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The DUFF (2015)
2/10
Shows promise then devolves into generic feel-good garbage.
16 October 2018
Warning: Spoilers
In the American film business, there are two types of teen comedies:

1) Featuring a teenage guy as a protagonist, the message is almost always to never aim higher that what you are and be content with what you have - after all, hot girls are all shallow, so why not settle for your not-so-hot friend instead?

2) Featuring a teenage girl as a protagonist, the message is almost always to never bother to improve oneself and that good things will be handed to you on a silver platter if you simply accept yourself.

Both of the above are peddling toxic rubbish and both of the above are ubiquitous.

The Duff is one of the those generic teen comedies that tries to pretend it's not formulaic garbage that's designed to lift up the self-esteem of not-so-popular girls by telling them that they don't need to do anything to improve themselves and they'll get everything handed to them on a plate anyway, but it is.

It starts off promising when our main character, Bianca (played by the decidedly average-looking Mae Whitman - unlike older comedies where the plain girl was almost always played by a hot girl in disguise, at least Whitman actually fits the role of the unappealing, grumpy-faced friend), gets a rude wake-up call that she's actually not-that-cool by Wesley, played by the ever-reliable Robbie Amell. From then onward, Bianca decides to take her life into her own hands and become more appealing - starting from aggressively ditching her best friends and enlisting the popular Wesley's help in becoming "un-duffed".

From that point onward, the movie falls apart. Wesley turns out to have had a secret crush on Bianca all along (and obviously, his much hotter sorta-girlfriend turns out to be a total b***h), Bianca's friends practically beg her to come back despite her acting horribly to them earlier and Bianca's actions never being brought up again and the end of the movie gives out a generic feel-good message that everyone sucks just as much as you do.

The acting is cringeworthy across the board, with the possible exception of Amell, who at least seems to be trying rather than phoning it in like everyone else. Ken Jeong again tries too hard to be funny. Mae Whitman is serviceable, which was to be expected. Everyone else fails.

I know that women are one of the biggest consumers of American mainstream media but this is not healthy. Encouraging teenage girls (and guys as well) to remain stuck in their ways and expect good things to come is a poisonous mentality. I cannot, in good conscience, recommend this.
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Merlin (2008–2012)
3/10
So Bad, Yet So Watchable
28 April 2012
Warning: Spoilers
"Merlin" is one of those shows in the vein of BBC's "Robin Hood", and the new "Dr. Who" - it's poorly-written with clichés utilized to the max whenever possible, the cast cannot act worth a damn (even the main lead, Colin Morgan - he has a maximum of two emotions, "Happy Merlin" and "Sad Merlin". Seriously, that's it), the plot and overarching mythology makes less sense as it goes on, the CGI and special effects look like they came straight out of the 90s, and any and all character development is quashed almost as soon as it appears - the worst offenders in this department would have to be Guinevere, who appears to have even less of a personality as of season 4 than she did when the show started, and Morgana who has been transformed from a whiny princess type to a whiny one-note villain type.

Yet, there is something alluring in the fact that it's so laughably bad, that you cannot help but keep watching, just to see if it can get any worse (it does). The main problem is that the show, much like "Robin Hood" did, tries to pay lip service to the source material, yet it's attempts to do so are clumsy, and are disregarded almost immediately afterward, with the writers freely butchering canon left and right. At this point, I honestly feel as though the creators should stop pretending to care about having an established mythology and take the show's plot in a completely new direction. It would do it a lot of good, and who knows - maybe, ten to fifteen years from now, someone might actually remember this as a good show in it's own right, instead of that one show that existed solely for people to lounge on the sofa with a can of soft drink in hand to admire eye-candy actors and actresses prance about the screen shirtless or with their breasts partially exposed, while sprouting off dialog that would make Michael Bay cringe.

Overall, it's not bad if you want to spend a Friday evening after work watching some mindless entertainment. Who knows, maybe one of the myriad of cheesy jokes might actually make you smile.
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