Everyone must have seen the trailers by now, and they're selling the film to us good, but after that 30 second promise it just doesn't quite come through with the goods. It's been a while since I've had a good solid scare that has haunted me afterwards and this film held the promise, the psychological terror of a motiveless attack, the thought that one day you could be picked out for no reason and destroyed by, well, a stranger...
The film starts on nicely false terms, throw in a semi-scary (unverified) statistic and the concept of this being a true story (actually not a true story, though similar crimes have happened) and we're all set in the belief that some bad stuff is about to go down to some people. We start with a flash forward (to the end), a slightly cheesy 911 call, then back to the present, then a little later there's a slight flash forward then back to the present - simply put it just hops a little needlessly at the beginning, it's not some big revelation that the whole story (story?) hinges on, they just seemed to feel like doing it a few times at the start and then never touch it again.
There's way too much build up at the start, everything moves very sluggishly and given that we already know what's going to happen it's quite easy to disengage yourself for about twenty minutes until there's the knock at the door that signifies the real start of the movie. The romance/proposal subplot (subplot?) appears to be there to give the characters some life, and issues, before someone comes along and gives them new issues with an axe. I know some viewers will go into it and pay avid attention to every murmured line at the outset, but seasoned horror-goers will see it for the filler it is. We know this is the bit where we're supposed to start caring for them, so when it hits the fan we'll root for them.
So we get the knock and the spooky whispering begins. If you're saying something intimidating it must be in a breathy murmur, clearly. I kind of liked how it was made clear from the woman at the door (and that strangely dodgy light bulb) that we weren't going to be seeing any faces of the Strangers. It was more amusing than foreboding but it sort of set the status quo for the rest of the film - this won't be entering any new territory.
OK, credit where it's due I loved the use of music here, particularly at the start where it helped build up to that knock quite nicely. Often I found that if I covered my ears though, and just watched a) I didn't miss anything, and b) the little bit of spook was gone. I did also enjoy the slightly arty feel of the film (art student, can't help it!), it was very pretty to look at at times, in a slightly twee setting with hazy colours and nice use of lighting and shadows, but the shots of the film just felt so full of the cliché (oh look, her phone is on the fire they can't call for help now...) that it didn't make up for much.
I understand what some others have said about the Strangers drifting like ghosts, they really didn't seem to actually be there except to walk around behind people. Ditto the fact that the couple just run or limp) around and around, I know it probably wouldn't have guaranteed survival but had they chosen a direction to run in and stuck with it they could have run all the way to civilisation the amount of faffing they did. And once the Strangers appeared all interaction between this struggling couple was reduced to 'run!' and 'hide!' or 'get inside!', the conflict brought in for them at the outset practically forgotten.
Another thing often mentioned is the varying opinions on the amount of blood. The blood here is fairly irrational, while you can explain for the half destroyed state of the house (which the couple probably damaged just as much as the outsiders in between their Starsky and Hutch "behind the boxes with a gun"...) by the end there seems to be a fair amount of blood for very few actual wounds. Not to mention the fantastic near bloodless stabbings. In a horror it's a bad sign if you can't remember whether or not there was blood on the knife as they were being killed. And wasn't that just such a calm and clear-headed stabbing. No vicious frenzy, no violence or sense of madness or thrill for the Strangers after all that pursuit. It felt like after all that running even they couldn't be bothered with it anymore.
And the ending? Eh, the ending was just mostly unnecessary. When it's daylight it's less scary, especially when you know the strangers are now unmasked and 'normal' (as in still doing the breathy murmur to spook small children). Then one final scare and fin. Why? Just because.
I just left it feeling underwhelmed. I'll write this and just forget I ever saw the film, which feels like a shame. I wanted to be terrified and it just didn't happen. Casual horror/movie folk may like it, but if you've been around the block a bit I don't know, it doesn't bring anything fresh in a genre already filled with the same story but different - and probably better...
The film starts on nicely false terms, throw in a semi-scary (unverified) statistic and the concept of this being a true story (actually not a true story, though similar crimes have happened) and we're all set in the belief that some bad stuff is about to go down to some people. We start with a flash forward (to the end), a slightly cheesy 911 call, then back to the present, then a little later there's a slight flash forward then back to the present - simply put it just hops a little needlessly at the beginning, it's not some big revelation that the whole story (story?) hinges on, they just seemed to feel like doing it a few times at the start and then never touch it again.
There's way too much build up at the start, everything moves very sluggishly and given that we already know what's going to happen it's quite easy to disengage yourself for about twenty minutes until there's the knock at the door that signifies the real start of the movie. The romance/proposal subplot (subplot?) appears to be there to give the characters some life, and issues, before someone comes along and gives them new issues with an axe. I know some viewers will go into it and pay avid attention to every murmured line at the outset, but seasoned horror-goers will see it for the filler it is. We know this is the bit where we're supposed to start caring for them, so when it hits the fan we'll root for them.
So we get the knock and the spooky whispering begins. If you're saying something intimidating it must be in a breathy murmur, clearly. I kind of liked how it was made clear from the woman at the door (and that strangely dodgy light bulb) that we weren't going to be seeing any faces of the Strangers. It was more amusing than foreboding but it sort of set the status quo for the rest of the film - this won't be entering any new territory.
OK, credit where it's due I loved the use of music here, particularly at the start where it helped build up to that knock quite nicely. Often I found that if I covered my ears though, and just watched a) I didn't miss anything, and b) the little bit of spook was gone. I did also enjoy the slightly arty feel of the film (art student, can't help it!), it was very pretty to look at at times, in a slightly twee setting with hazy colours and nice use of lighting and shadows, but the shots of the film just felt so full of the cliché (oh look, her phone is on the fire they can't call for help now...) that it didn't make up for much.
I understand what some others have said about the Strangers drifting like ghosts, they really didn't seem to actually be there except to walk around behind people. Ditto the fact that the couple just run or limp) around and around, I know it probably wouldn't have guaranteed survival but had they chosen a direction to run in and stuck with it they could have run all the way to civilisation the amount of faffing they did. And once the Strangers appeared all interaction between this struggling couple was reduced to 'run!' and 'hide!' or 'get inside!', the conflict brought in for them at the outset practically forgotten.
Another thing often mentioned is the varying opinions on the amount of blood. The blood here is fairly irrational, while you can explain for the half destroyed state of the house (which the couple probably damaged just as much as the outsiders in between their Starsky and Hutch "behind the boxes with a gun"...) by the end there seems to be a fair amount of blood for very few actual wounds. Not to mention the fantastic near bloodless stabbings. In a horror it's a bad sign if you can't remember whether or not there was blood on the knife as they were being killed. And wasn't that just such a calm and clear-headed stabbing. No vicious frenzy, no violence or sense of madness or thrill for the Strangers after all that pursuit. It felt like after all that running even they couldn't be bothered with it anymore.
And the ending? Eh, the ending was just mostly unnecessary. When it's daylight it's less scary, especially when you know the strangers are now unmasked and 'normal' (as in still doing the breathy murmur to spook small children). Then one final scare and fin. Why? Just because.
I just left it feeling underwhelmed. I'll write this and just forget I ever saw the film, which feels like a shame. I wanted to be terrified and it just didn't happen. Casual horror/movie folk may like it, but if you've been around the block a bit I don't know, it doesn't bring anything fresh in a genre already filled with the same story but different - and probably better...
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