangland war with an international cartel: a war that is impossible to win. The Kinsellas are a local crime family, while the Cunningham cartel is a vast global organization.
“Anchored by a tremendous cast, Kin is a powerful and intense story of love, grief, family and crime, and its devastating ramifications,” said Sue Deeks,...
- 10/27/2023
- by Max Goldbart
- Deadline Film + TV
The bubble, that surge of cash that over the past decades helped bankroll an unprecedented boom in TV drama production, appears to have burst.
TV producers, gathered in Cannes this week for the MIPTV international television market, are pondering a future in which the cost of TV drama continues to spike while the primary sources of financing, namely broadcasters and online streamers, are slashing their commissioning budgets.
“The cost of an hour of television drama in the U.K. has gone from £1.5 million ($1.86 million) to £2.5 million ($3.1 million) per hour, and you can’t finance that out of the U.K. market,” said Christian Baute of Headline Pictures, producers of Amazon Prime’s Man in the High Castle and Ten Percent. “Traditionally, over the last seven years, we went to America [for financing], but that money is ebbing [because] the American market is a mess.”
Morfydd Clark, who plays Galadriel in Amazon’s The Lord of the Rings: The Rings of Power...
TV producers, gathered in Cannes this week for the MIPTV international television market, are pondering a future in which the cost of TV drama continues to spike while the primary sources of financing, namely broadcasters and online streamers, are slashing their commissioning budgets.
“The cost of an hour of television drama in the U.K. has gone from £1.5 million ($1.86 million) to £2.5 million ($3.1 million) per hour, and you can’t finance that out of the U.K. market,” said Christian Baute of Headline Pictures, producers of Amazon Prime’s Man in the High Castle and Ten Percent. “Traditionally, over the last seven years, we went to America [for financing], but that money is ebbing [because] the American market is a mess.”
Morfydd Clark, who plays Galadriel in Amazon’s The Lord of the Rings: The Rings of Power...
- 4/17/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Irish crime drama “Kin” has begun rolling on Season 2, with production kicking off in Dublin last week.
Produced by Bron Studios and Headline Pictures, in association with Irish broadcaster RTÉ, “Kin” follows the Kinsella family, which is at the centre of gang warfare in Dublin. The series airs on AMC Networks in the U.S. and Canada, U.K., Australia, New Zealand, Latin America, Spain and Portugal; Viaplay in Scandinavia; and Npo in Netherlands.
The returning cast includes Charlie Cox (“Daredevil”), Clare Dunne (“Herself”), Aidan Gillen (“Game of Thrones”), Sam Keeley (“Joe vs Carole”), Emmett J. Scanlan (“Peaky Blinders”), Maria Doyle Kennedy (“Outlander”), and Yasmin Seky. Francis Magee has been upped to a series regular this season.
The new 8 x 60′ season will see the Kinsellas as the top dogs in Dublin but killing Eamon Cunningham has created as many problems as it solved. The family has incurred the wrath of...
Produced by Bron Studios and Headline Pictures, in association with Irish broadcaster RTÉ, “Kin” follows the Kinsella family, which is at the centre of gang warfare in Dublin. The series airs on AMC Networks in the U.S. and Canada, U.K., Australia, New Zealand, Latin America, Spain and Portugal; Viaplay in Scandinavia; and Npo in Netherlands.
The returning cast includes Charlie Cox (“Daredevil”), Clare Dunne (“Herself”), Aidan Gillen (“Game of Thrones”), Sam Keeley (“Joe vs Carole”), Emmett J. Scanlan (“Peaky Blinders”), Maria Doyle Kennedy (“Outlander”), and Yasmin Seky. Francis Magee has been upped to a series regular this season.
The new 8 x 60′ season will see the Kinsellas as the top dogs in Dublin but killing Eamon Cunningham has created as many problems as it solved. The family has incurred the wrath of...
- 7/8/2022
- by Manori Ravindran
- Variety Film + TV
London-based Headline Pictures (“Kin”) and French banner Itineraire Productions (“Oussekine”) are set to produce together “Who Killed Lady Di?,” a drama mini-series set in the aftermath of Princess Diana’s death in Paris in 1997.
The series re-teams Itineraire Productions with Julien Lilti, the up-and-coming creator and screenwriter of Disney Plus Star’s original series “Oussekine” and Canal Plus hit show “Hyppocrates.” Lilti is writing the scripts for “Who Killed Lady Di” with the collaboration of Martine Monteil, who led the criminal investigation division of the French police at the time of Diana Spencer’s death.
Princess Diana died alonside Dodi Fayed, the Egyptian film producer, in a car crash in the Pont de l’Alma tunnel following a high-speed pursuit with paparazzi. Through multiple perspectives, the series will shed light on the challenging investigation and the wild conspiracies that emerged around the world in the wake of the tragedy.
“Martine...
The series re-teams Itineraire Productions with Julien Lilti, the up-and-coming creator and screenwriter of Disney Plus Star’s original series “Oussekine” and Canal Plus hit show “Hyppocrates.” Lilti is writing the scripts for “Who Killed Lady Di” with the collaboration of Martine Monteil, who led the criminal investigation division of the French police at the time of Diana Spencer’s death.
Princess Diana died alonside Dodi Fayed, the Egyptian film producer, in a car crash in the Pont de l’Alma tunnel following a high-speed pursuit with paparazzi. Through multiple perspectives, the series will shed light on the challenging investigation and the wild conspiracies that emerged around the world in the wake of the tragedy.
