Reviews

2 Reviews
Sort by:
Filter by Rating:
8/10
Paprika Goddess!
21 August 2008
A quite simple kids movie plot gets elevated to hilarious heights by the truly inspired casting of Paprika Steen as Ulla Harms, the substitute who dares to say and do all the things some of the more cynical teachers in this world only dream of. Steen's trademark Dogme-trained nuanced, natural acting this time only serves as a masquerade for a flat-out over-the-top monster, and you can see how much wicked fun she has switching between those two faces, proving her impressive emotional outbursts and character quirks to be nothing but a cold, calculated lie within the blink of an eye.

The other actors do fine, too, as only Danish actors can. The kids are not annoying, even if they have to scream and be cute occasionally. Our hero Carl manages to be a sympathetic if troubled young man, my only nit-picking being that he might be a bit too self-consciously handsome to really convince as the class weirdo and outsider. Also, his love story with the new girl remains a bit under-developed. But hey, they're teenagers, love comes and goes quickly at that age, I guess.

The film is a great fun romp from start to finish, never buried under the weight of its kid-friendly message, and comes highly recommended. As stated before, Paprika Steen deserves prizes and kudos for what she does. And Ole Bornedal keeps the promise he made with Nightwatch. Mainstream family cinema doesn't get much better than this.

P.S.: The only real letdown: right at the beginning of the end credits there is a high school prom dance scene that is totally out of tune with the rest of the film. It's as if the filmmakers wanted to be 'cool' with the young audience in a way the film otherwise thankfully doesn't feel the need to be.
22 out of 28 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Masterpiece
13 March 2006
Kudos to Ang Lee and everyone involved in the making of this incredible work of art. Its impact, though slow-burning, hit me with full force and broke me literally to pieces when it came full circle. Ennis del Mar and Jack Twist stayed with me for days after watching the movie, as if being persons I actually knew. Sounds esoteric, but everyone who ever made friends with movie characters as a kid (i.e. with a certain turtle-necked extraterrestrial) knows what I'm talking about. Well, I guess that comparison doesn't really hold, but you know... it's just awesome to have a film do that to me again after a long time of grown-up resistance against the blurring of the borders between art and real life.

In short: This is movie-making at its purest and finest, slow-paced, but highly resonant in each single frame, with a story not driven by incident, forced melodrama and the writer's apparent wish to make everything fit in a profound statement (hello there, 'Crash'), but simply by characters stuck in themselves and their own existence, with every throwback in their constant pursuit of happiness being a result not only of society's shortcomings (in an intense flashback the film reveals a shocking glimpse of the outcome of a hate crime) but of their own inability to really accept the nature of their desire. Depressing stuff this might be, but the director's humanist approach to it, with it's loving gaze on all his characters, makes it not only bearable, but a truly cathartic experience for the viewer.

As you may have already noticed I would recommend you badly to see this film - it truly deserves any audience it gets, and it might even change a few minds, let alone lives, along the way... as it is, in case you hadn't known, a love story between two men, transcending the queer movie as well as the Hollywood romance.

Not to be missed, 11 out of 10
40 out of 47 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed