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8/10
A Nas Song Come to Life
12 February 2022
Emerging filmmaker Nas gives an inside view to Ralph McDaniels and his fabled Video Music Box, a television staple of New York City since the 1980s. Hip-hop fans who grew up outside of the range of WNYC TV or are on the younger side can more than put a face to the name: host/producer McDaniels and his show are given a loving tribute with a thorough history and seemingly total access to the treasure trove that is the thousands of hours of the show archive.

The endeavor is a natural vehicle for gifted storyteller Nas, who affectionately honors and revives classic hip-hop figures and touchstones in his otherwise deeply introspective music. That love Nas has shown over his musical career is fully returned here with open and thoughtful interviews with those involved and a who's who in hip-hop and beyond offering their mostly glowing commentary on and touching recollections of the pioneering show and creator. Those no longer with us appear in well-preserved archive footage. Sincere appreciation for McDaniels and company's authenticity in bringing music that started out in the park to a wider audience echoes throughout and allows Nas to explore the history and evolution of hip-hop culture and music overall. You're Watching Video Music Box and never forget that, but it's one of the finest documentaries about hip-hop I've seen. Nas nails the cultural impact and significance here while keeping it fun and fairly light, and it is an absolute joy to watch. Shoutout to Mass Appeal.
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Dune (2021)
7/10
A Dream Come True
31 January 2022
For diehard Dune heads, director Denis Villeneuve's vision delivers on what they've been waiting for like the most vivid of recurring dreams. For the rest of us, it washes over like a dream in itself, full of astonishing imagery, deliberate performances, and music that is out of this world. Fans of Villeneuve's Arrival and Blade Runner 2049 will find a lot to like here, but the film almost presupposes recall of its source novel and characters for emotional buy-in. Even those familiar with Frank Herbert's intricate world will benefit from multiple viewings, picking up new details, differences, and callbacks each time.

Particularly as experienced in IMAX, Dune's top-notch production design and visual effects, like the worm and spice harvester, and sounds, like its aggressive bagpipes, are the stuff of dreams as well as nightmares. Villeneuve's well-chosen cast of A-listers turn in largely empathetic, sometimes no-frills, sometimes exquisite readings of lines rife with references to various houses and alien species cursorily set up in the prologue to the film. The action then flits about introducing different characters as a means to showcase stunning set pieces and build up the teenage protagonist. The story lopes along between pretty speeches and expertly choreographed battle scenes all the while maintaining a somnambulant feel. Two and a half hours pass by with ease because of the great crop of current talent involved, but ultimately the film serves primarily to set up Part Two if not a more ambitious franchise as well as reward viewers with singular moments, like fleeting scenes from a dream upon waking.
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6/10
The Quintessential '90s Movie
10 May 2021
For better or worse, '90s humor, music, fashion, pop culture references (mostly '70s TV), and stars are in full effect here. Watch for the nostalgia trip and an almost effective romantic comedy.

Nancy Travis is the real highlight. Her performance still charms, and her character stands up well to modern expectations. She's an independent business owner, a butcher in fact, has deadly martial arts skills, speaks multiple languages, and is smart and good looking. Mike Myers' character does what exactly? It was never clear to me if he worked despite driving around an expensive city in a convertible. Myers is quite funny here, but it might have been better if he dialed that down and played it more of a straight rom com. There are shades here of his Wayne Campbell and even Fat B*stard. I think he could have been more of a romantic lead in movies if he didn't try so hard for laughs. "Hello!"

As of now, Thomas Schlamme hasn't directed a theatrical feature since this one, focusing instead on TV, where competence is key. This film opens with a cool tracking shot, and there are a couple fun wipes in the editing, but overall the style is fairly bland.

This is worth a watch and a rewatch, but it's more of a mild misfire or also-ran than a hidden gem.
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Country Music (2019)
10/10
Country's Music
14 October 2019
Ken Burns has made what stands now as the definitive story of country music that neatly doubles as a crash course on the history and culture of the United States through his expert narrative craft, Dayton Duncan's immaculate writing, the monumental efforts of their researchers, the depths of their archival treasure trove, and the generosity of their interviewees. There is no separating the music as heard on a record from the people doing the listening, seeing it performed live, actually performing it, and living the songs. This miniseries lays out in careful detail how country music came to be and what it represents.

The story begins by honestly assessing the racial melting pot that is the U. S. and how disparate cultures came together originally from afar to produce an authentic American artform. Songs and what we call the fiddle traveled from the British Isles, and the percussive banjo ultimately derives from Africa, whose enslaved people and their descendants' worksongs and both Black and White gospel music richly permeated the old time music that evolved into country. Credit is also given to Latin-American vaqueros for their bordertown cowboy songs as well as German immigrants for the influence of polka. The filmmakers confront head on the deep ties to minstrel acts so popular at the turn of the century. All of this and more is given due coverage for their role in creating country music.

From this basis, Burns and team chronologically cover every key style and figure, from every kind of musician to singing stars to songwriters, producers, and the industry that sprang up around the increasingly popular genre, all the while tying the story of the music to what was going on around the country itself. History tells us these were hard times indeed, and the deliberately unfolding stories of these beloved icons together with their music frequently feel like 16 hours of heartbreak. As the film points out, don't dare call country people hillbillies unless you are one. They, both the hardworking performers and devoted country fans, know the struggles they've worked to overcome to make a life for themselves and how country music brings them joy and fellowship through their trials and tribulations. Country clichés exist for a reason, not because they are always true for everybody but because there is more than a ring of truth to them generally. The jokes about the drinking, the wife walking out, and the dog dying don't come from nowhere. For some of these artists, these may be the least of their problems, as there is the recurring theme of coming from deep poverty and broken homes. Hard luck and self-destruction follow many of country's best known and loved, cutting short their lives and careers. As documentary viewing, this grimness and impending doom can be intense to overwhelming and feel repetitive, but there is no getting around this truth, it wouldn't do justice to the subjects not to tell their story, and Burns wisely weaves the stories together and adds touches of light and frivolity. That educates and engenders deep sympathy and a sense of the character of each subject, many of whom truly are characters. Classic songs and milestone albums are given sharp focus for their cultural and musical significance and popularity.

For those not necessarily country inclined, notable peripheral figures are always included along the way like Dylan and the Byrds but also Louis Armstrong, skillfully exploring links between country and jazz. Care is taken to put country music into context with other popular contemporary music and entertainment and the give and take between them.

Particular attention is also paid to the debt owed to now lesser-known but innovative African-American musicians who may not have even been recording artists but whose deep influence and mentorship to rising, young White musicians and song gathering made possible some of the biggest and brightest stars in country music and helped build its repertoire.

Bluegrass music is also not treated as somehow separate and parallel to another genre called country; its story and stars are deeply entwined here throughout, even as what is more popularly considered and listened to as country music morphs with shifts in demographics, economics, and technology, from acoustic instrumentation to the so-called Nashville Sound and onward.

Music aficionados should thrill at not just the rich history given to individual subjects and how they connect to each other, but also the musical characteristics that made these men and women great in their day and still worthy of appreciation decades later. Perhaps you've seen music documentaries that are all cult of personality and don't move beyond the superficial biographical details, gossip, and hyperbolic praise to actually examine the instrumental, vocal, or lyrical developments that set a performer or songwriter apart and perhaps even above. This isn't one of those. That shouldn't surprise anyone even faintly aware of Ken Burns' reputation for thoroughness and respect for his subjects. Still, there is no shortage whatsoever of everyone giving their opinion of what makes country music great. The interviews keep the show fun and moving.

The on-screen interviewee MVP is Marty Stuart, trailed by Vince Gill. These sweet guys are immense talents who know their music history and are eager to share it. Rosanne Cash is also notably candid, especially about "Daddy" but chiming in throughout on her family tree and the people she grew up and worked with. Repeat interview subjects from episode to episode serve as your very affable guides and constant companions and complement actor Peter Coyote's pitch-perfect series narration. Big names lent their time to give the inside story. It may even bring a tear to your eye to see Merle Haggard and Ralph Stanley appearing on camera, now posthumously.

For many, this goes without saying, but if you are a fan of classic or more recent country music and feel tempted to skip to the middle or end, do yourself a favor and make time to watch the episodes in order. With all of the people in the archive footage and newly interviewed, it's like Game of Thrones keeping track of all the players. Even so, each episode builds beautifully to the next. It's a storytelling marvel, laying a solid foundation accented by grace notes of sometimes subtle details that reveal their significance as the series progresses. See it.
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