“Martine...
- 3/24/2022
- by Elsa Keslassy
- Variety Film + TV
Ugc, the long-running French film studio whose biggest hits include “Amelie Poulain,” has successful branched into TV series by acquiring stakes in a flurry of talent-driven production companies such as Itineraire Productions (“Hpi”) and Headline Pictures (“Call My Agent!’s” British remake) in the U.K.
Opting for a different approach to Gaumont’s or large media groups like Mediawan, the company has been building its label Ugc Series as a coalition of independently-ran production companies under the leadership of Laurence Lenica, a veteran Ugc executive, and Franck Calderon, a well-known writer, producer and former boss of TF1 Productions.
So far, Ugc Series comprises six banners. Along with Headline Pictures and Itineraire Productions, these include Henri Debeurne’s Next Episode whose credits take in “Christmas Flow” for Netflix and “J’ai tué mon mari” for NBCU; Ugc Fiction, which Calderon is leading with Karine Evrard and Sophie Exbrayat, and which...
Opting for a different approach to Gaumont’s or large media groups like Mediawan, the company has been building its label Ugc Series as a coalition of independently-ran production companies under the leadership of Laurence Lenica, a veteran Ugc executive, and Franck Calderon, a well-known writer, producer and former boss of TF1 Productions.
So far, Ugc Series comprises six banners. Along with Headline Pictures and Itineraire Productions, these include Henri Debeurne’s Next Episode whose credits take in “Christmas Flow” for Netflix and “J’ai tué mon mari” for NBCU; Ugc Fiction, which Calderon is leading with Karine Evrard and Sophie Exbrayat, and which...
- 3/24/2022
- by Elsa Keslassy
- Variety Film + TV
French comedy “Call My Agent!” was a domestic hit after it launched on France’s TF1 network in 2015 but it wasn’t until later, when it got picked up by Netflix, that the series about a fictional Parisian talent agency found a global audience.
Christian Baute, whose company Headline Pictures has produced a U.K. version of the series alongside Bron Studios (“Joker”) for Amazon and Sundance Now, spotted the show’s potential during its original broadcast. “I thought, this is brilliant,” he recalls.
Partnering with David Davoli, Bron’s president of television, Baute reached out to the producers of “Call My Agent” as well as TF1, which owns the format, in a bid to snap up the English language rights.
“It was a bit of a niche format in terms of its popularity when we secured it,” Davoli acknowledges. “It wasn’t until we had greenlit our show and...
Christian Baute, whose company Headline Pictures has produced a U.K. version of the series alongside Bron Studios (“Joker”) for Amazon and Sundance Now, spotted the show’s potential during its original broadcast. “I thought, this is brilliant,” he recalls.
Partnering with David Davoli, Bron’s president of television, Baute reached out to the producers of “Call My Agent” as well as TF1, which owns the format, in a bid to snap up the English language rights.
“It was a bit of a niche format in terms of its popularity when we secured it,” Davoli acknowledges. “It wasn’t until we had greenlit our show and...
- 1/21/2022
- by K.J. Yossman
- Variety Film + TV
AMC Networks’ Sundance Now has garnered U.S. premiere rights to the British remake of original French comedy series “Call My Agent!”
BAFTA award winner John Morton is head writer, and directs the first two episodes of the series. Series regulars include recently added Chelsey Crisp, as well as stars Prasanna Puwanarajah, Maggie Steed, Jack Davenport, Lydia Leonard and Jim Broadbent. “Call My Agent!” will premiere on Sundance Now in the U.S. in 2022 after its U.K. world premiere on Amazon.
As in the French version of the show, well-known actors will play themselves. In the British remake of “Call My Agent!,” Dominic West, Phoebe Dynevor, Jessica Oyelowo and David Oyelowo will appear, with previously announced appearances by Kelly Macdonald, Helena Bonham Carter and Olivia Williams.
The original “Call My Agent!” follows the staff of a Parisian talent agency trying to keep their clients calm after the sudden death...
BAFTA award winner John Morton is head writer, and directs the first two episodes of the series. Series regulars include recently added Chelsey Crisp, as well as stars Prasanna Puwanarajah, Maggie Steed, Jack Davenport, Lydia Leonard and Jim Broadbent. “Call My Agent!” will premiere on Sundance Now in the U.S. in 2022 after its U.K. world premiere on Amazon.
As in the French version of the show, well-known actors will play themselves. In the British remake of “Call My Agent!,” Dominic West, Phoebe Dynevor, Jessica Oyelowo and David Oyelowo will appear, with previously announced appearances by Kelly Macdonald, Helena Bonham Carter and Olivia Williams.
The original “Call My Agent!” follows the staff of a Parisian talent agency trying to keep their clients calm after the sudden death...
- 7/20/2021
- by Jennifer Yuma
- Variety Film + TV
The UK remake of buzzy French comedy Call My Agent! will air on Sundance Now after the AMC Networks streaming service acquired the U.S. rights.
This comes after Amazon picked up the UK rights to the series, which comes from W1A’s John Morton, Bron Studios and Headline Pictures.
Joining the cast as a series regular is Fresh Off The Boat’s Chelsey Crisp. Crisp, who plays Honey in the ABC comedy, joins Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Eleonore Arnaud and Jim Broadbent in the series.
