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Hesher (2010)
8/10
Metal, Loss, Arson, and Moving On
17 May 2011
Simply put, Hesher is an exploration of loss: a universal experience shared by the film's characters: a nihilistic head-banging arsonist named Hesher (Joseph Gordon-Levitt), a supermarket clerk with thick-rimmed eyeglasses and financial troubles named Nicole (Natalie Portman) who doesn't like being called "lady", a depressed widower named Paul (Rainn Wilson) who takes pills and sleeps all day, and a boy named T.J (Devin Brochu) who recently lost his mother, has a crush on an older woman, and is constantly bullied at school.

There are equal moments of humor and sorrow that bring a unique balance to the film. The best way I can talk about a film is by talking about the particular moments that stood out and made it such a beautiful picture. There is a particular scene where TJ and Paul go to a self help group to help cope with their loss that is one of the most brutally realistic and painful, yet beautiful scenes I have seen on film. Seeing these people talk about their grief was like watching real people as opposed to actors. That is how good the performances are.

Aside from well-executed emotion-drenching scenes such as that one, there are also real subtle touches in the dialogue between the characters that I rarely see in other films. There is a tender scene where Nicole saves T.J. from a bully. After offering him a ride home, she confesses that the reason she helped was because she didn't want to turn on the news that night and see that a young boy was beaten to death in a parking lot. She really did it for herself so she wouldn't feel guilty later and she apologizes for being selfish like that. The irony here being that that the fact she would feel guilty about something like that makes her a good person and someone who really wants to help.

There is great acting from all involved, particularly Levitt, Wilson, and Brochu. Levitt's actor shows hardly any emotion but there is a particular scene involving a close up where you can gradually see his eyes water as his heart breaks. Wilson continues to impress. He was great in Super and was amazingly real here as well. His heartache and apathy is devastating to watch and shows you how much pain he is in. But the best performance comes from Devin Brochu. He is amazingly good for someone that young. To be able to incorporate a character so completely and fearlessly is amazing to watch. The audience feels for this young boy and you wish someone would just come in and help him. The world is very dangerous for a child and you root for T.J. and hope he overcomes all the troubles he faces.

All in all, Hesher is a great film that is at the same time both hilarious and moving.

P.S. Best soundtrack ever. 80's Metallica throughout. Battery, Jump in The Fire, Motorbreath, etc.
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Super (I) (2010)
7/10
Super is super realistic...and super dark
3 May 2011
With a recent emergence of superhero movies aiming to be grittier and more realistic, Super is arguably the most accurate portrayal of what would happen if someone without powers or insane amounts of money decided to be a superhero. It would require a strict devotion to doing what YOU believe is right. There is, of course, almost always a level of ambiguity among superhero stories. Batman is considered by some to be a menace who if ever caught would most likely be charged with assault and breaking and entering, among other offenses. But he decides to be a vigilante because he sees injustice and wishes to fight it. He believes that what he is doing is right. Similarly, Rainn Wilson's character Frank becomes tired of standing idly by after his wife Sarah, portrayed by Liv Tyler is taken away by the slick and dangerous Jacques, played by Kevin Bacon. Frank intends to get his wife back and stop crime in his neighborhood. But as soon as Frank dons a costume and a monkey wrench as his weapon of choice, his mental well-being quickly comes into question. After all, what kind of person would strike someone in the head with a wrench, thus sending him to the ICU, for cutting in line at the movies? Is he psychotic? Is he deluded? Frank argues that it's actually everyone else who is deluded. What if we're the ones with a problem. After all, most of us witness the injustices and evils of this world and simply accept them as facts of life. We tell ourselves that nothing can be done about them and continue with our lives. Frank however knows what is right, even if that truth is only in his heart. The film earns it's R rating with massive amounts of graphic violence and a particularly strange sex scene. While Kick-Ass already tackled similar subject matter, Super takes a different approach. While Hit-Girl had weapons and combat training, Frank a.k.a. The Crimson Bolt and Libby a.k.a. Boltie (Ellen Page) have no experience at all and have nothing but rage and a penchant for violence to help them stop the bad guys. Additionally, Super begs the questions: Are the protagonists defenders of justice or psychopathic killers? Can they be both? While Kick-Ass had Joan Jett's Bad Reputation playing during Hit-Girl's butchering of a group of criminals, Super doesn't always portray our heroes' actions in such a cheery light. In order to save Frank's wife, The Crimson Bolt and Boltie need to be murders. They don't have the money or skill to develop sophisticated weaponry that will incapacitate their opponents. They don't have that luxury. They will gather whatever crude weapons they have in order to exact justice on those who escape the law. And if that makes them crazy, then so be it.
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