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gregory-j-ford
Reviews
Moonlight (2016)
Astonishing and Innovative Skill, Heartrending Compassion: Worth Every Nomination and Award It Gets
More than a movie MOONLIGHT is an experience.
Langston Hughes asked "What happens to a dream deferred?" Barry Jenkins asks what happens to a human being is not allowed to be?
This is a story about someone trying to grow into what they are meant to be while being hedged in by unmitigating boundaries of racism / white supremacy, homo-hatred and class.
Barry Jenkins lets us see what happens to his protagonist and to the community he is a part of. But by turns Mr. Jenkins also finds ways to put us in the protagonists shoes so that we experience the effect of his world on him.
If you have experienced disappointment as a child and learned to cope with it, this movie will speak to you.
Stunningly acted with fierce vulnerability and commitment. This film is deserving of every award and nomination it gets and some it won't get.
For Love of Ivy (1968)
Two white kids try to get their family's black maid to remain in service by finding her a suitable love interest.
I was touched by this movie than I expected to be. It is a formulaic romantic comedy with an absurd premise that doesn't quite fit within the bounds of the formula. The clash that can result from differences in cultures and classes is touched on too deeply for what you might expect from such a comedy unless it's directed by Lubitsch or Wilder. But I found the movie satisfying anyway. I think everyone turns in strong, committed performances. Sidney Poitier is in total possession of the camera with his variety of alternating facial expressions. You could call it mugging but for me it worked and every facial expression felt fully motivated. Abby Lincoln is heart-wrenching as Ivy. She does seem too old for this role. But so does Beau Bridges. And both her and Bridges' performances are relentlessly precise, detailed and committed to what their characters are. I was happy with the actors in the roles of the white family. Don't forget that this is a comedy with an absurd premise. And the family is patronizing and cringe-inducing. But I think that is the point. I loved how the director gave us quick, dense pictures of the state of mind of the characters through their body postures. The director does some nice choreography with moving the cast through the house. For example, I loved the opening sequence in which the family moved through the house as they prepared for the morning. I loved Ivy and Jack's departure from the house that ends her employment as a maid. No minor character or extra/atmosphere is ever wasted. This is solid work that is worth seeing.