Dominic West, Phoebe Dynevor, Jessica Oyelowo and David Oyelowo will also be appearing in cameo roles alongside Kelly Macdonald, Helena Bonham Carter and Olivia Williams.
It will premiere on Sundance Now in the U.S. in 2022, shortly after its UK premiere.
The adaptation will retain...
This comes after Amazon picked up the UK rights to the series, which comes from W1A’s John Morton, Bron Studios and Headline Pictures.
Joining the cast as a series regular is Fresh Off The Boat’s Chelsey Crisp. Crisp, who plays Honey in the ABC comedy, joins Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Eleonore Arnaud and Jim Broadbent in the series.
Dominic West, Phoebe Dynevor, Jessica Oyelowo and David Oyelowo will also be appearing in cameo roles alongside Kelly Macdonald, Helena Bonham Carter and Olivia Williams.
It will premiere on Sundance Now in the U.S. in 2022, shortly after its UK premiere.
The adaptation will retain...
- 7/20/2021
- by Peter White
- Deadline Film + TV
Kelly Macdonald, Helena Bonham Carter, Olivia Williams join cast.
Amazon Prime Video has acquired UK-Ireland rights to the English-language remake of acclaimed French comedy series Call My Agent!, which has added key cameo roles to its cast.
Kelly Macdonald, Helena Bonham Carter and Olivia Williams have all been confirmed to appear in the series.
They will join previously-announced series regulars Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Eleonore Arnaud and Jim Broadbent.
Filming is underway on the series in London; Bafta-winning John Morton, creator of...
Amazon Prime Video has acquired UK-Ireland rights to the English-language remake of acclaimed French comedy series Call My Agent!, which has added key cameo roles to its cast.
Kelly Macdonald, Helena Bonham Carter and Olivia Williams have all been confirmed to appear in the series.
They will join previously-announced series regulars Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Eleonore Arnaud and Jim Broadbent.
Filming is underway on the series in London; Bafta-winning John Morton, creator of...
- 5/21/2021
- by Melissa Kasule
- ScreenDaily
Amazon Prime Video has locked UK and Ireland rights to the forthcoming British remake of hit French series Call My Agent!
As Deadline revealed John Morton (W1A) is writing and directing the first two episodes and executive producing the series, which will star Jack Davenport, Lydia Leonard, Maggie Steed Prasanna Puwanarajah, Jim Broadbent, and more.
Today, Kelly Macdonald, Helena Bonham Carter and Olivia Williams have been confirmed as joining the cast for cameo appearances. Filming is now underway in London.
The original series, which was broadcast on French network France 2 and found global success on Netflix, chronicled how a Parisian talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder. The remake’s Anglicisations will include a greater focus on Transatlantic industry relationships, and include nods to Brit obsessions such as the class system.
“It’s...
As Deadline revealed John Morton (W1A) is writing and directing the first two episodes and executive producing the series, which will star Jack Davenport, Lydia Leonard, Maggie Steed Prasanna Puwanarajah, Jim Broadbent, and more.
Today, Kelly Macdonald, Helena Bonham Carter and Olivia Williams have been confirmed as joining the cast for cameo appearances. Filming is now underway in London.
The original series, which was broadcast on French network France 2 and found global success on Netflix, chronicled how a Parisian talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder. The remake’s Anglicisations will include a greater focus on Transatlantic industry relationships, and include nods to Brit obsessions such as the class system.
“It’s...
- 5/21/2021
- by Tom Grater
- Deadline Film + TV
Exclusive: In recent weeks, intrigue has been building in the UK industry about the local remake of French hit Call My Agent! (Dix Pour Cent in France), but cast and plot details have been a tightly guarded secret.
Today, four days before the series gets underway in central London, we can reveal key intel about the Bron Studios and Headline Pictures adaptation, which heralds from BAFTA-winner John Morton (W1A).
Starring will be Tony-nominated actress Lydia Leonard (Absentia) as Rebecca, in a role loosely based on Camille Cottin’s character Andréa Martel; Jack Davenport (Pirates Of The Caribbean) will play Jonathan, in a role loosely based on character Mathias Barneville; Maggie Steed (Chewing Gum) will be Stella; Prasanna Puwanarajah (Patrick Melrose) plays Dan; and newcomers Harry Trevaldwyn (The King) will be Ollie and Hiftu Quasem (Killing Eve) will play Misha.
Also starring will be Fola Evans-Akingbola (Siren), Rebecca Humphries (Trigonometry...
Today, four days before the series gets underway in central London, we can reveal key intel about the Bron Studios and Headline Pictures adaptation, which heralds from BAFTA-winner John Morton (W1A).
Starring will be Tony-nominated actress Lydia Leonard (Absentia) as Rebecca, in a role loosely based on Camille Cottin’s character Andréa Martel; Jack Davenport (Pirates Of The Caribbean) will play Jonathan, in a role loosely based on character Mathias Barneville; Maggie Steed (Chewing Gum) will be Stella; Prasanna Puwanarajah (Patrick Melrose) plays Dan; and newcomers Harry Trevaldwyn (The King) will be Ollie and Hiftu Quasem (Killing Eve) will play Misha.
Also starring will be Fola Evans-Akingbola (Siren), Rebecca Humphries (Trigonometry...
