Reviews

3 Reviews
Sort by:
Filter by Rating:
Money Train (1995)
6/10
Fun little buddy-cop movie, but definitely not one of the best
17 January 2007
The late 80s, early 90s was THE decade of buddy-cop comedy/action movies, and this is just one of those in a long line of them which graced (well more or less) our movie-screens. Every one has their favourite, from the classic Lethal Weapon series, back in the days when Mel Gibson was still sane, to the much later Bad Boys, the film that truly launched Will Smith's film career. Money Train was written by the same writer who gave the latter of those buddy-cop movies, and it really shows. You find the same kind of street-slang jokes and buddy camaraderie in both movies, but whereas the two cops in Bad Boys were childhood friends, in Money Train they are actually brothers. Well foster-brothers, which explains the fact one is black, one is white, and cue all the imaginable jokes you can think of with this type of sibling affinity. And not only are they foster-brothers, but partners in some New-York cop department which protects the Underground tube system.

Unfortunately, the chemistry between Wesley Snipes and Woody Harrelson isn't even close to that between Smith and Lawrence. They each respectively turn-out decent performances, Snipes is as cool as ever and Harrelson does his usual quirky, slightly goofy routine, which is all very entertaining; however they just never quite jell together. Then you add to the equation Jennifer Lopez as the women interest, in what was her first major big-screen roll. This only has two positive effects, first and obviously she does add some female charm to this 99% male cast, and secondly she makes her present acting seem to be of the same caliber as Diane Keaton!

As with a number of other mediocre cop movies, one major shortcoming is the lack of a distinct malignant unyielding adversary; someone to truly challenge our heroes while stimulating the audiences' affection for them. Here, the characters' "nemesis" are an uninspired boss/head-of-department tyrant type who only cares about protecting his "money-train"(which transports the Whole of the Undergrounds' cash); and a grossly under-used Chriss Cooper. His pyromaniac thief character seems either to have been hugely cut from the original script, or simply appended at the last minute to add some kind of dramatic tension.

An entertaining movie with a very decent script, to be watched without any too high expectations. The beginning drags-on for a while but the pace does build-up to an acceptable level after a while. Money Train could have been a lot better if it had been handled by a more competent director.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Soul Man (1986)
2/10
Cheap, not funny, and a waste of money
11 January 2007
Warning: Spoilers
Before watching this film, I was never expecting a spectacular movie experience. I'll admit to being a fan of those silly fast paced feel good ending 80s comedies, those early Eddie Murphy or Michael J. Fox films being the best example of these. This is the style I was expecting, and I think is what the director was aiming for, but falling very very far from the mark!

The premise could have worked: white kid from rich background decides to pass for a poor black boy to get a scholarship to a top American university. In doing so, he learns harsh lessons about racism and class divides, etc... Plenty of room for some fun jokes, taking the mike out of the real life stereotypes at those top American university establishments, and still come out of it without too much complications and a good morality tale. But what you end up with is a film in which you keep waiting for a really good punchline to arrive, no real surprise turn at any point whatsoever and a lot of pent up frustration by the end for having wasted an hour and half of your life.

By the standards of those previously mentioned 80s comedies, this films' budget couldn't have been that bad, and although the scripts is basic at best, I'm sure at least a bit more could have extracted from it. The main culprits for this waste of film stock have to be the director who does not seem to have put any thought to the direction or elaboration of his script to put it onto screen, and the lead actor C. Thomas Howell. In the same year, he played the stalked young lead in The Hitcher, which has now become somewhat of an 80s cult reference to horror thrillers; this is to say that Mr Howell was not necessarily a bad actor, but definitely a bad comedian. He has no comic timing, a necessity in this form of entertainment, no real talent at expressional comedy, and has no clue when to keep a serious face and when to lighten-up. Although again a large part of this has to go down to bad directorship. Rae Dawn Chong, in the main female lead, does well with what she has, without ever pushing the film to any kind of redemptive level. Coming the closest to doing this is James Earl Jones, who is so hopelessly under-used you have to wonder if he didn't just walk out on the production when he saw how terrible it was. The same could be said of Julia Louis-Dreyfus(Elaine from Seinfeld) and Leslie Nielsen, who have so little screen time it's easy to forget they were actually in this poor excuse for a movie.

When I first bought the DVD to this movie, even though I had no idea how good, or bad(as the case may be), it would be, I was really chuffed with myself, having found it in the sales for 2 pounds. And even more pleased at the till, where it seemed the guy forgot to swipe it properly with the rest of my items so I didn't even pay for it! Now I see the nice man at the till had obviously seen this film, felt sorry for me, and that watching this film was going to be punishment enough that he shouldn't make me pay for it as well.
10 out of 30 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Taxi (I) (2004)
1/10
A cheap rip-off of a classic french comedy
29 June 2006
Avoid this film at all costs! This is just a very very cheap remake of the french movie by the same name. Being a big fan of that Taxi, I was intrigued to see what the Yanks had done with it. Watching it was painful, the only reason I watched till the end was to see how low they were going to go with this film.

Queen Latifa's performance is the only redeeming aspect of this film, who does her best with an unoriginal, crass and cheap script. The best scenes are direct rip-offs of the original film and Jimmy Fallon is wasted on a one dimensional ridiculous character.

Go see the original french film and give this one as wide a berth as you can!
66 out of 97 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed