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wagneraguiar
Reviews
The Art of Getting By (2011)
Go there, give it a try ...
I like movies like that, well-meaning. Even when he himself does not solve all the reflection, but it is airy enough for the viewer to complete the empty spaces.
A delicate work, well worked, dramaturgically competent, technically well resolved. Promises more than delivery, yet lets us take flights. That is enough.
For those with super heroes Fred Flintstone and George Jetson, a story like this is enough.
Emma Roberts, as always, looks great and saves the character well. Freddie Highmore is kind of the same, but I like him a lot. So I am suspicious. But he's fine, yes.
A typical teen drama, half intellectualized there, half modern with catchy dialogue. I don't know, you can have fun and it leaves a certain joy that the whole thing can really be worth it.
Todos lo saben (2018)
That's a good movie, just.
The director has said what he has come up with and has been talkative so far.
This movie hit his hand hard in a simple and deep story. The film shines only in its repertoire without comparisons. Showing the daily life of family issues and the weaknesses of social futility where there is no where to cling.
Technically impeccable with an exquisite cast. A well scripted plot and an honest ending.
More than an entertainment a great must-see movie.
A Vigilante (2018)
Look, the movie sucks EVEN!
All confused. The director eroded ugly into completely wrong choices by wasting a good story with a fairly current theme. Script, rhythm, lousy plot and dubious ending nothing saves.
However, if you are one of those people who distrusted, from House MD, that the actress Olivia Wilde would one day be great and dedicated to the craft of drama. Your opportunity to confirm has arrived. Just for that, it would be justified to waste your time with this bad film of gnashing your teeth. Yes, you did! With the difficulty of good and serious adult films in Hollywood today and almost bankrupt. That's the only reason Olivia must have accepted this project. Qto us and for this very reason we will hardly have another chance to see it as here.
Otherwise forget
Who We Are Now (2017)
Few will reach this refined delicacy.
When we think that the movie has been shot for good, a new guy comes along and shows that there is a lot to be shot.
If you go to this movie and don't even think about popcorn because it doesn't match, you can't do two things at once. Take your water and get very comfortable because you will be taking a bump that will release you only after the end. And breathe, breathe first because during tb you can not, the levada is breathtaking.
Not satisfied with making the point, the guy wrote, directed, and produced the movie. And it did well, a lot. Filming!
It looks like Newton looked at Nicholson and thought, "I'm going to write her a character." And the actress, Nicholson, fit perfectly. She who is responsible for locking you in the plot and letting you land only at the end of the story. With an electrifying, magnetic interpretation of the skin. Goddamn actress!
The driving is discreet and competent, at the same time jovial and intense. Unpretentious and effective photography, without losing the aesthetic beauty. No soundtrack, but the director puts him inside a jazz club just in time for the plot, the music that comes in seems like an oasis for us to redo in preparation for the genius end.
Check out!