- 5/6/2021
- by Andreas Wiseman and Nellie Andreeva
- Deadline Film + TV
AMC+ announced on Thursday that it has has acquired the rights to three crime drama series: Cold Courage, Kin and Too Close.
The first to premiere on the streaming service is Lionsgate’s Cold Courage, which will hit AMC+ on Thursday, March 11. Based on the award-winning and best-selling novels from Finnish journalist Pekka Hiltunen, Cold Courage follows two women as they collide during a series of murders in present-day London. Mari (Pihla Viitala), a fierce psychologist, and Lia (Sofia Pekkari), a shy graphic artist, are drawn together through the “Studio” – a clandestine group of like-minded people operating off the grid, dedicated to righting the wrongs of the powerful, influential and corrupt.
John Simm appears as populist politician Arthur Fried and joins fellow cast-members Caroline Goodall and Arsher Ali. Jakob Eklund, Peter Coonan and Matteo Simoni also star.
The series was adapted for the screen by David Joss Buckley and Brendan Foley.
The first to premiere on the streaming service is Lionsgate’s Cold Courage, which will hit AMC+ on Thursday, March 11. Based on the award-winning and best-selling novels from Finnish journalist Pekka Hiltunen, Cold Courage follows two women as they collide during a series of murders in present-day London. Mari (Pihla Viitala), a fierce psychologist, and Lia (Sofia Pekkari), a shy graphic artist, are drawn together through the “Studio” – a clandestine group of like-minded people operating off the grid, dedicated to righting the wrongs of the powerful, influential and corrupt.
John Simm appears as populist politician Arthur Fried and joins fellow cast-members Caroline Goodall and Arsher Ali. Jakob Eklund, Peter Coonan and Matteo Simoni also star.
The series was adapted for the screen by David Joss Buckley and Brendan Foley.
- 2/18/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Bron Studios has boarded a remake of French comedy Call My Agent! and W1A creator John Morton will write, direct and exec produce.
The Tully studio will produce the series with Man In The High Castle producer Headline Pictures, which acquired the English-language rights back in 2017. At the time Veep writer Georgia Pritchett was attached to write.
The series, which was created by Fanny Herrero, takes place at a Parisian talent agency where agents scramble to keep their star clients happy and their business afloat after the sudden death of their founder. It aired on France 2 with Netflix showing it globally.
The Office casting director Rachel Freck is also on board. John Morton will set the adaptation at a London talent agency and it will start production in June 2020.
Executive Producers are Aaron L. Gilbert, David Davoli and Steven Thibault for Bron and Christian Baute for Headline Pictures, Call...
The Tully studio will produce the series with Man In The High Castle producer Headline Pictures, which acquired the English-language rights back in 2017. At the time Veep writer Georgia Pritchett was attached to write.
The series, which was created by Fanny Herrero, takes place at a Parisian talent agency where agents scramble to keep their star clients happy and their business afloat after the sudden death of their founder. It aired on France 2 with Netflix showing it globally.
The Office casting director Rachel Freck is also on board. John Morton will set the adaptation at a London talent agency and it will start production in June 2020.
Executive Producers are Aaron L. Gilbert, David Davoli and Steven Thibault for Bron and Christian Baute for Headline Pictures, Call...
- 10/10/2019
- by Peter White
- Deadline Film + TV
Series to feature A-list British and American cameos.
On the eve of Mipcom, Bron Studios and the UK’s Headline Pictures have secured English-language remake rights to hit French TV comedy Call My Agent! and set Bafta-winning John Morton to write, direct and serve as executive producer.
Morton, who created the BBC mockumentaries Twenty Twelve, W1A and People Like Us, will relocate the story to a London talent agency. Production is scheduled to start in and around London in June 2020 and the series will feature A-list British and American cameos.
Bron Studios, riding high following the record-setting global launch of Joker,...
On the eve of Mipcom, Bron Studios and the UK’s Headline Pictures have secured English-language remake rights to hit French TV comedy Call My Agent! and set Bafta-winning John Morton to write, direct and serve as executive producer.
Morton, who created the BBC mockumentaries Twenty Twelve, W1A and People Like Us, will relocate the story to a London talent agency. Production is scheduled to start in and around London in June 2020 and the series will feature A-list British and American cameos.
Bron Studios, riding high following the record-setting global launch of Joker,...
- 10/10/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Series to feature A-list British and American cameos.
On the eve of Mipcom, Bron Studios and the UK’s Headline Pictures have secured English-language remake rights to hit French TV comedy Call My Agent! and set Bafta-winning John Morton to write, direct and serve as executive producer.
Morton, who created the BBC mockumentaries Twenty Twelve, W1A and People Like Us, will relocate the story to a London talent agency. Production is scheduled to start in and around London in June 2020 and the series will feature A-list British and American cameos.
Bron Studios, riding high following the record-setting global launch of Joker,...
On the eve of Mipcom, Bron Studios and the UK’s Headline Pictures have secured English-language remake rights to hit French TV comedy Call My Agent! and set Bafta-winning John Morton to write, direct and serve as executive producer.
Morton, who created the BBC mockumentaries Twenty Twelve, W1A and People Like Us, will relocate the story to a London talent agency. Production is scheduled to start in and around London in June 2020 and the series will feature A-list British and American cameos.
Bron Studios, riding high following the record-setting global launch of Joker,...
