There are only a few movies which I have been tempted to call " Almost perfect ". This movie is one such. It bowls you over with its devastating simplicity and classic storytelling. It demonstrates the power of the small film like " 12th fail" had proved earlier.( I remember seeing a movie " Ghunghat" in the 60s which had a similar plot.) . Set in rural India some years back the plot is about two brides Phool (Nitanshi Goel) and Jaya ( Pratibha Ranta) who get exchanged in a train and unknown to them go along with the other marriage party because they are wearing veils ( ghunghat). The complications which follow make for the story. The two other characters on center stage are one of the husbands Deepak ( Sparsh Shrivastava very lovable indeed ) and the police Inspector Manohar ( Ravi Kishan in an outstanding role).
Director Kiran Rao has done an outstanding job. This is what good cinema is about. There is no department of the movie which is not top class. It has no stars, no villain, no comedian, no dance, no action, no skin show, no profanity, no VFX. We only have pure, simple high class cinema with a engrossing and uncomplicated narrative, relatable and realistic characters, down to earth acting and dialogue, a few good songs, heartwarming scenes, enjoyable humour etc. In a subtle and soft manner the director touches upon issues like patriarchy, superstition, misogyny and women empowerment without sounding preachy. The movie is heartwarming and has emotional scenes to stir you. The narrative is told from the point of view of the women characters all helplessly bound by orthodox tradition.
Director Kiran Rao has done an outstanding job. This is what good cinema is about. There is no department of the movie which is not top class. It has no stars, no villain, no comedian, no dance, no action, no skin show, no profanity, no VFX. We only have pure, simple high class cinema with a engrossing and uncomplicated narrative, relatable and realistic characters, down to earth acting and dialogue, a few good songs, heartwarming scenes, enjoyable humour etc. In a subtle and soft manner the director touches upon issues like patriarchy, superstition, misogyny and women empowerment without sounding preachy. The movie is heartwarming and has emotional scenes to stir you. The narrative is told from the point of view of the women characters all helplessly bound by orthodox tradition.
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