- 10/10/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
From VancouverFilm.Net, here is the Vancouver Film Production Update for August 2018, including "Deadly Class", "Loudermilk", "Siren" and a whole lot more:
Feature Film
Casino Night
Local Production Company: Hedgehog Films Inc.
Director: Jeffrey Fowler
Producer: Neal H. Moritz, Mie Onishi, Takeshi Ito, Dmitri M. Johnson, Dan Jevons, Nan Morales
Jul 30/18 - Sep 26/18
Come To Daddy
Local Production Company: Ctd Productions Inc.
Director: Ant Timpson
Producer: Mette-Marie Kongsved, Laura Tunstall
Jul 16/18 - Aug 12/18
Good Boys
Local Production Company: Good Boy Productions Inc.
Director: Gene Stupnitsky
Producer: Dan Clarke
Jul 23/18 - Sep 11/18
TV Series
A Million Little Things - Season 1
Local Production Company: Stage 49 Ltd
Director: James Griffiths, Richard J. Lewis
Producer: Kathy Gilroy
Jul 24/18 - Dec 12/18
Arrow - Season 7
Local Production Company: Beckmark Production Services Inc.
Director: Gordon Verheul, Laura Belsey
Producer: Todd Pitson
Jul 06/18 - Apr 18/19
Chilling Adventures Of Sabrina - Season 1
Local Production Company: Wbtv Canada Production Services Inc.
Feature Film
Casino Night
Local Production Company: Hedgehog Films Inc.
Director: Jeffrey Fowler
Producer: Neal H. Moritz, Mie Onishi, Takeshi Ito, Dmitri M. Johnson, Dan Jevons, Nan Morales
Jul 30/18 - Sep 26/18
Come To Daddy
Local Production Company: Ctd Productions Inc.
Director: Ant Timpson
Producer: Mette-Marie Kongsved, Laura Tunstall
Jul 16/18 - Aug 12/18
Good Boys
Local Production Company: Good Boy Productions Inc.
Director: Gene Stupnitsky
Producer: Dan Clarke
Jul 23/18 - Sep 11/18
TV Series
A Million Little Things - Season 1
Local Production Company: Stage 49 Ltd
Director: James Griffiths, Richard J. Lewis
Producer: Kathy Gilroy
Jul 24/18 - Dec 12/18
Arrow - Season 7
Local Production Company: Beckmark Production Services Inc.
Director: Gordon Verheul, Laura Belsey
Producer: Todd Pitson
Jul 06/18 - Apr 18/19
Chilling Adventures Of Sabrina - Season 1
Local Production Company: Wbtv Canada Production Services Inc.
- 7/28/2018
- by Michael Stevens
- SneakPeek
As Netflix continues to assert itself as a major television company with such acclaimed series as House of Cards and Orange is the New Black, Amazon Studios is racing to catch up by ordering series it hopes will be equally well-received. So far, Amazon has scored one big hit in the form of Jeffrey Tambor-led dramedy Transparent, and it hopes to find some more in the new lineup of pilots, which will be made available for viewing as part of the company’s first pilot season of 2015.
Enclosed are descriptions of all seven pilots, courtesy of Deadline. The talented involved on all of them is impressive, to say the least. Mad Dogs comes from Cris Cole (The Bill) and Shawn Ryan (The Shield), while The Man In The High Castle hails from Frank Spotnitz (The X-Files). Carlton Cuse (Lost, The Strain) and Randall Wallace (Braveheart) are behind Point Of Honor,...
Enclosed are descriptions of all seven pilots, courtesy of Deadline. The talented involved on all of them is impressive, to say the least. Mad Dogs comes from Cris Cole (The Bill) and Shawn Ryan (The Shield), while The Man In The High Castle hails from Frank Spotnitz (The X-Files). Carlton Cuse (Lost, The Strain) and Randall Wallace (Braveheart) are behind Point Of Honor,...
- 11/12/2014
- by Isaac Feldberg
- We Got This Covered
Amazon is entering pilot season strong with seven pilots for shows with big names attached. The pilots will include hour-long shows Cocked, Mad Dogs, The Man in the High Castle, and Point of Honor, half-hour shows Down Dog and Salem Rogers, and the half-hour docu-series The New Yorker Presents. Cocked is the hour-long dark comedy from Lie to Me's Sam Baum and Manhattan's Sam Shaw. It stars Sam Trammell as Richard Paxson, a man who returns to his rural Virginia family after leaving acrimoniously 20 years ago. Now, Paxson returns with his liberal family to the dysfunctional family he left behind,...
- 11/11/2014
- by Teresa Jue
- EW - Inside TV
London-based Headline Pictures, the outfit behind Quartet and The Invisible Woman, has revealed further details of its slate of high end TV dramas.
One of the company’s long gestating projects, Philip K Dick adaptation The Man In The High Castle, is now shooting in Seattle.
Headline has partnered with Amazon Studios, which is wholly funding the project, and is being filmed in the first instance as a pilot.
This will be broadcast in December and a decision will be taken as to whether a 10-part series will follow.
The drama, set in an alternate future in which Germany and Japan won the Second World War, is scripted by Frank Spotnitz and is being directed by David Semel.
The Man In The High Castle has been put together as a production between Scott Free, Headline Pictures and Electric Shepherd, the production arm of the Philip K. Dick estate.
“Headline created this show, secured the rights...
One of the company’s long gestating projects, Philip K Dick adaptation The Man In The High Castle, is now shooting in Seattle.
Headline has partnered with Amazon Studios, which is wholly funding the project, and is being filmed in the first instance as a pilot.
This will be broadcast in December and a decision will be taken as to whether a 10-part series will follow.
The drama, set in an alternate future in which Germany and Japan won the Second World War, is scripted by Frank Spotnitz and is being directed by David Semel.
The Man In The High Castle has been put together as a production between Scott Free, Headline Pictures and Electric Shepherd, the production arm of the Philip K. Dick estate.
“Headline created this show, secured the rights...
- 10/7/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Watch 4 new clips from Sony Pictures Classics' The Invisible Woman, starring and directed by Ralph Fiennes, as well as Felicity Jones, Kristin Scott Thomas, Tom Hollander, Charlotte Hope, Jonathan Harden, Laurence Spellman and Michael Marcus. The drama opens in theaters on December 25th, 2013, and is scripted by Abi Morgan from the novel by Claire Tomalin. Producing are Christian Baute, Carolyn Marks Blackwood, Stewart Mackinnon and Gabrielle Tana. Nelly (Jones), a happily - married mother and schoolteacher, is haunted by her past. Her memories, provoked by remorse and guilt, take us back in time to follow the story of her relationship with Charles Dickens (Fiennes) with whom she discovered an exciting but fragile complicity. Dickens – famous, controlling and emotionally isolated within his success – falls for Nelly, who comes from a family of actors. The theatre is a vital arena for Dickens...
- 12/11/2013
- Upcoming-Movies.com
With his directing debut Coriolanus continuing to play select U.S. art houses, Ralph Fiennes continued to prep for his sophomore directing effort The Invisible Woman, based on Claire Tomalin’s biography of Nelly Ternan, the teenage mistress to Charles Dickens. According to The Hollywood Reporter, Fiennes signed Like Crazy actress Felicity Jones for the role of Ternan opposite his own turn as Dickens. Fiennes also signed Kristin Scott Thomas and Tom Hollander to the movie. Abi Morgan adapted Tomalin’s biography about the secret love affair bwteen Dickens and Ternan with Stewart Mackinnon, Gabrielle Tana, Christian Baute and Carolyn Marks Blackwood producing.
- 4/26/2012
- Upcoming-Movies.com
With his directing debut Coriolanus continuing to play select U.S. art houses, Ralph Fiennes continued to prep for his sophomore directing effort The Invisible Woman, based on Claire Tomalin’s biography of Nelly Ternan, the teenage mistress to Charles Dickens. According to The Hollywood Reporter, Fiennes signed Like Crazy actress Felicity Jones for the role of Ternan opposite his own turn as Dickens. Fiennes also signed Kristin Scott Thomas and Tom Hollander to the movie. Abi Morgan adapted Tomalin’s biography about the secret love affair bwteen Dickens and Ternan with Stewart Mackinnon, Gabrielle Tana, Christian Baute and Carolyn Marks Blackwood producing.
- 4/26/2012
- Upcoming-Movies.com
When you think Ridley Scott, you think sprawling, epic films like Blade Runner, Alien, Gladiator, Black Hawk Down and Kingdom of Heaven. Even his smaller films - G.I. Jane, Hannibal, Thelma & Louise - are still pretty big in comparison to your standard Hollywood fare. Scott is currently shooting yet another one of these blockbusters, the Alien prequel Prometheus, and while he's yet to announce his subsequent project, another possibility has been added to his already stacked plate. And it's a project unlike anything Scott's done before. ScreenDaily is reporting that Scott will produce and direct Reykjavik, a retelling of a historic 1986 meeting between American President Ronald Reagan and Soviet leader Mikhail Gorbachev which indirectly resulted in the end of the Cold War. Read more after the break. According to the ScreenDaily [1] report, Scott's involvement was announced by Stewart Mackinnon of Headline Films in Cannes as they revealed their a new head of production,...
- 5/18/2011
- by Germain Lussier
- Slash Film
Ridley Scott is attached to produce and direct a new film called Reykjavik. The movie is based is based on the true story about the meeting between Us president Ronald Reagan and Soviet leader Mikhail Gorbachev in the mid-1980s which helped bring about the end of the Cold War.
The producer of the U.S. version of Funny Games, Christian Baute has also been brought on as the films producer. There really isn't much more information on the movie, but this should make for a great film.
The movie is obviously based on the Reykjavík Summit meeting that was held in the famous house of Höfði in Reykjavík, the capital city of Iceland in 1986. The talks collapsed at the last minute, but the progress that had been achieved eventually resulted in the 1987 Intermediate-Range Nuclear Forces Treaty between the United States and the Soviet Union. Scott should do an incredible job telling this story.
The producer of the U.S. version of Funny Games, Christian Baute has also been brought on as the films producer. There really isn't much more information on the movie, but this should make for a great film.
The movie is obviously based on the Reykjavík Summit meeting that was held in the famous house of Höfði in Reykjavík, the capital city of Iceland in 1986. The talks collapsed at the last minute, but the progress that had been achieved eventually resulted in the 1987 Intermediate-Range Nuclear Forces Treaty between the United States and the Soviet Union. Scott should do an incredible job telling this story.
- 5/17/2011
- by Venkman
- GeekTyrant
By Christopher Stipp
The Archives, Right Here
Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on Twitter under the name: Stipp
Centurion Blu-Ray Six Shooter Giveaway!
What I love about modern film distribution is that first-run films are sometimes available to see in your house before you’re able to see them in the theater. Such is the case with Neil Marshall and Michael Fassbender’s newest film, Centurion, which is currently available on VOD, Xbox, Vudu and Amazon.com. Now, Centurion also opens in theaters August 27, 2010 if you care to see it with a bunch of other like minded individuals but I am thrilled to see that the models of getting movies to people how they want, when they want, are evolving.
In honor of Centurion’s recent premiere on VOD, Xbox, Playstation, Vudu and Amazon, I want to offer one of...
The Archives, Right Here
Check out my other column, This Week In Trailers, at SlashFilm.com and follow me on Twitter under the name: Stipp
Centurion Blu-Ray Six Shooter Giveaway!
What I love about modern film distribution is that first-run films are sometimes available to see in your house before you’re able to see them in the theater. Such is the case with Neil Marshall and Michael Fassbender’s newest film, Centurion, which is currently available on VOD, Xbox, Vudu and Amazon.com. Now, Centurion also opens in theaters August 27, 2010 if you care to see it with a bunch of other like minded individuals but I am thrilled to see that the models of getting movies to people how they want, when they want, are evolving.
In honor of Centurion’s recent premiere on VOD, Xbox, Playstation, Vudu and Amazon, I want to offer one of...
- 8/13/2010
- by Christopher Stipp
By now the phenomenon of a director remaking one of his own movies is hardly novel.
Alfred Hitchcock made two versions of The Man Who Knew Too Much, and Frank Capra turned Lady for a Day into the more lavish Pocketful of Miracles.
There even are cases of foreign directors helming the American remakes of their own hit movies. Francis Veber directed both the original French version of Les Fugitifs and the Hollywood version, Three Fugitives, with Nick Nolte and Martin Short.
But I'm not sure there has ever been anything comparable to the new version of Funny Games, in which Austrian director Michael Haneke has produced a shot-for-shot replica of his 1997 German-language movie.
Some will question whether we needed even one version of this unsavory story. No doubt Haneke would argue that the original had such a limited audience in America that a remake starring Oscar nominees Naomi Watts and Tim Roth, along with Michael Pitt, will bring the story to lots of new viewers. But does this exercise in sadism and psychological torture deserve a larger audience, or any audience at all?
That point will be argued by critics, though there's no disputing the fact that this film, like the original, is compelling and exceptionally well acted. It probably will develop a cult following, like all of Haneke's work.
Ann (Watts), her husband George (Roth), and their son Georgie (Devon Gearhart) arrive at their secluded vacation home on Long Island in the movie's opening scene. As they are settling in, they are greeted by two polite but slightly creepy young men (Pitt, Brady Corbet), who claim to be visiting one of their neighbors and need to borrow some eggs.
The interlopers, who call themselves Paul and Peter, quickly insinuate themselves into the household, incapacitate George, and hold the family captive as they initiate a series of increasingly sadistic games. The tension mounts as Georgie and Ann try to escape, which only stokes the cruelty of their captors. Haneke keeps the most horrific violence offscreen, but that does not mute the impact of these degrading and ruthless exercises.
Viewers who hope to glean some sociological or psychological insights will be disappointed. At one point Paul gives a lengthy, completely fictitious profile of his cohort, just to mock those who seek an explanation for such violent antisocial behavior. The two boys dressed in white are meant to be evil incarnate -- motiveless, unfathomable, inescapable.
The only comprehensible comment that the film makes is about itself and the role of cinema in encouraging voyeurism and tolerance for violence. (This theme also was at the heart of Haneke's most acclaimed film, Cache.)
There's an intriguing moment, identical in both the Austrian and American films, in which Paul uses a TV remote control to rewind the action we have seen and replay a different version. Even though the director might want us to contemplate the audience's role in sanctioning violence, he can't escape the whiff of exploitation that infects both movies.
Still, this version, like the earlier one, is skillfully executed. Roth doesn't match the gravitas of the late Ulrich Muhe, who played the husband in the 1997 film, but he's affecting. Watts is superb in conveying the emotional anguish of her character. Pitt demonstrates his versatility with an electrifying portrayal of the sinister, soulless Paul. The only weak link in the cast is Corbet, who was convincing in more sympathetic roles in "thirteen" and Mysterious Skin, but doesn't exude enough menace as Pitt's baby-faced accomplice.
Cinematographer Darius Khondji gives an ominous edge to the sun-dappled locations, which look remarkably like the settings in the European film. Even the music selections are virtually identical in the two films. Perhaps the best way to appreciate the picture, its few intellectual pretensions notwithstanding, is as a classy horror film with a particularly nasty edge. It's not exactly entertainment, but it casts a poisonous spell.
FUNNY GAMES U.S.
Warner Independent Pictures
Celluloid Dreams, Halcyon Pictures, Tartan Films, X-Filme International
Credits:
Screenwriter-director: Michael Haneke
Producers: Chris Coen, Hamish McAlpine, Hengameh Panahi, Christian Baute, Andro Steinborn
Executive producers: Naomi Watts, Philippe Aigle, Carole Siller, Douglas Steiner
Director of photography: Darius Khondji
Production designer: Kevin Thompson
Co-producers: Andrea Occhipinti, Rene Bastian, Linda Moran, Adam Brightman, Jonathan Schwartz
Costume designer: David Robinson
Editor: Monika Willi
Cast:
Ann: Naomi Watts
George: Tim Roth
Paul: Michael Pitt
Peter: Brady Corbet
Georgie: Devon Gearhart
Fred: Boyd Gaines
Betsy: Siobhan Fallon Hogan
Running time -- 110 minutes
MPAA rating: R...
Alfred Hitchcock made two versions of The Man Who Knew Too Much, and Frank Capra turned Lady for a Day into the more lavish Pocketful of Miracles.
There even are cases of foreign directors helming the American remakes of their own hit movies. Francis Veber directed both the original French version of Les Fugitifs and the Hollywood version, Three Fugitives, with Nick Nolte and Martin Short.
But I'm not sure there has ever been anything comparable to the new version of Funny Games, in which Austrian director Michael Haneke has produced a shot-for-shot replica of his 1997 German-language movie.
Some will question whether we needed even one version of this unsavory story. No doubt Haneke would argue that the original had such a limited audience in America that a remake starring Oscar nominees Naomi Watts and Tim Roth, along with Michael Pitt, will bring the story to lots of new viewers. But does this exercise in sadism and psychological torture deserve a larger audience, or any audience at all?
That point will be argued by critics, though there's no disputing the fact that this film, like the original, is compelling and exceptionally well acted. It probably will develop a cult following, like all of Haneke's work.
Ann (Watts), her husband George (Roth), and their son Georgie (Devon Gearhart) arrive at their secluded vacation home on Long Island in the movie's opening scene. As they are settling in, they are greeted by two polite but slightly creepy young men (Pitt, Brady Corbet), who claim to be visiting one of their neighbors and need to borrow some eggs.
The interlopers, who call themselves Paul and Peter, quickly insinuate themselves into the household, incapacitate George, and hold the family captive as they initiate a series of increasingly sadistic games. The tension mounts as Georgie and Ann try to escape, which only stokes the cruelty of their captors. Haneke keeps the most horrific violence offscreen, but that does not mute the impact of these degrading and ruthless exercises.
Viewers who hope to glean some sociological or psychological insights will be disappointed. At one point Paul gives a lengthy, completely fictitious profile of his cohort, just to mock those who seek an explanation for such violent antisocial behavior. The two boys dressed in white are meant to be evil incarnate -- motiveless, unfathomable, inescapable.
The only comprehensible comment that the film makes is about itself and the role of cinema in encouraging voyeurism and tolerance for violence. (This theme also was at the heart of Haneke's most acclaimed film, Cache.)
There's an intriguing moment, identical in both the Austrian and American films, in which Paul uses a TV remote control to rewind the action we have seen and replay a different version. Even though the director might want us to contemplate the audience's role in sanctioning violence, he can't escape the whiff of exploitation that infects both movies.
Still, this version, like the earlier one, is skillfully executed. Roth doesn't match the gravitas of the late Ulrich Muhe, who played the husband in the 1997 film, but he's affecting. Watts is superb in conveying the emotional anguish of her character. Pitt demonstrates his versatility with an electrifying portrayal of the sinister, soulless Paul. The only weak link in the cast is Corbet, who was convincing in more sympathetic roles in "thirteen" and Mysterious Skin, but doesn't exude enough menace as Pitt's baby-faced accomplice.
Cinematographer Darius Khondji gives an ominous edge to the sun-dappled locations, which look remarkably like the settings in the European film. Even the music selections are virtually identical in the two films. Perhaps the best way to appreciate the picture, its few intellectual pretensions notwithstanding, is as a classy horror film with a particularly nasty edge. It's not exactly entertainment, but it casts a poisonous spell.
FUNNY GAMES U.S.
Warner Independent Pictures
Celluloid Dreams, Halcyon Pictures, Tartan Films, X-Filme International
Credits:
Screenwriter-director: Michael Haneke
Producers: Chris Coen, Hamish McAlpine, Hengameh Panahi, Christian Baute, Andro Steinborn
Executive producers: Naomi Watts, Philippe Aigle, Carole Siller, Douglas Steiner
Director of photography: Darius Khondji
Production designer: Kevin Thompson
Co-producers: Andrea Occhipinti, Rene Bastian, Linda Moran, Adam Brightman, Jonathan Schwartz
Costume designer: David Robinson
Editor: Monika Willi
Cast:
Ann: Naomi Watts
George: Tim Roth
Paul: Michael Pitt
Peter: Brady Corbet
Georgie: Devon Gearhart
Fred: Boyd Gaines
Betsy: Siobhan Fallon Hogan
Running time -- 110 minutes
MPAA rating: R...
- 3/10/2008
- The Hollywood Reporter - Movie News
- #28. Funny Games Director/Writer: Michael HanekeProducers: Christian Baute, Chris Coen, Hamish McAlpine, Andro Steinborn Distributor: Warner Independent Pictures The Gist: This is an English-language remake of his 1997 film, but the setting will now be the Hamptons. The film is about a middle-class family on holiday who are terrorized by two young men. Fact: This is an exact copy of his 1997 film: literally shot by shot with only 1 minute more in length than the original. The question is why? See It: Notorious for making quality-infused uncomfortable narratives - his filmography acts as one big masterwork for the 7th art form. Release Date/Status?: Wip releases this March.14th. ...
- 1/31/2008
- IONCINEMA.com
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